Katalog

Tipps

  • 01. Anakonda
    02. Blaue Matrosen
    03. Nur Die
    04. Nicht Warten
    05. Gurus & Geheimagenten
    06. Der Sandman
    07. Bis Ans Ende Der Welt
    08. Das Tier
    09. Unmodern
    10. Laut
    11. Roter Mond
    12. Baggersee

    DER MODERNE MAN

    Unmodern

    Wiederauflage der zweiten DMM-LP von 1982 mit den Bonustracks von der Sandman Single. „(…), es brodelt von gewagten Arrangements, raspelnden, splitternden Gitarren, tribalen Rhythmen und gewitzten Texten“, schrieb Xao Seffcheque im Sounds 1982 zu der eben bei No Fun Records erschienen Platte „Unmodern“. Tatsächlich wurden Der Moderne Man von vielen Kritikern für ihre zweite Platte gefeiert und galten von nun an sogar als eine der wenigen wichtigen deutschen Bands. Das war nur folgerichtig, denn die Gruppe war nach diversen Umbesetzungen und Tourneen gewachsen und der Sound war kraftvoller und organischer als noch beim Vorgänger. Das lag zu einem guten Teil auch daran, dass nach dem Ausstieg von Ziggy XY der vormalige Bassist Mattus nun das Mikrophon übernommen hatte. Dennoch klingt auf „Unmodern“ nichts glattgebügelt und auf kommerzielle Verwertbarkeit getrimmt, sondern vielmehr ist es die Wandelbarkeit der Stimmungen, Texte und Musik, die die Eigenständigkeit von DMM ausmachen. Bei dem Opener „Anakonda“ verwebt sich der schlangengleich mäandernde Bass mit einem Text, der Erotik und Altes Testament verbindet. Der Titeltrack „Unmodern“ hingegen ist wohl als Parodie auf den damaligen Zeitgeist zu verstehen und erinnert an Kraftwerk oder Devo, trotzdem bleibt er mit verschmitztem Popappeal im Ohr. Auf dieser Platte sind etliche Perlen wie „Gurus & Geheimagenten“ und „Nicht warten“ (wieder) zu entdecken, die kompositorisch wie auch textlich wunderbar gelungen sind. Der Moderne Man klingen frisch, frech und selbstironisch, ohne sich dabei in kopflastiger Avantgarde zu verstricken! Um nochmal Xao Seffcheque zu zitieren: „Unmodern ist eine der modernsten deutschen Platten der letzten Zeit, zwischen Rock und Hose, Abenteuer und Freiheit, Hinz und Kunz, … einfach hervorragend.“ Das gilt auch heute noch.
    Format
    LP
    Release-Datum
    07.12.2019
    EAN
    EAN 4270000705670
    Format
    LP lim
    Release-Datum
    07.12.2019
    EAN
    EAN 4270000705670
     
  • 01. Lass Dich
    02. Endlich
    03. Der Durch Die Pfützen Tanzt (Outro)
    04. Eigentlich
    05. Alle Mann An Deck
    06. Mehr Elektro
    07. Auf Der Suche Nach Yage
    08. Ein Elegantes Wort
    09. Wenn Du Deine Frau Haust
    10. Wenn Alles Scheiße Läuft
    11. Richtig Kuscheln
    12. Alle Schmeißen, Keiner Fängt
    13. Niemandsland

    HAMMERHAI

    Unterm Schnellweg

    „HAMMERHAI ist ein Klunker unter den Juwelen“, schrieb Helge Schreiber über die hannoversche Vorzeigeband, die seit 1997 als Pioniere des deutschsprachigen Offbeats gelten. Jetzt bringen sie sich endlich mit ihrem 6. Album „Unterm Schnellweg“ bei Rockers Records wieder auf die Karte und in die Ohren der Fachwelt. Nach einer vierjährigen Pause zwischen 2007 und 2011 ist das Quintett inzwischen als Gitarrenband und mit neuem Drummer unterwegs. 13 lange Jahre musste die Zuhörerschaft auf eine neue Platte warten, doch die Weisheit „gut Ding will Weile haben“ gilt auch hier. HAMMERHAI bietet auf „Unterm Schnellweg“ einen üppigen Facettenreichtum aus Punkrock, Ska, Reggae, HipHop, Beat und Metal, dazu schlaue Texte mit Hirn und Seele - HAMMERHAI haben es Puristen und Schubladendenkern noch nie leicht gemacht. Für die glasklare und druckvolle Produktion des Tonträgers zeichnet Gitarrist MC Timsen verantwortlich, der die Band in einem Studio unter einer Autobahnbrücke aufgenommen hat. Der charakteristische Gesang wechselt zwischen brodelnder Reibeisenstimme, angenehm schnoddriger Erzählung und kraftvollen Singalongs. Das Ganze wird stimmlich komplettiert mit schönen Backingvocals und griffigen Sprechgesangseinlagen. Egal ob zügige Ska-Punk-Klopper, frische Hybride aus Dub-Rhythmen mit fetten Gitarrenwänden, kunstvolle Metal-Miniaturen oder catchy Beatnummern – HAMMERHAI klingen kraftvoll, authentisch und dabei komplett tiefenentspannt. Diese Platte ist mitreißend und es hagelt großartige Songs mit Hooklines, Melodiebögen und Textzeilen, die sich in den Gehörgängen festbeißen!
    Format
    LP + CD
    Release-Datum
    28.12.2019
    Format
    LP lim
    Release-Datum
    28.12.2019
    Format
    CD
    Release-Datum
    28.12.2019
     
  • 01. Safe Word
    02. Who Comes Next
    03. Ill Nature
    04. Pressure Test

    ARSE

    Safe Word

    [engl] Hailing from dystopian Sydney, the punk rock trio known as ARSE arrived at the end of 2017 with their acerbic debut Primitive Species on a cassette tape, sounding like the bastard lineage of Feedtime and Black Flag with an uber-modern spin. Equal parts dumb, terrifying and fitting for the times, Species copped the full vinyl treatment six months later courtesy of German punk label Erste Theke Tontraeger. By years end it had crash-landed on The Quietus’ best of 2018 punk round-up alongside Hank Wood and The Hammerheads, Geld and Amyl and The Sniffers. Never content, as their music attests, ARSE have since opened for Cosmic Psychos (AU), No Age (US) and released a split seven-inch record with Sydney noise-assassins Party Dozen. The forthcoming Safe Word EP, a stop-gap on the road to long player glory, is four tracks of future-fried punk the world truly deserves. I like bands that fall on the dividing line between noise rock and hardcore, and Arse are right in that pocket, using pogo beats, wild and noisy guitar solos, and a nihilistic vocal bark that will appeal to fans of Geld, Gay Kiss, Walls, and other bands that trace their lineage back to Black Flag’s My War. Far from just a copycat band, though, Arse strike me as more artsy and ambitious than any of the aforementioned groups. I hear this in the guitar solos (which are particularly unhinged, like Ginn and Hendrix on a bunch of bad drugs), but even more on the two songs that end each side of the EP. These aren’t so much songs as abstract noise / electronic pieces that flesh out the world hinted at in those guitar leads into a full-on post-apocalyptic soundscape. Far beyond your typical “dude stringing together a bunch of guitar pedals and hitting them at random,” these intricately composed pieces scratch the same itch as Klaus Schulze or Tangerine Dream.
    Format
    7''
    Release-Datum
    01.10.2019
     
  • 01. Rubber
    02. Color Kill
    03. Look At My List
    04. Apple T
    05. American HD
    06. Fully Foam Ending
    07. Unlike (ft. Jazz Adam)
    08. Vestido!
    09. Love Today
    10. In Some Ways Yes
    11. Actor Is
    12. Is Ours Not Yes
    13. Being Where It Shouldn't Be
    14. Canada
    15. Dr. Squeamish
    16. Maxine

    PATTI

    Good Big

    [engl] Debut LP from this band out of Oakland now based in New York, though I'd forgive you for thinking they’re from Minneapolis as they sound strikingly similar to Uranium Club. Like society as a whole, punk rock seems to go through eras of conservatism and progressivism, and despite (or maybe because of?) the fact that the right-wingers seem to be ascendant in the United States’ and Europes' wilder culture, we seem to be experiencing a moment in the punk scene when nothing is cooler than letting your freak flag fly. Rhythmically, Patti have more of a Minutemen / Suburban Lawns-type white funk swing to them, but the deadpan vocals and Krautrock-ish way of riding simple, repetitive riffs will do any Uranium Club fan right. The bass lines, guitar lines, and vocal patterns are uniformly interesting, but one place Patti excel is in writing cool bridge parts. Most of the songs on Good Big have a middle section about 3/4 of the way through where the song goes to some strange, unexpected place. The transitions are fluid, so you find yourself thinking, “wait, is this the same song?” until they drop back into one of the familiar parts from earlier in the song. Having that sense of movement and development to the song takes what would have been an interesting collection of riffs and makes them into something more than that, a set of musical stories that unfold in front of you. This is top-notch egg punk, so even if you only mess with the hits like Uranium Club and Coneheads this is worth checking out.
    Format
    LP
    Release-Datum
    01.10.2019
     
  • 01. Von der Freunde am Fahren
    02. Kalle (komm aus'm Arsch)
    03. Roboti
    04. Eingeplant
    05. Alles klar im Wurstbasar
    06. Kettenfett
    07. Krampfstern Neurotica
    08. Eiertanz im Sackbahnhof
    09. Der Fensterputzer
    10. Preußisches Blut

    KETTENFETT

    Raumpatrouille Kettenfett

    Seit 3 Jahren hat sich das Duo Kettenfett mit ausschweifenden Konzerttouren einen Namen gemacht. Jetzt endlich erscheint mit dem programmatischen Titel „Raumpatrouille Kettenfett“ auf dem noch jungen Label Rockers Records ihr Debüt-Album mit 10 mächtigen Songs, die mit viel Wut im Bauch losballern und im Gedächtnis bleiben. Musikalisch schaffen es Kettenfett, die Karten noch einmal komplett neu zu mischen. Wer hätte gedacht, dass sturer fast schon stoisch zu nennender Stoner Rock gepaart mit einem Schuss kühler 80er Attitüde und einer ordentlichen Kelle aggressiven Deutschpunks eine derartig explosive Mischung ergeben würde? Hier wird geackert und geprügelt, dass die Schwarte kracht. Trotzdem verbreiten Songs wie „Kalle“ eine schwingende Leichtigkeit, die dem Hörer ein Lächeln ins Gesicht zaubert. Auch textlich wird hier kein Einheitsbrei aus Parolen, Selbstmitleid, Kalendersprüchen oder anderem folkloristischen Kitsch serviert. Kettenfett klingt bissig und ist dabei wohltuend ironisch und bösartig.
    Format
    LP + CD
    Release-Datum
    17.10.2019
    EAN
    EAN 4270000705601
    Format
    CD
    Release-Datum
    17.10.2019
    EAN
    EAN 4270000705625
     
  • 01. Like Ashes, Like Millions
    02. Manoeuvres
    03. Numb Boys
    04. Anticipation
    05. Damaged
    06. Such Verve
    07. Rival Trial
    08. Just Pornography
    09. Dull Miles

    CUT CITY

    Exit Decades

    [engl] Sweden's Cut City turns a respectful eye towards the gods of '80s post-punk on its debut album. Official reissue limited to 500 copies
    Format
    LP
    Release-Datum
    27.10.2019
     
  • 01. A cocas
    02. I midi wall

    BIBI AHMED

    A cocas / I midi wall

    [engl] Tour Only Special Mini Album with 2 unreleased and new extralarge songs. Limited on 289 copies
    Format
    LP
    Release-Datum
    30.08.2019
     
  • 01. Sef-Afrikia
    02. Tel Kal Tidit
    03. Tamiditin Aicha
    04. La Luma
    05. Marhaba
    06. La La La
    07. I Fitalan
    08. Tamiditin Janette
    09. Lubia Taura

    BIBI AHMED

    Adghah

    Bibi Ahmed, Kopf und Bandleader von Group Inerane, stammt aus Agadez (Niger), eine der unbändigsten, unbeständigsten und gefährlichsten Gegenden dieser Erde. Früh wurde Bibi mit der Unterdrückung und Ausgrenzung der Tuareg durch die nationalen Regierungen von Mali und Niger konfrontiert. Ebenso früh erwachte seine Liebe zur Musik. Als Kind brachte sich Bibi Ahmed das Gitarre spielen selbst bei, bevor er seine Ausbildung von dem großen Meister und Vater des Tuareg-Blues, Abdallah Ag Oumbadougou, erhielt. Geprägt durch die Erlebnisse in den lybischen Flüchlingscamps während des Tuareg Aufstandes, verlieh Bibi Ahmed, während viele andere Künstler das Land in Richtung Amerika und Europa verließen, mit seiner Band Group Inerane der Rebellion eine eigene, musikalische Stimme und öffnete gleichzeitig die reiche Tradition der Tamachek-Gitarrensänge einer neue Generation Zuhörern. In Zusammenarbeit mit Sounds of Subterrania und den Lotte Lindenberg Studio entstand Februar 2019 sein erstes Soloalbum, bei welchem er alle Instrumente selbst einspielte. Diese Reduktion eröffnen einen völlig neuen Blick auf diesen sehr spezielle Mix aus Tuareg Blues, elektrifizierte Tamachek Folk und Psychedelic Sahara-Rock. Man spürt förmlich das Flirren der Hitze und begibt man sich auf den Pfad des Hörens , verschwimmen die Unterschiede zwischen spirituellen Trance und hypnotischem Psychedelic-Blues.
    Format
    LP
    Release-Datum
    30.08.2019
    EAN
    EAN 4260016921935
    Format
    CD
    Release-Datum
    30.08.2019
    EAN
    EAN 4260016921942
     
  • 01. Insane
    02. Pulse
    03. Slave Markets feat Jason Williamson
    04. When does a banknote starts to burn
    05. Brume
    06. Some friends
    07. Lil' white sister
    08. Pepper spray
    09. Le grand soir

    FRUSTRATION

    So cold streams

    [engl] During the 1990s, wherever you lived in France, you could see certain groups between 5 and 10 times a year - sometimes even without really wanting to. Guys who played so much, all the time, everywhere, that it was impossible to spend more than three months without being at one of their concerts. Right down to the depths of the Var or Jura, they pushed tons of kids to start their own band or fanzine, to access something different. It was more than just music. It was a spirit, an idea. A way of looking at the world. Rules are no longer the same. Music no longer has the same weight, the bands we come across between 5 and 10 times a year - sometimes even without really wanting to - are rarely the right ones, and the kids from the far reaches of the Var or the Jura have something else to do than formig bands or fanzines. But the spirit and the idea are still there. And in the last 10 years, in France, no group has played them better than Frustration. Like all these groups, Frustration we have seen them 5, 10, 100 times - sometimes without really wanting to. And because we're not quite the same either - more informed, more busy, more jaded, less easily impressionable - we always said to ourselves that we've gone around it, that their whole comedy is getting old. But with each new concert, each new record, we go back to the roots. Because the fire is still burning, because the passion is still intact, because they are not trying to pass for what they are not. Because somewhere in the heart of the Var or Jura, some kids still need to see the world differently. However, we were not expecting a record like So Cold Streams. At this stage of the championship, Frustration could have been satisfied with releasing a record that was essentially identical to the previous one, intense, abrasive, honest but without risk, and could have continued to fill the rooms without anyone having to complain about it by slowly moving towards an exit as dignified as it was inevitable. But from the first bars of "Insane", an insane electro-punk pounding that you'd think you'd just come out of a 1988 EBM EP, you realize that the scenario isn't going to go as planned. Instead of setting up a comfortable routine, Frustration recorded his fifth album as if it were the first, like a band formed 6 months ago that would have nothing to lose and a serious desire to fight it. If the post-punk cavalry is still present (martial drums, elastic bass, hit-and-run guitars), So Cold Streams surprises with its energy, the virulence of certain lyrics and the many risk-taking, "Brume", a nightmare with industrial sounds screamed in French, to the very pop "Lil' White Sister" which looks surprisingly at the Smiths and Echo & The Bunnymen, as well as the sinuous and melancholic "Slave Markets" on which the band invited Jason Williamson, the singer of Sleaford Mods - a band that played a lot in Frustration's new youth. "Sleaford Mods is a band that, musically and humanly, gave us a real boost," explains Fabrice Gilbert (vocals). It gave us a real sense of freedom, it allowed me to really say everything I wanted to say in my words, to talk about extremely intimate subjects as well as much more general things, whether it be political or social. So Cold Streams is, paradoxically perhaps, our most disillusioned, energetic and free record. This observation is perfectly summarized by the cover of the disc, signed like all the others by the painter Baldo, and which represents a machine tarring a road through a field of wheat. A painting made more than 15 years ago and which was originally intended to be the cover of Full Of Sorrow, Frustration's first album. For such a renaissance, the best choice could not be better. Especially since the image alone contains the whole disc: space, strength, light, rage and disgust too. The desire to destroy everything. To make a clean slate. To propose something different. A little more than music. A spirit, an idea. A way of looking at the world.
    Format
    LP
    Release-Datum
    18.10.2019
    EAN
    EAN 3521381557749
    Format
    CD
    Release-Datum
    18.10.2019
    EAN
    EAN 3521383457733
     
  • 01. Black Cat
    02. Boo Song

    DURUL GENCE

    Black Cat

    [engl] Untameable Anatolian feline fuzzy folk funk finally uncaged. A spontaneous Turkish-Norwegian-Dutch expedition, where seafaring jazz cats entangled with fugitive roadies and Tee-Set mods, makes the story of Durul Gence’s highly anticipated/ill-fated Asia Minor Mission group the stuff of lost-rock legend and remains one of Turkish music’s great “what ifs?” The black cat is finally out of the bag. Having forged a celebrity status as one of Turkey’s premier percussionists and bandleaders, Durul Gence assembled the underground fusion group known as Asia Minor Mission (AMM) in early 1972 (with ?rfan Sumer, O?uz Durukan and U?ur Dikmen) while trying to escape the constant daze of paparazzi camera flashes that followed him across Turkey. During a far-fetched post-gig brainstorm the group pondered relocating to Norway (based on fact that none of them had ever visited the country) when a local seaman who claimed to have recording studio connections in Oslo overheard them. Enlisting the roadie services of a streetwise Istanbul taxi driver friend on the run from the police AMM took the plunge, accepting the sailor’s offer of passage on his next sailing. In these new idyllic surroundings, the same region that played host to fellow Turkish percussionist Okay Temiz, Durul found the peace he desired discovering a muse in Norway’s welcoming creative climate. Much like Bar?? Manço and Mo?ollar in France, Cem Karaca and Gökçen Kaynatan in Germany, Gence’s relationship with Norway rekindled a passion for composition in ways he couldn’t have imagined in his homeland, opening doors thought previously unreachable. As a potential prodigal son for Anadolu pop Durul joined a wider pop-cultural diaspora alongside electronic pioneer Ilhan Mimaroglu, Tülay German (aka Tuly Sand) Karda?lar’s “Alex” Wiska (collaborator with Krautrockers Can) and Maffy Falay from the band Sevda. Despite a blooming fan base and original repertoire the Nordic dream was not to be and after two years without a studio session, AMM called it quits during a tour of Holland after which Durukan and Dikmen went home to join Cem Karaca’s band Dervi?an – Dikmen’s keyboards feature on Finders Keepers releases by Turkish singer Selda (FKR011). Retreating to the city of Delft to ponder his next move, Durul met Peter Tetteroo, former vocalist from successful Dutch psych-pop combo Tee-Set, who also found himself in a lonely boat after the demise of his long-running group. As an AMM fan, Tetteroo suggested they record two Gence penned AMM demos for Dutch Philips signed exotic songbird Sasi Naz at Peter’s home studio. A session was hastily arranged and a talented, yet unconfirmed, guitarist was enlisted. Durul maintains it was the work of Ferry Lever from Tee-Set/After Tea, something Ferry has denied, and with Tetteroo having died in 2002 the question remains. Upon entering the humble studio Durul stumbled upon a skeletal drum kit. Lacking hi-hat, toms or even a snare he cobbled together a bongo and a tambourine and set to work. Together, under the watchful eye of Tetteroo, the pair jammed stripped back versions of the AMM live staples Black Cat and Boo Song, with an added freak factor otherwise missing from their jazzier approach. Laid down in just 30 minutes, with Gence’s accomplished guide vocals and fuzzy overdubs, the rudimentary but professional recordings never made it to Philips execs and the tapes returned to Turkey under Durul’s arm as one of only two documented AMM recordings (the other being a live performance in Oslo’s Hennie-Onstad Art Centre in May 1973). Unintended for commercial release, curiouser and curiouser, Finders Keepers proudly present these previously unheard tracks sourced directly from original tapes, which stand as a testament to the inimitable talent of Gence and the only studio document of the mythical AMM Turk jazz funk troubadours, representing a pop-psych Hollandaise holiday postcard which has taken five decades to be delivered. 45 revolutions later… The cat’s got the cream.
    Format
    7''
    Release-Datum
    09.09.2019
    EAN
    EAN 5060099507137
     
  • 01. Unbroken Hearts
    02. Monroe County Nights
    03. Four Wheels
    04. Let Me In
    05. Somebody Loves You
    06. Immortal Americans
    07. Ain’t We Free
    08. Gift and a Gamble
    09. Thunder Rail
    10. Alone in Memphis

    AUSTIN LUCAS

    No One Is Immortal

    Am 18. Oktober kommt "No One is Immortal!" Von Austin Lucas & the Bold Party in den Handel. Erhältlich auf Vinyl und als CD/DVD Kombo Paket, kann man die Aufnahme gut und gerne als Herzensprojekt bezeichnen. Gefilmt wurde in der Stammkneipe und Lieblingsbar von Austin Lucas, The Blockhouse Bar, in Bloomington, Indiana, ein Heimspiel quasi. Neue und alte Songs vereint in einer einzigartigen live Performance, zur Perfektion gereift während der monatelangen Touren kreuz und quer durch die USA, näher an ein Live Erlebnis kommt wohl nichts heran.
    Format
    LP
    Release-Datum
    18.10.2019
    EAN
    EAN 769498675861
    Format
    CD + DVD
    Release-Datum
    18.10.2019
    EAN
    EAN 769498675878
     
  • 01. Silver Machine
    02. Was Warst Du
    03. Baby Alone In Babylone/Japanese Double Suicide
    04. Delirium

    ABSTRACT NYMPHO

    Static

    [engl] Abstract Nympho is a dream-noise outfit from Berlin consisting of Rahel Preisser (Vocals/Trumpet/Noise-interventions) and Ghazi Barakat aka Pharoah Chromium (Rauschpfeif /Electric Wind Instrument). Abstract Nympho was formed spontaneously on the occasion of a Pharoah Chromium gig at the Haperende Mens festival in Rotterdam in January 2018. At first using a poem by the Berlin poet Scardanelli (who also happens to be Rahel’s father) over improvised layers of noise and psychedelia, the pair’s sound quickly evolved into unusual live interpretations of songs by Jane Birkin and Hawkwind and free form improvisations on electronics, trumpet, rauschpfeife and vocals. After playing a series of shows in small underground venues in Berlin and a legendary performance in Jean Tinguely’s Cyclop sculpture in the woods of Milly-la-Forêt they decided to shape and record their live performances into a more structured song format. The result was heard by Christian Iffland, owner of the record store Static Record and its adjacent label Static Age, who offered to release the four tracks as an EP. Using wind instruments, synths, feedbacks, an electronic tempura and the skills of Gordon W. on tablas to achieve their vision of an almost beat-free, at times dreamy, at others somber mixture of experimental pop and spoken word.
    Format
    12''EP
    Release-Datum
    15.08.2019
     
  • 01. manifest   
    02. jetzt
    03. dr. s
    04. stehaufmännchen
    05. reflection
    06. lass los
    07. backdoor boogie
    08. new life
    09. der letzte kuss
    10. again
    11. r.i.t.a.l.i.n.
    12. the end
    13. vielen dank & auf wiedersehn

    URBAN JUNIOR

    the truth about dr.s & mr.p one man synthony in E-minor

    spielt Synth & Guitar & Drums & eine 80s Beatmachine & singt durch ein abgefucktes Megafon...GLEICHZEITIG! „Dr.S & Mr.P" - a One Man Electro Trash Synthony in E minor Das erste One Man Band Konzept Album der Musikgeschichte?! Geburt - Schmerz – Pubertät – Lust – Verführung – Hoffnung – Hass - Leidenschaft - Versuchung – Vergebung – Exzess – Laster - Frustration - Wut – Abstinenz – Widerstand - Resignation – Liebe – Tod Hier ist die Geschichte: Mr. P(rimitive), hyperaktiv, apathisch, egomanisch, Sex- und Drogenabhängig wird von seiner inneren Stimme Dr. S(ensitive) in den Tod getrieben. Natürlich ist Mrs. L(ove) involviert in Mr. P's Höllenritt ins Verderben.Urban Junior ist zurück mit seinem zweiten Voodoo Rhythm Release.. Dr.S & Mr.P...13 Songs, ein Mann, eine Geschichte, eine Botschaft...EINE OFFENBARUNG!! „What if what you see is not what you'll get, what if what you'll get is not what you want?" Urban Junior ist ein irrwitziger Entertainner, der seine verschiedenen Persönlichkeiten auf die Bühne bringt. Sensationell! Verwegen! Überraschend! Der Mix ist einzigartig und 111% Ohrenkrebs! The Screamers meets Hasil Adkins! THEE Minimal Electro Trash Garage Boogie Death Disco Synth Punk One Man Band!
    Format
    LP + CD
    Release-Datum
    14.11.2014
    EAN
    EAN 764014890470
     
  • 01. black moose
    02. there's always someone that you owe
    03. dark night
    04. good luck
    05. i'm so lonesome i could cry
    06. black train
    07. st dymphna
    08. la mauvaise réputation
    09. heart of stone
    10. femme fatale
    11. so wars, so ists und so wirds bleiben
    12. ship of fools
    13. appenzeller tanz

    DEAD BROTHERS

    Black Moose

    Nach der Gründung 1989 und dem Kommerziellen Durchbruch mit 'WUNDERKAMMER' (2006) und der Neuerfindung ihres Seins (5th SIN-PHONIE) 2010 zusammen mit dem wohl Dunkelsten und Tödlichstem Streicher Orchester die Welt je gesehen hat, versammelten sich die Toten Brüder um den Meister Des Chaos und Nr1 Schweiz-Armenischem Enfant Terrible Alain Croubalian und machen einen erneuten Grossen Schritt in Eine Exotisch von Dunkler Country Musik Blues und Schweizer Folklore mit Dudelsack und Rock'n'roll geprägter Musik in Richtung Niemands Land wo der BLACK MOOSE ( Schwarzer Elch) haust, einer mysischen Figur die noch vor Morgengrauen der menschheit da war, die der zusammenbruch der zivilisation mit erlebt hat und sich in den dunkelsten Winkel des menschlichen bewusstsein aufhält. Das Album Black Moose ist ein Romantisches Album, Romantisch im Dunkelstem Sinne des Wortes mit einem Tödlichen Ende es Verbindet den Amerikanischen mit dem Afrikanischen Blues lässt Schweizer Volksmusik zusammen mit Dudelsäcken in tiefste Ambründe Stürzen und bringt dich dort hin wo sich Friedrich Nietzsche mit den Revolutionären Führern der Central Amerikanern Revolution in einer Hafen Bar zu einem Pisco Sour mit Kerosin an einem Tisch mit dem Teufel Trifft
    Format
    LP
    Release-Datum
    26.09.2014
    EAN
    EAN 7640148980449
     
  • 01. Guter Junge / Böser Junge
    02. So soll es sein
    03. Verheimlichung
    04. Tier
    05. Pawlow
    06. Szene Einer Ehe
    07. Limiter
    08. Kein Mensch
    09. Pandora
    10. So geht die Geschichte
    11. Wir sind sicher

    GEWALT

    s/t

    Compilation mit allen Songs! Streng limitiert!
    Format
    TAPE
    Release-Datum
    01.05.2019
     
  • 01. Dog Food Five - Gotta Get Outta Here
    02. Pisse - Alt Sein
    03. Lo Fat Orchestra - What Am I Doin Here
    04. Hara Kee Rees - When You Come Home
    05. Renaud Picard - Walking With Udo
    06. Sick Hyenas - Moskito
    07. Ryker's - Young Heart
    08. Alte Sau - Der Kreis Ist Leer
    09. William Honda - The Dirt
    10. JaKo?ingJa - Das Schwein Hat Hände
    11. Fizzis - Cab Driver
    12. Cellophane Suckers - Save My Soul
    13. Einkauf Aktuell - Requiem
    14. Counts On Crack - Reruns
    15. King Khan & The Shrines - Empoisonneuse
    16. Gee Strings - Punk Rock Heart
    17. Sick Teeth - Gummi Overkill
    18. Aui & Zween - Kaese
    19. IIIiTanten - Ehrenamt Udo
    20. Catch As Catch Can - Blurred Lines
    21. Egotronic - Gewalt
    22. The Crimes - Get Up An Be There
    23. The Hipriests - Need You
    24. Klaus Johann Grobe - Rote Sonne
    25. Old Seed - Hopes And Dreams
    26. Dead Moon - A Miss Of You

    limitiert auf 1000 Stück // Songs teilweise unveröffentlicht

    V/A

    Ja, weiter geht's im Programm!

    Es gibt Platten, über die möchte man eigentlich keine Texte schreiben, weil jedes Wort schmerzt und Wunden aufreißt. Eine dieser Platten ist "Ja, weiter geht’s im Programm”, denn diese Platte ist eine Danksagung an Udo Schulze, leidenschaftlicher Konzertveranstalter, Kneipier, DJ, Schlenderer und Freund. Erschienen auf Udo’s Label Kunta Kinte Records, zusammengetragen von Weggefährten, Künstlern und Musikern. Müsste man ein Wahrzeichen neben dem Herkules für Kassel benennen, wäre es wohl die “Mutter”, stand in einem subkulturellen Begleitheft zur documenta. Und keine Person prägte diese Spelunke so wie Udo. Ausgangs- und Endpunkt für einen kulturellen Mikrokosmos der sich nicht nur auf die Kasseler Nordstadt beschränkte, aber hier ein Biotop vorfand, welches einzigartig in Deutschland, vielleicht auf der ganzen Welt war und ist. Udo war einer der Personen, der dieses Biotop mit seiner eigenen Art hegte, pflegte und prägte, Leute für neue Musik begeisterte und jetzt nach seinem viel zu frühen Tod schmerzlich vermisst wird. Vielleicht hilft diese Platte, denen die trauern Trost zu spenden und vielleicht denen, die Udo nicht kannten, zu verstehen, wir groß und wichtig Subkultur und kulturelle Vielfalt ist. In tiefer Liebe an einen besonderen Menschen. Wir danken dir für alles, Udo. Mach es gut, alter Freund. Nachtrag: Mit dem Gewinn dieser Platte werden in Udo's Sinne kulturellen Projekte in Kassel unterstützt.
    Format
    DoLP + Book
    Release-Datum
    14.06.2019
    EAN
    EAN 4260016924264
     
  • 01. El Aguajal
    02. Tu Boda
    03. Esperanza De Amor
    04. Volveras Mi Niño
    05. Mal Amigo
    06. En La Selva
    07. Borrachito Borrachon
    08. Mi Tallercito
    09. Angelita
    10. Como Un Errante
    11. Si No Regresa
    12. Perdidos

    LOS SHAPIS

    Los Auténticos Shapis

    [engl] Los Shapis, a legendary group of tropical Peruvian music, will be relaunching their first LP ’Los auténticos’ (1981) on the 23rd of December. The revival of this album, which was one of the pioneers of Andean Cumbia, will commemorate the 36th anniversary of the band led by Julio Simeón ("Chapulín el Dulce") and Jaime Moreyra and will include emblematic songs such as ’El Aguajal’ and ’Como un errante’. The relaunching of ’Los auténticos’ forms part of a project to rescue and revive Discos Horóscopo, a record label founded 40 years ago by Juan Campos Muñoz, and which boasts one of the most important catalogues of chicha music from the 70s and 80s. The label was created and can be recognized as the main driving force of Andean cumbia in Lima, as it took on producing albums of artists that gambled on not only creating a new sound, but also molding a new type of aesthetic, led by Chacalón y La Nueva Crema, Los Shapis, Pintura Roja and Los Ovnis. Formed in the city of Huancayo on February 14, 1981, Los Shapis – whose name was inspired by a traditional dance, "Los Shapis de Chupaca" – were hailed as ambassadors of chicha when they toured throughout different countries, which gave birth to the internationalization of Peruvian cumbia in the early 1980s By 1983, the band was based out of Lima. Its members composed iconic songs about the provincial and profound identity of Peru, in a time marked by racism and classism from the most privileged sectors. A rhythmic tradition that would accompany the two most conflictive phenomena of the era: terrorism and economic debacle, reasons that motivated the massive migration from the countryside to the city. "It is a culture that alludes to disorder and popular excess, drunkenness and chaos, but also a way of appropriating while simultaneously mocking the west, " says researcher Alfredo Villar, collaborator of the project to revalorize Peruvian cumbia.
    Format
    DoLP
    Release-Datum
    22.03.2019
     
  • 01. Mi Dolor
    02. Porque Te Amo
    03. Llanto De Un Niño
    04. María Teresa
    05. Será Mejor
    06. Por Ella, La Botella
    07. Tú Y La Noche
    08. Quiéreme
    09. Mala Mujer
    10. Nadie Conoce El Mundo
    11. Sin Hogar
    12. Chana

    CHACALON Y LA NUEVA CREMA

    Chacalon y la Nueva Crema

    [engl] Lorenzo Palacios Quispe "Chacalón" is a myth. More than a musical star, he is both a religious and secular phenomenon for the masses. Every year on his birthday, his tomb becomes a place of fevered pilgrimage where devotees pray, make wishes and ask for miracles, all done over songs, cases of beer, dancing and toasting. In Peru, his figure and music erases the distance between the holy and the profane, the hero and the lumpen. Chacalón is, for many Peruvians, the people’s angel, the messiah of the poor, the marginalized ’Inkarri’. "When Chacalón sings, the hills come down", was one of his favorite phrases and with it he referred to the migrant masses that invaded the hills and beaches that surround Lima like a "ring of fire" (José María Arguedas dixit). It was the early 80s and while bombs and a dirty war exploded in the Andes, in Lima, the new and ever–growing population of migrants "climbed down" from their precarious homes and filled venues to dance "chicha" music and to celebrate who they saw as their redeemer. Despite being a model messianic figure, Lorenzo Palacios had very humble origins. The son of a music dancer from Huancayo and a singer of huayno music (Andean folk) from Ayacucho, Chacalon was born in Lima in 1950. As a teen, he had his debut on stage as the singer of huayno band "The Indios Quechuas". The main requirement to sing that genre of music was to have a powerful ribcage and young Lorenzo seemed to have the needed lung capacity for "guapeos", thunderous voice blows that the genre required. Chicha music is neither a replica or a copy, despite using Western instruments, such as the electric guitar, bass, drums and organs, and mixing them with cymbals, congas and tropical Guiros. Chicha music has indomestizo elements (like Huayno music) tucked deep in his blood. Listen to the powerful cries of Chacalon and you will hear the heartfelt music of Huancayo; listen to his delicate voice breaks and you will hear the sweet music of Ayacucho. The mix of delicacy and strength and rural and cosmopolitan elements, is part of the secret of seduction that chicha music has had over the masses. Aside from use of electric instruments, rock music has influenced chicha music in other ways. Chacalón’s band was called New Cream as a tribute to the British band Cream. Their use of powerful fuzz tones and wah wah pedals for acid riffs and catchy solos, are the echoes of a rebellious music that wanted to silence the noises of a marginalized and exploitative city atmosphere debased by the most savage capitalism. "I seek a new life in this city / where everything is money and there is evil, " reads "Provinciano", Chacalon’s most famous songs. It’s because lyrics like these that people saw Chacalón as a messianic figure who sang about the promise of a new life. He sang about pain, alcohol and betrayal, but also about solidarity, love and hope. Chacalon sang to the most marginalized part of society, the lumpenproletariat, and not the middle class or the wealthy. Lorenzo Palacios did not see differences between those who complied with the law or those who transgressed it, because in marginality, survival is the only rule and the boundaries between good and evil become very subtle. "Eat first, then morals, " said Chacalon.
    Format
    DoLP
    Release-Datum
    22.03.2019
    EAN
    EAN 4040824087111
     
  • 01. Roman
    02. Vamos Farrear
    03. Todo Pasa - Para Chachita
    04. Rulers Style
    05. Rumpelstillskin
    06. Black Dragon
    07. Big Chief
    08. Stack-A-Lee
    09. Dark Eyes
    10. Mussieu O Tet A Poisson La
    11. Jet - Jet Biguine
    12. Smiling
    13. PlayaBandera

    OKAWA AND THE RULERS

    Oshirononakade

    [engl] Okawa 78 is a skilled saxophonist also knows as one of a very few DJs specialised in 1920-50’s world roots music who only plays out on 78 RPM records. Under his wing a whole bunch of Japanese musicians gathered to form The Rulers, experimenting with the authentic music from Africa, South America and blending into ska and soul funk creating a new groove of their own. Musicians include members from The Netandars, Sly Mongoose, Oi-Skall Mates, Rub-A-Dub Market, The 69 Yobsters, and Soil & Pimp Sessions.
    Format
    LP
    Release-Datum
    27.04.2018
     
  • 01. I Like Woman
    02. Afro Super-Feelings In Disco

    SEGUN OKEJI

    I like woman

    [engl] Soul Patrol Records present a reissue of I Like Woman. This is an album comprised of two super-rare Afro-beat disco/funk tracks from Lagos by the band Afro Super-Feelings, led the by artist/musician Segun Okeji. Segun Okeji was the tenor sax player in Fela Kuti's Koola Lobitos band in Nigeria in the late 1960s before changing their name to Africa 70, and this record, originally released in the late 1970s, uses that first-hand experience and influence to maximum effect with a pair of devastating sidelong saxophone-led jams. Up-tempo, chugging drums and a crack horn section, bass, guitar, organ, and backing vocals coordinate to achieve the hypnotic call/refrain/chant crescendo that was Fela's hallmark in his peak years. Players include Tunde Daudu on drums (The Benders), E. Ngomalloh on organ (Fela Kuti), Tutu Shoronmu on guitar (Fela Kuti), and others that played on releases by the C.S. Crew, Sonny Okosun, Orlando Julius, and Tony Allen. Edition of 500.
    Format
    LP
    Release-Datum
    01.01.2001
     
  • 01. Graveyard
    02. D.O.A.
    03. The Way It Is
    04. These Times With You
    05. Over The Edge
    06. Fire In The Western World
    07. Out In The Blue
    08. It's O.K.
    09. Day After Day
    10. Black September
    11. A Miss Of You
    12. Jane
    13. Dagger Moon
    14. Down The Road
    15. Dead Moon Night
    16. Clouds Of Dawn
    17. I'm Out Nine
    18. Running Out Of Time
    19. Walking On My Grave
    20. Cast Will Change
    21. Claim To Fame
    22. Don't Burn The Fires
    23. Can't Do That
    24. Demona
    26. Johnny's Got A Gun
    27. 54/40 Or Fight
    28. Somewhere Far Away
    29. Unknown Passage

    DEAD MOON

    Dead Moon - the book

    [engl] Dead Moon were a DIY band, active for 19 years. Singer and guitarist Fred Cole was playing music since the early 1960's , beginning his career as Deep Soul Cole the white Stevie Wonder?, then joining the psychedelic garage rock band the Lollipop Shoppe / The Weeds. In the 70#s and early 80#s Fred and Toody Cole played in various punk, country and hard rock bands. In the late 1980#s, they formed Dead Moon with Andrew Loomis. This band went on to become mythic and legendary. They lived by a DIY code built around superstitions and avoidance of conventional music industry pitfalls. Their story is completely unique amongst the pantheon on rock bands a group who never sold out, never gave in and built a legacy of art and community piece by piece in a sustainable way almost unheard of. The book is a tribute to their unique aesthetic, unbelievable twisted path of a story, and roll as pioneers of the Portland music scene. The book tells the entire Dead Moon saga in the words of the band itself. Just the voices of Fred, Toody and Andrew. It includes a complete illustrated discography of everything Fred, Toody and Andrew have released, song lyrics, and TONS of band photos, flyers, and weird ephemeral stuff. Lots of it has never been seen by the greater public. The package also includes 2 LP's of the best of Dead Moon lovingly remastered from the original tapes. Double LP plus book. This is the second pressing (1500 copies) now in standard glossy book covers!
    Format
    DoLP + Book
    Release-Datum
    07.04.2019
     
  • 01. Keep It To Yourself
    02. Football Needs Politics
    03. Next One
    04. Tell Me What You Know
    05. Take Me Away
    06. No Chance
    07. Don't You See
    08. Save Your Streets
    09. Right And Wrong
    10. Far Away
    11. Spartanic Sound

    SPARTANICS

    … It Sounds Spartanic

    Eine Zeit voller Wut, Angst und Dummheit. Eine Zeit, in der einem klar wird, dass die Gesellschaft nach rechts rutscht und rassistische, homophobe, sexistische und islamophobe Äußerungen zum „guten Ton“ gehören. In dieser Zeit ist es umso wichtiger, keine halben oder verschwommen Geschichten zu erzählen, sondern die Dinge auf den Punkt zu bringen. Genau das tun die drei Leipziger Skins. Die musikalischen Einflüsse liegen in der 77er Punk-Ära sowie im klassischen Oi!.
    Format
    LP
    Release-Datum
    07.09.2018
     
  • 01. RASH
    02. Bootboys
    03. No Time
    04. Sexpol
    05. Police Stomp
    06. Pervert
    07. Oi! Of The Tiger
    08. Red Flag
    09. Weekend

    OI! OF THE TIGER

    R.A.S.H.

    Klassischer Oi! der Achtziger mit klarer R.A.S.H.-Kante gegen Rechtsoffenheit, Homophobie und Polizeigewalt - neun Singalong-Hymnen, die nicht mehr aus dem Ohr gehen. Das Debut-Album der hannoverschen Band (dabei ehemalige Franz Wittich- und Teenagefrust-Mitglieder) kommt auf rotem Vinyl, mit Textblatt und dem kompletten Album auf Bonus-CD.
    Format
    LP
    Release-Datum
    01.04.2017
     
  • 01. One Of Us
    02. Making History
    03. A.F.A. Skinhead Crew
    04. Traitor
    05. Fire On The Streets

    OI! OF THE TIGER

    One Of Us

    Single mit fünf unveröffentlichten Songs der hannoverschen RASH-Oi!-Band. Der Titeltrack ist den vielen Opfern der faschistischen Übergriffe der letzten Jahre gewidmet, dazu kommen die Antifascist Action-Hymne "A.F.A. Skinhead Crew" sowie "Making History", "Traitor" und "Fire In The Streets". Musikalisch wird weiterhin harter klassischer Oi! zum Mitsingen gespielt. Auf 500 Stück limitierte Erstauflage in orangem Vinyl.
    Format
    7''
    Release-Datum
    20.08.2018