[engl] The legendary electronic goths return with a new double album.

[engl] Three youngsters originally from Russia banging super loud and primitive lo-fi no-wave punk in the spirit of eary 80s New York stuff

[engl] 20+ years old hardcore thrashers getting angrier and faster. 20 minutes of no bullshit.

[engl] Fast hardcore punk with definitely a twist of their own

[engl] The sixth long play by this uncompromising Finnish hardcore unit. 13 tracks from half a minute long thrash blasts to 7 minute long noise drones.

[engl] New wavey punk with twangy guitars - like Joy Division jamming with Neil Young

[engl] Nordic funk-punk with their own attitude and sound. Jello Biafra is a fan and released a compilation by Radiopuhelimet in the 90s. 35 years and still running.

[engl] The perfect noiserock soundtrack for the 2020 world downfall.. For fans of Brainbombs and Touch & Go noiserock classics.

[engl] Fabulous US hard-psychedelic album by NOAH, recorded in 1972 but never released at the time. Expanded to a double set including the SOUND BARRIER (pre-Noah) sought-after garage-psych 45s plus unreleased demos, ’67-71. Master tape sound and insert with rare photos and liner notes by Plastic Crimewave. RIYL: BLUE CHEER, SIR LORD BALTIMORE, FRACTION, IRON BUTTERFLY, STEPPENWOLF… Formed in the late 60s in Salem, Ohio, out of the ashes of two garage bands, the Markees and the Sound Barrier (of the legendary “Hey, Hey” 45 on Zounds), Noah consisted of Mark Scheuring (guitar & lead vocals), Larry Davis (drums), Paul Hess (bass & backup vocals) and Danny Hall (keyboards & backup vocals). In 1972 the band recorded in just two days a concept album titled “Brain Suck” at Cleveland Recording studios with engineer/producer Ken Hamann (of Grand Funk Railroad and James Gang fame). Noah’s music was dark and heavy, dominated by killer Hammond organ, hard guitar and powerful vocals. This is truly a major find for anyone into hard psychedelia. In the words of Steve Krakow (Plastic Crimewave): “it conjures the heavy, doomy vibe of Blue Cheer's "Fruit and Icebergs" suite; the bluster of Sir Lord Baltimore (but maybe with Keith Emerson on keys); and a biker ferocity found on the Fraction Moonblood Lp. I'm also imagining Steppenwolf, Iron Butterfly, or Vanilla Fudge on some bad drugs with a Mothers-like malignance”. The LP sessions were never released properly (in fact a truncated vinyl edition with some songs missing and late Sound Barrier demos added was released in 1995 by Al Simones on his Head Records label, without the band’s knowledge) so this is the first time that the “Brain Suck” album is released as originally intended by the band. *Double LP edition in gatefold sleeve. *Disc 1 features the original “Brain Suck” album by Noah, as originally recorded in 1972. *Disc 2 features late Sound Barrier (pre-Noah) demos from 1968 (which are KILLER, prime cut garage-psych with ripping fuzz and organ) plus the two Sound Barrier 45s from 1967/68 on Zounds / United Audio and a couple of cool previously unreleased Noah home demos from 1971.

[engl] Heavy psych insanity from 1989, featuring MONSTER MAGNET founding members John McBain, Dave Wyndorf and Tim Cronin plus Shaune Kelley (Ripping Corpse) and Joe Paone (hellSausage). Long tracks with raw & in your face lo-fi sound, wall of fuzz-wah guitars, caveman drums, echo-laden treated vocals… As John McBain said: “We sounded like Amon Düül with Uli Jon Roth sitting in”. Originally released as a private cassette on Tim Cronin’s Cool Beans “label”, here’s the first ever “real” release. Insert with liner notes by Plastic Crimewave. Unearthed by Steve Krakow aka Plastic Crimewave, the Acid Reich cassette is a cool testimony of the origins of Monster Magnet and the Cool Beans label, a vehicle for McBain, Cronin and Wyndorf to experiment with homemade four-track cassette recordings, influenced by their love for 60s garage / freakbeat sounds and 70s space / hard-rock. Using a couple of four-track cassette recorders plus an array of vintage Orange & Ampeg amps, fuzz and echoplex pedals, Danelectro guitars, etc, many fake bands and side projects were created, some of them recorded between rehearsals of their “main band”, Dog of Mystery (pre-Monster Magnet). Acid Reich was born when they decided to record something “very heavy, weird and raw”. They recruited a couple of friends, Shaune Kelley (a top guitar player who was also a member of death/trash metal band Ripping Corpse) and drummer Joe Paone (of experimental / noise solo project hellSausage). The result was “Mistress Of The Perpetual Harvest”, a cassette comprised of four long tracks (including a freaked out cover of Pink Floyd’s “Set The Controls From The Heart Of The Sun”). Limited to 300 copies on black vinyl.

[engl] First ever vinyl reissue of this Swedish private pressing from 1979. Heavy twin-guitar fuelled underground hard-rock with prog/psych touches! Heavy cardboard sleeve, master tape sound and insert with rare photos, lyrics and liner notes. Plebb was founded in 1976 in the small town of Mönsterås (Sweden). The band name was based on the initials of the first band members names. The “P” for “Pemce”. “LeB” for “Leif Bergqvist” and the last “b” for “Balder”. They were just teenagers (16-18 years old) and in 1977 guitar player Leif Bergqvist was replaced by Peter Martinsson and then the band started to develop their sound and began to write their own songs influenced by their favorite musicians. After recording a private cassette, the band decided to make their first album. So in 1979, they recorded “Yes It Isn’t It” with almost no budget at a makeshift studio using two locations: the attic of a local biker club and a school. It was produced by bass player Tommy Gustavsson and only 485 copies were pressed on the band’s own label, Plebb Records, sold mainly locally to friends but also in some shops in consignment.

[engl] Reissue, limited edition of 300 numbered copies, 180 gr vinyl, coloured (orange dark). Originally released in 1969. Produced by George Martin –who also did some stunning string arrangements– during a break from recording The Beatles’ White album sessions. In the vein of Kaleidoscope (UK), Left Banke, Strawbs... A MUST!

[engl] Influenced by bands like Pink Floyd (Piper at the Gates of Dawn in particular), King Crimson, early Yardbirds, the Byrds, the Beatles and various blues & psychedelic abands and artists from the '60's, the Moffs, a Sydney band, were around from 1983 to 1989 and they released a whole lot of vinyl on the Citadel label. Their shows were wonderfully laid back - you could easily sit on the floor with your eyes closed and just groove along to their music, or you could take a whole lot of illicit substances and REALLY get into it. They were surreal, atmospheric and groovy; think of jangly guitars, bass guitar octave runs, Farfisa organs and the occasional bells and chimes.

[engl] 10 years after its release on CD finally this legendary album on vinyl! Lost Acapulco are a surf rock band formed in the port of Acapulco, Mexico in 1996. One of their main features is the use of Mexican wrestling masks (Lucha libre). Pioneers without a doubt of the surf scene in Mexico. Considered a cult band, which since their inception in 1996 have been characterized by its powerful and vertiginous live shows. Power that the public has been transforming into frenzied and colorful tribal dances, with wrestling masks, flowery shirts and beach accessories; paraphernalia that the fans have gradually incorporated into their shows. Their debut album "4" was produced by Danny Amis (Los Straightjackets). Their music has been included in films of the "new Mexican cinema", such as Sexo, Pudor y Lágrimas, Perfume de Violetas, Atlético San Pancho, Matando Cabos, Santos Peregrinos and in animations by Jorge Alderete for MTV and Nickelodeon. They have performed in the most important festivals around the world; During their numerous and extensive tours they have taken their music to places such as: Finland, Norway, Italy, Switzerland, Germany, Spain, France, Holland, Belgium, the United States, and Japan just to name a few. The current members of the band are: Mr. Ramirez Acapulco (Bass); Crunchy Acapulco (Guitar); Reverendo Acapulco (Guitar); Warpig Acapulco (Drums).

[engl] Back in the heady days of 2007, long before social media was the reigning king of entertainment, when people still picked going out to live shows over streaming movies, there was a band that made a little blip on the heart monitor of the Medway music scene before disappearing almost as quick. The Lovedays were a British pop band, in the retro meaning of the word "Pop". With influences ranging from Brian Wilson and The Who, to Steve Winwood and Roy Wood, The Lovedays aspired to be part of the next generation of classic pop purveyors. Their eponymous debut received 5-star notices as far afield as the US, with only self-distribution and promotion, along with noted appearances at The Cavern Club in Liverpool and Kennys Castaways in New York in 2009. They took hiatus in 2010, for pastures new. Ben Jones, the frontman and leader of the band, moved to Austin, TX, where he is part of the roots duo, Beat Root Revival.

[engl] It was year 2013 and the neo-psychedelic rock scene of Santiago de Chile’s was reaching its highest point. After releasing two albums that went from a primitive and urgent garage rock to a more elaborated space rock, Pontiacs, came through with their new self-produced album, “Atacama Dreaming”. Nine songs about the nature through its different dimensions, based on reverberant and repetitive melodies of space rock, dream pop and neo-psychedelia that give form to the most detailed and polished release of the band, which has not been officially released until now. Seven years later, Green Cookies Record presents it to the public in LP format, doing justice to a work that deserved more recognition than it had original received.

[engl] Palmiyeler (Izmir born, Istanbul grown surf-pop-indie-dance-rock quartet) invites you for a drink by wavy beaches where you can enjoy their fun-psychsurf-pop sounds with serious lyrics darken by Istanbul’s genuine chaos. Founded as an Istanbul based garage rock trio comprised of lead vocalist/ guitarist Mertcan Mertbilek, bassist Tar?k Töre, and drummer Rana Uluda?. They recorded their debut 'Palmiyeler EP' in 2013 and released it on vinyl and all digital platforms in 2015. After the release guitarist/keyboardist Bar?? Konyal? has joined the band. They spent time touring, making videos, and recording their debut album ‘II (Venus)’ with the singles 'Senden Haber Yok' and 'Karbeyaz'. 'II (Venus)' was released by Tantana Records in 2017 as a limited-edition LP and through all digital formats. Palmiyeler released their 2nd studio album ‘Akdeniz’ including lead singles 'Derine' and 'Kalbim Seni Arar' on May 25, 2018 as a digital file. Green Cookie Record released 'Akdeniz' as a limited-edition vinyl on May 25, 2020. ‘Ben-Hür’ is their 3rd studio album so far. A singles compilation which contains songs from 2019 and 2020, as well as two new songs.

[engl] Los Apollos started out four years ago with Kahuna Kawentzmann (ex- Looney Tunes) on the surf guitar. After an intermezzo with Ralf Kilauea, Simon Rebohm, formerly of Spektrophon, proved to be made of just the right stuff to get the Los Apollos Space Surf back on the launching pad. Backing up the man’s irresistible Twang is the old team – Christoph Leich (drums, Die Sterne) and Thorsten ‘Taucher’ Weßel (Bass, ex Ostzonensuppenwürfelmachenkrebs). This space surfer trio likes variety – it can be anything from classic genre hits and Arabian surf to super-smooth South Sea exotica and goose-bump inducing versions of long-forgotten musical gems. And of course, there’s a steadily growing core of self-penned hits! Whatever it is though, it has to sound good. A certain elegance, yes that’s a priority, but with this new line-up, it can really let rip too. On the whole, it’s great dance music. Although every now and then, it might get a little melancholic too. Does it get any better than that? We don’t think so. A debut 3 track CD "Mission to Halfmoon", produced by Christian Mevshas been released on MaterieRecords and shows have been performed across Germany and Italy, where Los Apollos had the honour to open Surfer Joe’s Diner at Livorno in March 2012. A truly unforgettable experience!

[engl] Angela, Davide and Juan - Nunofyrbeeswax, write and play pop songs in a minimal setup - as raw as their heart beats. Their sound has been described as idiosyncratic blend of garage rock, post-punk, and proto-punk. Their music escapes easy associations , however, they have reminded audiences of bands such as Half Japanese, the Velvet Underground, The Ex, The Fall, B52's and The Cramps. limited to 300 copies

[engl] Sought-after disco / funk / boogie album from the US, 1978!! Pro-sounding recording with top level musicianship and perfect sound quality, comparable to any other major album of the time (think Love Unlimited Orchestra!). Mixed by Disco legend Joaquin J. Lopes and featuring brothers John & Rocco Giamundo. Mostly instrumental with superb arrangements (string, keys and even the Vako Ochestron on one track) and surprising occasional fuzz/effects electric guitar. Originally released as a promo album in blank sleeve (now impossible to find) on the band’s own Artemis label, it was subsequently issued in Belgium (under the Reverie – Get Up And Dance title) and Japan, both housed in picture sleeves. Including club / rare-groove classics like “It’s True” (compiled on “Under The Influence Vol. 2 by Paul Phillips), “Get It On And Dance”, “The Way We Were” (a disco-symphonic version of the Barbra Streisand movie hit) and more… Here’s the first ever reissue featuring new artwork (based on the band’s original idea for the intended but never finished US cover) and master tape sound.