[engl] Third album from this flaming Flamish/ Dutch Four-Piece - the second on Sounds of Subterrania. Guitar, bass, harmonica and drums. The basic tools you need to grind out solid, loud, prime crawl, top notch rock’n’roll. “The stuff that don’t save souls” as Lux Interior puts it! Featuring 13 songs of love (both good and all gone wrong), death, life and just general fucking around on a daily basis. Stuff you can relate to. As a huge fan of the superb Belgien beers I would love to write something clever about this record and relate it to Quadruples and Trappists and Saisons, but fuck that for now. This goes perfectly with loads of lager - preferably in big glasses - and cheap alchohol! Kicks off in perfect style with what you think is an instrumental with an in-your-face harmonica solo followed by a blistering guitar! But what for it! “In Motion” dives into a perfect little r’n’r tune with a certain Memphis feel to it - heavily amplified by the chorus line “Strong Come On” I’m sure fans of Reigning Sounds and Oblivians will have a small (drunken) smile on their face while listening to this fine slab of hard bluesy rock action. My original plan was NOT to mention “O, Oblivian!” but there you go… There is a certain laid back 70s rock inspiration sprinkled all over the record recalling splendid bands like The Dictators, MC5 and Rory Gallagher during his “Top Priority” and “Stage Struck” era. Songs like “My Love is Gone” and “Soft Kill” are knee deep stuck in the best sounds of the 60s rock tradition. However these guys never sound retrospective or old-school. Totally fresh and rocking in a free new world of people who actually believe that true rock’n’roll never dies. Short, sharp, to-the-point compositions with no superflous bullshit or pointless ideas. You even get a one and a half minute ballad and a two minute country tune - electric spaghetti style! I feel like writing motherfucker now, but I can’t really get it context. Wait a minute! Maybe “motherfucker” is the best way to describe these four fine fellows. I’m sure that is the word I’ll be throwing at them next time I see them live! Closing number “Don’t Bury Me Before I’m Dead” is a plus four (no pun intended) minutes bluesy death rock tune, not unlike something Jeffrey Lee Pierce could have written on a good day (if he had any good days that is). Sheer class!

[engl] After Lookout! Records, Asian Man, Recess… it’s Striped Records’ time to shine, re-releasing Screeching Weasel’s second album “Boogadaboogadaboogada!”. We like to think of this 1988 classic as “the hardcore album that started pop punk”. Its influence on the punk scene is undeniable, linking the 80s to the 90s and being featured in every list of essential pop punk records. We thought a simple repress was not enough, so we introduce the “Legacy Edition” to you music collectors and Weasel superfans, a double LP in a gold color gatefold containing: - LP 1: “Boogadaboogadaboogada!” (2020 remaster) colored vinyl - LP 2: “Live ‘88” (for the first time on vinyl, same lineup as the album) black vinyl - 8 pages, 30x30cm booklet with a new, exclusive Ben Weasel interview by Andrea Manges, memories by Fish, art by Manuel Cossu.

[engl] 2024 marks the 50th anniversary of the legendary RAMONES, a band that has heavily influenced musicians around the world to this day. This includes Italian punk rock veteran ANDREA MANGES of the famous MANGES and Austria's punk rock institution DEECRACKS. To honor the legacy of their favorite band, they teamed up to put their spin on their heroes' entire 1989 album BRAIN DRAIN, which also celebrates its 35th anniversary this year. This project means a lot to them, as this record was very much the most recent release of the Ramones when both Andrea and DeeCracks discovered them and fell in love forever.

[engl] Songs of Confusion delves into moments of introspection and turbulence, where clarity and uncertainty collide. In this work, Pronai explores a paradox many will recognize: the tension between needing to make sense of things and the confusion that often comes from trying. Each track carries a different shade of this emotional landscape, capturing moments of hope, doubt, resolve, and the questions we keep coming back to. It’s music for those who feel caught between worlds, struggling with the weight of expectation and the urge to break free. This album resonates with listeners who understand that confusion is often an inevitable part of finding one’s path, and that rock ‘n’ roll remains one of the most powerful ways to express it.

[engl] Rock & roll from Montreal, Canada, that's constantly on the verge of falling apart, like mid-flight turbulence that makes your stomach sink. This fuzzed out nugget of catchy proto-punk is brought to you by Bachelor Records. Everytime our business partner Lutz from Soundflat Mailorder, a premier record-by-mail company from Germany, with a fine selection of discs and whatnot, orders from us (yes, he is a man of taste!) he asked if i have something interesting, outstanding, soon-to-be-classic for is powerpop fix, we point him into certain gems we have in stock, under the counter. When we recieved the first PLASTIC ACT 45 directly from the label, we immediately thought THIS is exactly what Sir Lutz is searching for! Their debut release was only pressed 110 times, and I think the copies we ordered were the only ones who made it across the big pond. Shortly after that Josh Herlihey / Plastic Act wrote he has three more songs recorded, and he is ready for a business meeting in Salzburg, Austria. During a warm and beer-soaked afternoon we closed the deal, and the rest is history! In that case, 300 copies of this! PRIVATE LIVES personell by the way, but this is the better band.

[engl] Introducing Molbo's explosive debut LP - a sonic assault on your senses! Immerse yourself in the ear and brain damaging punk from the deepest dungeon/basement imaginable. This release guarantees to leave you with intense aural and neural trauma - in the best way possible. Experience the energy, frenzy, and kinetic power of punk straight from the Blitz basement in Oslo. Prepare to be blown away by the unexpected brilliance of this Norwegian band, serving up some of the most captivating music in recent years. A a breath of fresh air in the punk scene, offering a unique blend of aggression and melody that will keep you hooked from start to finish. The band's ability to create a sound that is both chaotic and cohesive is truly impressive, showcasing their talent and creativity. From the moment you press play, you'll be transported to a world of raw energy and unfiltered emotion, with each track delivering a powerful punch that will leave you craving more. Get ready to rediscover the raw essence of punk with Molbo. With crunchy guitars, relentless drumming, and visceral vocals, this record promises a satisfying and exhilarating musical journey. Don't miss out on one of the most thrilling bands of the moment - Molbo is here to shake up your music world!

[engl] This split LP marks the rise of the Norwegian straight edge scene. SYF's demo was recorded in 1990, with only a handful of copies ever made. Onward's demo, recorded in 1991, features most of the tracks that later appeared on their debut 7" released by Crucial Response, though these versions sound much rawer and more unpolished. Both bands not only shared some members but also recorded their demos on the same 4-track porta studio, making this split LP a natural fit. So, which side is better: SYF or Onward? Norwegian hardcore - raw to the bone. Each color limited to 100 copies.

[engl] From the ashes of Polyester...a weird crazy combo of punk and disco. Frank E. Male from Henry Fiat's Open Sore and Polyester teams up with the Shady Lady. They released their debut on Bollmora Records.

[engl] A perfect pairing of the globe’s top raw punk bands on this 5 track studio EP by Vaxine from NYC and The Last Survivors from Tokyo. 2 bands who live and breathe punk in the sense of it having always been a global community who are unafraid to mix influences, while always staying rooted in the classic punk feeling they love most. Kindred spirits if there ever were a pair, with both bands having members, who for decades, have been playing music heavily inspired by the UK82 sounds of bands on Riot City and No Future records, but played organically and honestly mixed with the sound of raw 80s global hardcore. This is the true definition of “Raw Punk”, and don’t let anyone with too many distortion pedals tell you otherwise.

[engl] 4 track unreleased studio EP recording from their Mushi era. The fact these tracks exist, and are as good and as high quality as they are truly the stuff dreams are made of if you are a fan of the Stalin. These aren’t demos, but full-fledged, intentionally recorded studio tracks that just never saw the light of day. This originally came out in 2023 in Japan to coincide with the 40th Anniversary of the Mushi LP, and sold out in mere hours, and remains prohibitively expensive on the second hand market. This is a one-time overseas pressing on General Speech, and includes identical artwork to the Japanese release, by Keizo Miyanishi who drew the cover of the Stalin’s “Trash” LP, and English liner notes from Inundow covering the discovery of these tracks. Truly essential to any fan of Japanese punk.

[engl] The first in a series of reissues of their material on General Speech. Ignorantes started in Chile over 10 years ago, and during that time their sound has grown to feel more and more timeless. Credited with reinvigorating punk in South America, kicking off the rejuvenation worldwide of catchy pogo punk that is raw, but loses none of the danceability. “Tupa-Tupa”, as it’s been called, named from the unique 1-2-1-2 drum sound contained within many classic punk bands from South America and Mexico that is irresistible to punks on the dance floor, which Ignorantes has shown a spotlight on for the rest of the world to appreciate. A modern classic taking equal influence from UK greats like Chaos UK, Chaotic Dischord, and Disorder, Japanese punk like Gai and Swankys, and South American classics like Pestes or Mutantex from Colombia, but always maintaining a sound that feels original and distinctly like Ignorantes.

[engl] An archive of underground DIY sounds from over 50 different Japanese artists dating 1979-1981. Inspired by the U.K. compilation album of the same name released in 1980 by Morgan Fisher, a one time member of Mott The Hoople, which featured “miniature” works by an incredibly diverse group of 50 cutting edge artists from Half Japanese and The Residents, to Robert Fripp of King Crimson and Dave Vanian of the Damned. This version of “Miniatures” was curated and released by cult teen punk band Die Öwan in 1981. Feeling inspired, they wanted to create their own version with current and cutting edge Japanese artists. Unable to find 50 artists suitable for the compilation, they took it upon themselves to fabricate multiple different bands to flesh out the album in its entirety. Musically you'll find punk, post punk, electronic, early industrial, and experimental avant garde sounds on this record. Due to the nature of this project, many of the bands are found ONLY on this compilation. An incredible time capsule of urgent creativity, and a great snapshot into the diversity of Die Öwan’s “XA Record” label.

[engl] Seven previously unreleased songs. Hardcore punk in the best sense, pure energy! Studio, rehearsal room and live material, including two cover versions. Comes in 300g full color hardcover.

[engl] Rough, fast, noisy hardcore German punk for the time, this band is at the top of European thrash king history. The guitars dominate while the drums and lead vocals struggle to be heard. Incredibly powerful music that puts her previous works to shame. From the start, OHL race on the highway of anti-commercial music. "1. Oktober” is both the start and the first highlight. Anyone who has ever heard German W.'s hysterical calls of “ Deutschland, Deutschland ” will never forget them. Many songs follow the manic rush of the opening title. Freut Euch“, „Glocken der Revolution“ and “Neue Macht” are among these songs and they celebrate an energetic orgy of uncompromising speed and grimly determined fighting spirit. Comes in an nice inside/ out gatefold sleeve with new Artwork and linernotes.

[engl] The double LP contains a total of 36 songs from the early phase of the Berlin band. The studio recordings (19 songs) were recorded between 1983 and 1984. The recording quality was really good for the time. The band also featured the use of a synthesizer, which was unusual for a punk band. The live material (recorded on September 17th, 1983 at Berlin Prinzenallee 58 and on May 26th, 1984 at Nachbi Berlin-Neukölln) impresses with its pure energy and delivers an onslaught of the best Euro-Punk/Hardcore, original, powerful, great!!!! The whole thing is rounded off with a multi-page, full-color booklet with previously unpublished images.

[engl] The "Raw Power" 2xLP by the NIKOTEENS contains a total of 57 songs that were recorded between 1980 and 1985. It starts with the "Aloah Oehh" LP from 1983, followed by the legendary performance in the Linzer Kapu on November 9th, 1985. The second LP continues with the “Skateboard Tape” from 1984 and at the end some bonus rarities. A booklet with liner notes and other unpublished images is also included.

[engl] Another Seattle sharp hit wonder! CLEAN LINES is the name, clean lines is the game. Clean'n'catchy power pop lines with sugar-sweet harmonies and sweetheart pop appeal. At least for the A-side. But when Steve E. Nix (THE BRIEFS/CUTE LEPERS etc.) is also involved on (co-)vocals and (second) guitar, you can expect an extra jagged additional note. You can hear this strongly on the final cut, „In the way“. 11 minutes of BUZZCOCKS meets THE NERVES in 2024. And sometimes a splash of THE SWEET („So sharp“).

[engl] early 2000 emopunk

[engl] After releasing three songs on YouTube, the Antwerp-based post-punk band Rehash has teamed up with Mangel to launch their first release, ‘Aktion Reaktion!’, on vinyl and tape. Their stripped-down German lyrics, more slogans than poetry, provide a rebellious soundtrack not only for Antwerp’s youth. Drawing inspiration from late 70s German and British punk, they infuse these influences with a modern twist.

[engl] Balm have good ideas and dare to use melodies and instruments for them. The drums stumble charmingly in some songs, there is piano, there is 90s guitars - it all sounds a lot, but the remarkable vocals manage to hold everything together in a haunting but light-footed way. It's like a melancholy stroll, more on a summery field that has been harvested than through a city.

[engl] Plexi Stad comes around the corner with their second 7'', which is their first release on Mangel. With broken-down melodies, they insist on rhythms and tones, somehow stubborn and angry. The bass purrs along and the guitar works its way into the rhythm section, while the vocals sit on top, somehow offended, once more whipping the songs forward.

[engl] A new star in the retro sky. Mauerstadtmusik which could also have been recorded in 83.

[engl] Die Verlierer’s second celebration of sound, their new album Notausgang (emergency exit), is an enrapturing manufactured approach to the nostalgic turns known to few as 70’s punk n roll, now released on Mangel Records. With shades of both American and German influence, Die Verlierer are lyrically exploring riotous and somber notions of both public concerns and private endeavours. The unified sonic realm does its job accordingly, with a thick determined timbre of bass, sharp guitars and rolling drums – Die Verlierer create a sound as clear as a broken glass. Through the course of 14 rich tracks, the band will take you on a journey between the busy cross roads of early- and post punk, mixing fast beats and slow&heavy melodies.