[engl] Much loved, relentless rocker, Jake Robertson is back yet again with the next instalment of his ridiculously productive solo project, Alien Nosejob. Jake’s got a brand-new bag of tricks and I ain’t gonna beat around the bush; it sounds like AC/DC! Stained Glass may be his finest and most stylistically suited work to date. Ironically, and to quote his own sarcastic lyrics from the album’s second track, he definitely fits this shoe. Not only does Jake have the high-pitched pipes while many others don’t (obviously a vital part in this sound), but the guitar chops to pull off the sweet, sustained lead breaks of this particular style. And he does so in great fashion as you’ll be made immediately aware from the scorching solo on album opener, “Beatles vs, Stones”. Trust Jake to write a song with that title! But alas! it’s not all Bon Scott’s and Angus Young’s. Some Rikk Agnew guitar lines shine through on album closer, "Mouldy Dough". "Shuffle Boogie" marks Jake’s first ever stab at the shuffle backbeat - which he says is him knicking from Rose Tattoo what they knicked from AC/DC - but it also kinda sounds like a sped up Jean Genie or some lost Bowie boog. "RNR Rubbish Bin" stomps its way through five minutes of electrified solo’s and witty lyrics. Even Brian Johnston makes an appearance on the Ausmuteants sequel, “Coastal Living 2”; about growing up on the NSW Central Coast. The bulk (backing tracks) of Stained Glass were recorded by Mix Master Mikey (Young), over a Friday / Saturday in October last year - but by the sounds of it they spent just as much time eating Guzmen y Gomez, talking shit and hanging out as they did recording. Jake took the beds for the eight tracks home, tucked their sheets in tightly and the record was complete before years end.

[engl] There's Aliens In Our Midst! Transmitting from the same warbley orbit as fellow Californians Twinkeyz, as well as outliers Roxy Music, and Gary Numan's Tubeway Army, Andy Human (The World, Naked Roommate, Time Flys) and The Reptoids are back with their first full length in almost four years. In the time between they've teased us with a bunch of killer singles. A succession of short blast preparing the world for their eventual invasion. Here we are in the 2019 and the mothership is descending. 'Psychic Sidekick' is a 10 track transmission of intent. Space is the place and The Reptoids are here to carry us away.

[engl] BRANDY features members of PAMPERS and RUNNING and released a killer 12" on MONOFONUS last year. This is their second release and it's just as much a brain bludgeon as their first. Following in the knuckle dragging, pavement scraping, blood trails as such acts as LAMPS and MAYYORS, BRANDY lays down a scuzz heavy sonic pummeling over this two track single. Loud, brutal, fuzzed.

[engl] New York's Brandy (Ex-Pampers, Running) are back with their sophomore LP and first on TOTAL PUNK. "The Gift of Repetition" is an eight track study in just that. Loud plodding and rhythmic. It will have you bobbing your head till it breaks off your neck. They all share vocal duties often chanting over each other and the lyrics are singular in vision. Bleak with a grin. Synth is added on a few tracks with mind-melting results. When the only other bands that come to mind are A-Frames, Lamps and Mayyors you are obviously doing something right. Pulsing, throbbing, and 100% TOTAL PUNK!!! Limited to 350 copies!

[engl] Prepare to enter the world of glam and glitz as you take a walk down the redd karpet with The Celebrities. An international collaboration between Joe Sussman (Nancy, Dangus Tarkus,Muff Divers) and Kel Mason (Gee Tee) with a cameo by Ishka Edmeades (Tee Vee Repairman, Satanic Togas, Set Top Box...) on "Crackin Under Pressure". I hope this is the last time I ever have to say 'covid project' in my life, but this one's a winner. The snot of early Red Cross, hooks like The Dickies, and pure pop sensibility of 60's bubble gum. A not stop hit factory from top to bottom. Clocking in at 12 minutes this is a multiple flipper for sure. Loud, proud, and standing out in the crowd. 100% Total Punk!!

[engl] It's always nice to put out something from your hometown. It's even better when that something is this good. Cherry Cheeks is the work of fellow Orlando resident ( recently relocated to Portland) Kyle Harms. Started in early 2020, CHERRY CHEEKS was born out of countless hours stuck in front of a computer screen with a raging pandemic outside. Kyle put his boredom, boiling over anger, and frustration to work and started a new project. He put out a few bandcamp EPS and limited run tapes that a mutual friend back home turned me onto. He also informed me that there was even better stuff that hadn't yet been released. I hit Kyle up, he sent me a few tracks, and boy was my friend right. EGG PUNK, DEVO-CORE, QUARANTINE PUNK.. whatever the kids are calling it these days this is 12 tracks of bass driven, pop stained, punk agitation. I'm very proud of this record and am ecstatic to say it is indeed 100% TOTAL PUNK!!!!

[engl] It's always nice to put out something from your hometown. It's even better when that something is this good. Cherry Cheeks is the work of fellow Orlando resident ( recently relocated to Portland) Kyle Harms. Started in early 2020, CHERRY CHEEKS was born out of countless hours stuck in front of a computer screen with a raging pandemic outside. Kyle put his boredom, boiling over anger, and frustration to work and started a new project. He put out a few bandcamp EPS and limited run tapes that a mutual friend back home turned me onto. He also informed me that there was even better stuff that hadn't yet been released. I hit Kyle up, he sent me a few tracks, and boy was my friend right. EGG PUNK, DEVO-CORE, QUARANTINE PUNK.. whatever the kids are calling it these days this is 12 tracks of bass driven, pop stained, punk agitation. I'm very proud of this record and am ecstatic to say it is indeed 100% TOTAL PUNK!!!!

[engl] New York’s Foster Care is back with a brand new LP for Total Punk, and the first since adding Allison Busch (Awesome Colors, Call Of The Wild) on drums. El Abuso finds Foster Care at their most realized. It’s tight wound, ferocious, dark and dare I say smart. Has Foster Care grown up? Have they left their foster parents for the half way house? An 11 song nineteen minute punk maelstrom. This isn't a collection of songs it's a heaving beast. An absolutely relentless wall of pounding drums, vicious guitar, and gnarly bass rumble with Chris Teenager biting the air above it all. They even finds some moments to get weird and reflective between the throbbing outburst and violent spasms. Mean, loud, and 100% TOTAL PUNK!

[engl] "To call ‘Remain Intact’ the work of an auteur might not be the proper usage of the term, but I can think of nothing else to call a piece of art expressing a singular vision with such perfection. GG King is a band first and foremost, but this LP is Greg King’s mind cracked open like a melon for all of us to peer into, from the music, to the lyrics, to the carefully constructed artwork. He’s assembled a crack unit of ATL’s finest players to help him articulate this vision, and under the peerless guidance of Ryan (Dinosaur) Bell they have created a record that will appeal to any rocker with a soul, heart and/or mind. Heshers, punkers, hardcores, powerpoppers, garage turkeys, everyone is welcome and should find something to love here. 13 tracks clocking in at around some of the most rewarding 40 minutes of music you’re going to listen to this year, with a companion cassette filled with bonus material that most bands would be releasing as their masterpiece LP. It’s difficult to find a punk record invested with any sort of real personality or emotional heft these days, but King somehow does just that without sacrificing any rock’n’roll power. The title track is slice of upbeat power-pop with a hard punk edge and a King-sized hook. “God’s Chalk” makes me stumble for a description, and instead just blurt out punk-death-rock-metal like some kind of boob. “Golden Horde Rising” is straight garage thrash. Heavy stuff. Visceral thrills aside, it’s songs like “Cul de Sac” that really get your mind cranking – lyrical subtleties about pride in your home and neighborhood and their defense against the spectre of evil we are all too familiar with these days played out aside a dirgey doom-rock background. “Epoch Rock” encapsulates the current American mindspace in a 5-minute garage-punk song. It’s themes like this where the record truly excels – for as much of a rocking affair it is, it also provides plenty to think about – it’s a record indirectly about him, and therefore us – about the fears of growing old and obsolete, the creeping darkness that looms around the current American landscape and seeks to poke its tendrils into our daily lives, the feeling when you realize that your life is probably made up of more memories than it is remaining living moments. Listen to “Timesick (Doom and Gloom Part 3)” and think hard about what you’ve been doing with your own time. And even as though those darker themes recur, there’s also a warmth to the whole proceeding – memories are wonderful things to hold, and I imagine it’s by no mistake the second to last song is a Carbonas tune Greg wrote twenty years ago with his now departed friend BJ Womack, here given a wonderful reprise. And look no further than the insert picture of the band and their families laying together in what I like to the think is the same cul de sac referred to earlier. That’s what this record is really about – no matter what tidal wave of shit is barreling down at all of us these days, don’t let it wash away your life, your soul, what you live for, who you live for – remain intact against it all. REMAIN INTACT. It’s not very often I leave my cave these days and let the sun touch my decrepit form, but crawling to the mailbox to retrieve this LP was a rewarding experience, and trust me, it will be for you as well."- Rich Kroneiss

[engl] HEAVY METAL's 2019 magnus opus up until this point has only been released as a cassette but that is all about to change. 60+ minutes of HEAVY METAL spread over four sides and housed in a gatefold jacket. This is by far Total Punk's most lavish project but as worshippers at the alter of all things HEAVY METAL we are more than happy to fork over the dough.

[engl] German punk provocateurs Heavy Metal are back with a brand new LP and first for Total Punk. Over the last four years Heavy Metal has put out four absolutely essential albums and we are proud as pudding to have them back on the TOTAL PUNK train. Heavy Metal isn't a heavy metal band, Live at the Gas Station isn't a live album (they refuse to even play live), and opener Motorhead has nothing to do with Lemmy or his mole. Such is the audacious and absurd world of Heavy Metal. Leading off with the reverb blanketed JAMC vibing 'Motorhead.' For a band that embraces putting their filthy lint covered stamp on any and all musical genres the soft dreamy touches of the album opener leaves us asking "Has Heavy Metal cut it's hair?" Before you have time to answer, the boys fill the tank, drop the clutch, and kick into the HUBBLIN BUBBLIN 'Motorbike' and rarely let up for the remainder of the LP. Occasionally wandering into the weird and warbled on tracks like 'No Air', 'I Am Something', and the hypnotic lurch of 'Centipede Venom.' However 'V:Live at the Gas Station Fighting the Devil' spends most of its time daring us to herk, jerk, spazz out, and let loose. Party music for party mutants. 100% TOTAL PUNK

[engl] Sydney Australia's Itchy & the Nits fly the budget freak flag high. 12 Tracks of fun in the sun stripped down garage punk bringing to mind early Donnas, Brentwoods, and Thee Headcoatees, with a healthy dose of power pop ala Nikki & the Corvettes. Their debut LP compiles the 7 tracks from their demo cassette released last year on Wartman Inc. with five more all recorded by Ishka Edmeades (Tee Vee Repairmann, Satanic Togas...).

[engl] Total Punk is proud to present the debut 7" from Minneapolis supergroup IV (featuring members of Joust, Citric Dummies, Color TV, ). A four song fist pumping face pummel. A band well aware of the power of punk simplicity and wielding it with perfection. Buzzsaw guitars, quick chords changes, and the occasional stop/ start all propelled forward by huge vocal hooks. I first saw these guys at an American Legion last year and the songs were still stuck in my head when they sent these recordings four months later.

[engl] Debut LP from Melbourne Australia’s Judges. A 36-minute meditation on the power of THE RIFF from some of the folks who brought you Smarts, Cereal Killer, and Living Eyes. Monster stomp ripping dual guitar power punk in line with Radio Birdman at their most shredding.

[engl] Cleveland's KNOWSO is another project from the PERVERTS AGAIN/ CRUELSTER camp and it's every bit as demented as you've come to expect from these lads. Dark lumbering repetitive punk incantations driven along by tom heavy neanderthalic drums, chant heavy vocals, and shoulder shaking bass grooves. These boys have a pentiant for off balance hardcore rumblings and KNOWSO is their newest platform in which to do so.

[engl] By 2016 a teenage Drew Owen had put himself on everyone's radar releasing a whopping 19 records (and that was just under the Sick Thought moniker) on pretty much every punk label that mattered over a span of three years. At the time I thought of him as a teenage novelty, an endearing sometimes pesky younger punk sibling who I kept telling "NO YOU PUT OUT WAY TOO MUCH STUFF." However in 2016 Drew sent me what became the "18 & Free" single and had me eating my words, eagerly releasing a single for the kid I kept telling never. Now its 2022 and SICK THOUGHTS are back on TOTAL PUNK with a brand new LP. Drew has proven himself far more than a novelty and here I am eagerly footing the bill again. The shitty attitude is still intact and the songs are still about breaking stuff but the ramshackle production and rough edged tunes of early Sick Thoughts are gone. 13 scorching riff heavy tracks that run the gambit from Stiv fueled Power Pop to ‘Cherie Love Affair’ style Sleaze Rock all masterfully recorded by Drew and Michael Hohan with Drew playing all the instruments. Great music for licking knives or lighting your wallet on fire. Nasty, catchy as fuck, and 100% TOTAL PUNK!!!

[engl] Total Punk is keeping things in Atlanta, following up GG KING's- 'Remain Intact' with PREDATOR's new album 'Spiral Unfolds.' The two bands share members including Ryan Bell who masterfully recorded both albums. Atlanta has the the best punk scene going and Predator are one of its longest running practitioners. Despite the seven years since their last full length, and vocalist Brannon Greene splitting time between Predator and his other projects, Hospice and Nag (both of which just dropped new albums), 'Spiral Unfolds' shows the band still rules the void. The wiry punk minimalism of their previous outings still intact but complemented with a bit more muscle courtesy of the interplay between the two buzzsaw guitars. Brannon's android tinged vocals occasionally giving off a Tubeway Army gone hardcore vibe. 'Spiral Unfolds' is Predator at it's peak. Hypnotic, driving, and 100% TOTAL PUNK.

[engl] Erupting onto the New York punk scene, Brooklyn based band Pyrex have made waves after releasing a handful of well-received singles and tapes and touring the US generating significant buzz. At long last, the group is releasing their highly anticipated debut LP "PYREX". The LP delivers driving, scrappy hardcore-leaning post-punk that sounds like a mix between a lost KBD artifact and an Eastern European post-punk unknown. This LP explores dystopic and nihilistic themes both lyrically and musically packaged in no-brainer high energy punk. Pyrex delivers distorted, angular and heavily entwined bass and guitar hooks strengthened by linear, pummeling drums with raw, aggressive vocals. The trio have created an LP that is equally unchained and artful. "PYREX" is a wholly well-crafted, frenetic, dialed-in, oven-safe, microwavable, and collectable modern punk record with infinite playability.

[engl] Way back in the early 2000s Real Losers were right at the top of the heap of best punk bands going on this planet. In fact the 'Go Nutzoid' and 'Don't Leave Me Now' 7"s were amongst the first I distributed. When I started Total Punk I was sad to have missed my opportunity to work with The Real Losers because they were the archetype of what a Total Punk band should be. Well come to find out the 'Go Nutzoid' and "Don't Leave Me Now' 7"s were originally recorded a long with a bunch more tracks with the intention of being their second LP. However at the time a bunch of offers were coming in so those recordings were split up over a series of 7"s and comp tracks with some never seeing the light of day (it's tough being popular). Last year the band found the original tapes and the songs were remixed and slid into my inbox. These sessions find the band at the peak of their game. The perfect combo of Stooges riffage and budget slop now with the addition of some serious pop hooks. Twenty years late to the game but I am happy to announce that REAL LOSERS- 'Good Clean Fun' will finally be released as the band intended and TOTAL PUNK finally gets to put out a Real Losers record. LONG LIVE THE LOSERS!!! Trashed, smashed, and 100% TOTAL PUNK!!!!

[engl] After countless hours of data driven market research it was determined that the wild success of the first Retail Simps album , “Reverberant Scratch” was 82.6% due to the cheeky and iconic album cover, as such the group was faced with a dilemma. Using focus groups funded by the Center for Odd Human Behaviour (COHB), the group surmised that the man pictured on said cover, none other than Montreal born chanteur Joe Chamandi, reminded the typical unsophisticated commoner of their ner’e do well uncle, and it is this sense of uncanny familiarity that drove people to purchase the record. Upon first needle drop it was revealed to house an abhorrent and obfuscatingly decrepit take on roots rock. Armed with this keen analytical knowledge, the band and their creative team harnessed the boundless marketability of the Trashmen, Dancing Cigarettes and 2 Live Crew to adorn their new disc with an equally palatable and deceptive frontal armour, provoking the straight laced garage rocker of yore to pay the price of entry. Once the branding and visual identity of this little package invited potential listeners in, they were met with incorrigible confusion. You see, after being pigeonholed by the punk paparazzi as a lowly party band, the Simps were tasked with driving home their knack for fervent versatility. This new record captures a group, in the clutches of maturity, boasting their emotional depth, triumphant chops and humble servitude to the trade of rock n roll clowning. Recalling the double speak of VU’s murder mystery, the soul bent lament of Fred Cole and the bastardized funk of Minutemen, the Simps have thusly widened their sonic palate and created yet another masterpiece of the modern age. This is the southern soul of Memphian tradesmen flipped on it’s snowy head, conjuring an impure regionalism that was largely thought to be dead and gone. An alternate kind of Northern Soul with a frosty Arctic sheen. More spazzed out guitar, more howling lunacy, more heat of the moment, turnt poetry and outside the box-isms. “The Simpies have done it again!” Proclaim the industrial-indie-music-complex! Bolstered by the angelic croon of theee Simpettes and the honking heart-wrench of theee Horny Boys, Theee Retail Simpletones bring you this 82.5 % Total Punk din!

[engl] What if the Velvet Underground had written ‘Wooly Bully’ and Sam The Sham ‘Sister Ray?' If Ron House picked up some bongos and joined CCR or If Half Japanese and Hasil Adkins started a Meters cover band? This is the scrap yard of the Retail Simp's mind. Gang activity started when moldy Joe (Celluloid Lunch, Itchy Self...) enlisted fellow rhythm bro, Tom tha Moleanderthal (Feeling figures, Hélène Barbier band...) to make a perfect record in the Ides of corona March. A million Doll hairs and several rock bottoms later, the idea was to make something that would easily fall apart, this was executed with Montreal's best and brightest in the wings, lending a foot (all in the name of bogtime[sic] exposure). Bathroom-stall-wart and Barstool-smart Chrispy Burns (Terminal Sunglasses, American Devices…) was brought in to add his patented 'racket roll' guit-o-rama. James "Gogo" Goddard (SkinTone, Egyptian Cotton Arkestra...) skronked his reliable sax machine and the ticket was printed. Short on practice and high on ideas, thee Retail Simple Tones were born, well traveled and unraveled individuals, bound by a musical adventure. Now to show for it, Reverberant Scratch is a 9 track ruckus of tinny guitar sketching, horn-honking deliberations, keyboardarific doodles, and whatever else one can summon in a basement to bang on. It's a ramshackle party stabber.

[engl] By 2016 a teenage Drew Owen had put himself on everyone's radar releasing a whopping 19 records (and that was just under the Sick Thought moniker) on pretty much every punk label that mattered over a span of three years. At the time I thought of him as a teenage novelty, an endearing sometimes pesky younger punk sibling who I kept telling "NO YOU PUT OUT WAY TOO MUCH STUFF." However in 2016 Drew sent me what became the "18 & Free" single and had me eating my words, eagerly releasing a single for the kid I kept telling never. Now its 2022 and SICK THOUGHTS are back on TOTAL PUNK with a brand new LP. Drew has proven himself far more than a novelty and here I am eagerly footing the bill again. The shitty attitude is still intact and the songs are still about breaking stuff but the ramshackle production and rough edged tunes of early Sick Thoughts are gone. 13 scorching riff heavy tracks that run the gambit from Stiv fueled Power Pop to ‘Cherie Love Affair’ style Sleaze Rock all masterfully recorded by Drew and Michael Hohan with Drew playing all the instruments. Great music for licking knives or lighting your wallet on fire. Nasty, catchy as fuck, and 100% TOTAL PUNK!!!

[engl] Smirk is a solo project from Nic Vicario (CEMENTO). Following the release of ‘LP’ on Feel It (US) and Drunken Sailor (EU/UK) earlier this year, Smirk is back with a brand new EP. While ‘LP’ compiled Smirk’s two limited run cassettes, ‘EP’ is seven fresh tracks of wiry well-crafted punk with heaps of hooks. Sharp guitars and anxious one note leads adding tension to the locked in propulsive groove of the bass and drums. Nic Vicario, doing his best ‘man on wire’ routine, exudes cool confidence while poking at the anxieties of modern life. Strutting his way to the apocalypse one jittery jam at a time, ‘EP’ is agitated, catchy, and bouncy as hell. 200 pro-printed clear/clear cassettes housed in a color J-Card inside a Norelco box. Recorded by Nic Vicario. Mastered by Will Killingsworth. Art by Smoking Room.

[engl] Quickly gaining ground on Jake Robertson as Australia's most prolific artist, Ishka Edmeades (Satanic Togas, Set-Top Box, RRC, Gee Tee, Remote Control, Mainframe...) is back with the debut LP as TEE VEE REPAIRMANN. Sharp edged, hook heavy punk with a generous helping of glammy power pop. This is a sure fire hit parade and based upon the amount of interests we've been getting not to last long in this world.