[engl] Originally released in demo form, in 2022 the band went into the studio and fully re-recorded the songs. 'What if Blitz hailed from Los Angeles and sang in Spanish’ isn’t a question you hear all that often. Fortunately, we don’t need to ask - the answer is provided by Generacion Suicida’s latest album, which rages and rattles in all the right places, drenched in the memorable brilliance that powered the Killed By Death compilations (ask yer dad - and if he doesn’t know or care, burn his terrible records and make some space to track down the KBD LPs). The band’s slogan is ‘musica del barrio, para el barrio’ - music from the neighbourhood, for the neighbourhood - but it sounds like they could use these hooks to take on the world. That’s a pretty accurate sentiment as well, because this album was written during the Covid-19 lockdown of 2020, while the world bubbled over with carefully managed misinformation, police violence and the sickening overspill of white supremacy’s foul brew. If Regeneracion sounds potent, it’s because there was a lot to be angry about, and the result is arguably their best album yet. Those chorused-out guitar lines carry shades of deathrock, hints of Manchester circa 1980, elements of something you might call goth if it was several degrees less furious. But there’s no doomed romance to this music; it’s an all-out attack. Street punk with the smarts turned up and an ear turned to the lessons learned from post-punk (but crucially, not the ‘post-punk revival’ that is essentially shirtless beardy lads chanting non-sequiturs over landfill indie). Chiefly, it’ll make you wanna get out of your chair, unite your local community and march on down towards your government’s centre of operations with a simple-to-use molotov cocktail kit. Its rage is infectious. It’s inspired by bleak moments in our recent shared history, but it revels in humans’ capacity to find strength in each other. And the tunes? Oh damn, they’re good.'

[engl] punk rock band from brazil, old school style with political lirics. if you want to know more about the new punk rock scene in brazil this is the record for you.

[engl] It's budget, it's punk and it rocks. Gino and the Goooooooons are back. Led by Gino Bambino, the Goons play rowdy punk rock that holds up it’s pint to the Ramones, Chuck Berry, Willie Nelson, Nervous Eaters, and Motorhead. It sounds like being in the middle of a really tense house party. Ten songs to dance, drink, fight and breakdown to. With records on Slovenly, Total Punk, Red Lounge etc, Drunken Sailor is proud to release their 4th (5th??!!) long player. "Another lo-fi garage-punk maverick, you say? Sure thing! In fact, throw away yr Ty Segall records, smash yr Oblivians 45s into dust and sand down the grooves on yr Gories LPs – you ain’t gonna need ‘em any more. OK, yes, you could also stick ‘em on eBay, sell to the highest bidder and live out the rest of yr days in the lap of luxury (sorta), but c’mon now, that really wouldn’t be in keeping with the spirit of beer-soaked, fuzz-fuelled mayhem. Much better to trash ‘em and live drunkenly in squalor. Who’s with me? Point is, Gino And The Goons are here to claim their crown as the new kings of trash. Led by the primal howl of Gino Gambino – it’s not just a clever name – the Florida band drop their fourth album on us with scant regard for subtlety, maturity or basically anything that isn’t a rowdy, hip-shaking groove or a gnarly guitar sound. Do The Get Around features ten barnstormers composed entirely of snot, snarl and serious sass. Opener ‘Hard Way’ introduces the band in the best way possible – a riff lifted straight from the raucous end of Nuggets and Pebbles, a gravel-throated sense of swagger and a guitar crunch that’ll make you gasp in wonder at the heroic dumbness of it all. They’ve got plenty of other tricks up their sleeve. ‘Do The Get Around’ sees ‘em messing with toe-tappingly abrasive soloing, ‘I’m Your Man’ throws stink bombs at The Beach Boys’ ‘Surfin’ USA’ before sealing it in an unventilated room, and ‘Monkey Love’ takes an uncomplicated sentiment and crunches it underfoot with Stooges-styled sludge. Does this sound like the sort of thing you’d be interested in? Of fkn course it does, unless you’re dead. The best soundtrack to out letting all the air from yr boss’ tyres, and then some." Will Fitzpatrick.

[engl] finally we can send signals the European release of Holographic Vietnam War LP! This is BUCK BILOXIS new solo punk rock manifest and synth hit doctrines with his alter ego GIORGIO MURDERER. Snotty commandments for seasick agitators and suicidal astronauts...put your helmet on!

[engl] 3th album of this Lofi Garage Punk Band. Wild And Primitive!

[engl] GLOW KIT has been the best kept garage pop secret in Northern Europe for nearly a decade now. We had a buzzing head about debut single & album on the sadly missed P.Trash Records and instanly put this on our top ten list. The danish duo knew how knock out power pop songs in times when Burger Records just started to reissue garage pop records on tape.Together with their punk alter egos COLA FREAKS and dosed usage of wave elements you could surround JAY REATARDS Matador days with less force for perfection. GLOW KIT songs stick to your ear and it was sad to see them going into a hiatus. They´re back since a while and like NANCY or DANGUS TARKUS it´s way too rough, square, energy-laden for the pop music industry and and too sunny for the frozen crusties genre. On "Naive Antlers" Kasper & Kristoffer rise that pop monster to godzilla size and let it bumble around till turning a north sea beach cabin mojo, shakin´of lo-fi accoustic pop gusts of wind. The super catchy vocals range from shout-out direct mic-to-speaker blasts reminding of the modern DWARVES occasional gems. Next are wavy fireplace heart breakers with arranged intro & outro parts. Years after we asked the band and P.Trash about a record we had recordings in the house! It took one listen to bow in humble adoration of these pop creators. On any later listen we always wonder how they did it, and how on LP length - here are twelve songs of evidence. The best collection of songs "close to be a garage hit" you can imagine, purpose? Record released together with bands orbit record label KANEL in a edition of 300 copies total, 200 black and 100 clear pink, double sleeved in uncoated carboard, artwork from Gert Hoberg. Half the pressing available here only. If its gone just get their other records!

[engl] Can something come from olympia and not be good? And without moving to Olympia WA, we get this tremendous slap of hyper-accelerated Spits-esque ultra-foli trash-garage-punk to lose your mind completely and never come back! Great buzzy punk rock that’s catchy as fuck. In the meantime based in Sydney/Australia THE GOBS made their name in those modern punk times. So ETT is honored to bring you 1-2-3-4 the first 4 demos combined to one great 12" ( and yes we will put the 5-6-7-8 demos on 12" too!). The energy, hooks, and rawness elevate this above other bands, so if you’re a fan of honest, pure, the bastard child of Ramones' music gefühl, The Jabbers' no fucks given-attitude and a snarky, spiteful bunch of beer-chugging ex-punks growing fat and bitter in the Bible-belt, this is for you. It's hard not to identify with this banger! This is pure punk euphoria so don’t even start to think you’ve heard it all yet. This is for all moaning that punk is dead, nope it is not dead. Your taste and interest is! We don't think this record needs any kind of more explanation, just remind that according to NASA: "The Gobs are the most significant proof that extraterrestrial entities are coexisting among us, a fact that is totally evident, since listening to this unique hyper-accelerated no-fy noisy-trash-galore hardcore-synth-punk You all realize that these Olympia-based slug brains have always given a shit about hiding it!

[engl] "The lasting effect of constant exposure to the Rip Off Records back catalogue, Back From the Grave, and the general radiation of Destroy All Monsters has produced this 4 track guitar-athon. This is dripping with touches of the Electric Chairs, Kiss, and the Heartbreakers, but holds together as a blast of modern offering in the grande tradition of very loud guitars and loving rock and roll". - Jonah Falco. "You’re gonna enjoy Goldie Dawn’s debut EP. It begins with a crash of power chords. Nothing fancy, just the sound of Cheap Trick’s ‘Surrender’ being pushed down a fire escape. Almost immediately, it explodes into a bona fide garage-punk stormer, like Brian James’ finest Damned riffs bolstered by some serious bottom-shaking – yes, we’re going there – GROOVE. ‘Gone With The Wild’ sashays and slinks around, even as it feels like it’s hurtling full throttle towards your skull. It is without doubt a tremendous slice of rock and/or roll. Hailing from Glasgow, Goldie Dawn’s mighty racket is heralded by the dramatic presence of Kate Rambo on vocals – and hers is a formidable snarl, with shades of Ludella Black and A Giant Dog’s Sabrina Ellis. It meshes perfectly with the wall of sound concocted by her bandmates, equally capable of creating an addictive noise from the finest riffs in punk’s ignoble history (‘Crime’) as they are of making a jauntily moving country ballad that twangs in all the right places (‘It’s Nothing To Me’). You’ve heard all these tricks before and no one here’s ashamed to admit it; the trick is in the joy that emerges when the guitars are ablaze and Rambo’s at full pelt. Remember how the humble 7” used to feel like pop’s finest weapon on the front line? An explosive device loaded with hooks and delirium? So do Goldie Dawn. Raw, fun and… what’s that word the broadsheet writers use to describe records that feel like classics even as you’re hearing them for the first time? Oh yeah: timeless. If you’re gonna wear out your stylus, playing this on repeat for the rest of existence would be a worthy cause" Limited to 300.

[engl] The Gospel Swingers from Austin, TX release their debut album, following a killer 7" on In The Red Records. They are sort of a garage soul rock supergroup: Former members of Blacktop, Ronnie Dawson??s band, Fireworks. 3 members are in the Now Time Delegation as well. The album is produced by Tim Kerr, who plays some guitar, too. The result: organ-driven, soul-injected garage shakin' rock 'n' roll. This 180g LP is limited to 500 copies!

[engl] Dinked old skool pressing for this pounder!! Australian oddball punks STRAIGHT ARROWS bring forth a brand new greasy side-project dancefloor workout, DIRECT FROM THE ZOO. Not since 'THE MONKEY' and 'THE GORILLA' has there been such a PRIMITIVE routine that has electrified the club this thoroughly! Drop it on the turntable, and HIT THE FLOOR. Then flip it over, and work out over the instrumental.