Katalog

Tipps

  • 01. Möglichkeiten
    02. 6 Beine
    03. Verklehn!
    04. Ameisen Planetarium
    05. Der Wächter
    06. Fischland
    07. Neue Ordnung
    08. Metamorphose
    09. Nicht Machtlos!
    10. Parfümerie
    11. Ameise Mit Rotem Kopf

    ORDNUNGSAMT ET LA POLITESSE

    Ameisen & Politik

    limitiert auf 296 Stück inox kapell und pater rene phon döll sind schon lange das ordnungsamt et la politesse, seit hausbesetzterzeiten bei sabines wursthaus in wespbaden. 99. die verbindung aus krach und melodie und rythmus ist ja nischt neues, dazu dann noch ne sing-oder sprechstimme, doch das thema der platte ist hervorragend ausgesucht, die ameisen als vorbild für die menschen, die nicht weiterkommen, -ameisen und politik- der titel der urknall/hafenschlammrekords kooperation. mal tanzbarer, mal experimenteller, rein analog aufgenommen und direkt so eingespielt, das hört man, ist frsich. und hörst du lernst du. über diese 6 beiner, denn der kapell ist entomologe, fachmmann auf dem gebiet und von der orientierung musikalisch dada, fluxus, und punk der ersten stunde, das bedeutet d.i.y. - das hört man auf jedenfall und man und frau hört die kraft der ameisen-menschen, die ist kratzig und klar - nachhaltig und musikalisch sehr interessant .
    Format
    LP lim
    Release-Datum
    29.09.2017
     
  • 01. Afterburner
    02. Set It Off
    03. Privied Few
    04. Fortinate One
    05. Hit And Run
    06. Rough and Tumble
    07. Icon Parade
    08. Doomtown Shakes
    09. Striking Distance
    10. Jack Knife

    P.R.O.B.L.E.M.S.

    doomtown shakes

    "Die Mitglieder der P.R.O.B.L.E.M.S. sind bzw. waren unter anderem bei Pierced Arrows, Resist, Defiance, Detestation und Severed Head of State aktiv. Aber diese fünf Musiker aus Portland brauchen keine großen Namen, sondern überzeugen mit qualitativ hochwertigem, dreckigem Sound zwischen Punkrock, Hardcore und Garage. Mit einer Handvoll Alben und Single Veröffentlichungen haben sie sich nicht nur in Portlands blühender Punkszene einen Namen gemacht, sondern auch quer durch die USA, Europa und Mexiko. Im Winter/Frühjahr 2016 kommen sie mit ihrem aktuellen Album „Another Day“ für eine ausgedehnte Tour nach Europa."
    Format
    LP
    Release-Datum
    20.09.2017
    EAN
    EAN 3481575070723
     
  • 01. Bedrooms
    02. Sometimes So
    03. This Won't Hurt (Long Enough to Cry)
    04. Summer's Gone
    05. Hours
    06. Vacation Freeze
    07. Useless Men Think-Tank
    08. (Take Me to) Damask
    09. The Beat
    10. Never Tell
    11. The Cycle

    (THE) LESSER MEN

    Bedrooms

    [engl] Adult-disoriented-rock-love/hate-core three-piece from Zagreb, Croatia comes of age as a quartet, embracing new synthesiser sounds to follow up on their acclaimed debut Vacation Freeze. For fans of classics like Daddys Teddybears, Glaxxxo Glance, Fruits of the Gloom and Midnight Blood!
    Format
    CD
    Release-Datum
    22.09.2017
    EAN
    EAN 8606102083945
    Format
    LP
    Release-Datum
    22.09.2017
    EAN
    EAN 8606102083952
     
  • 01. Ogreala mesechina
    02. Stani da ne stanish
    03. Galichnik via New York
    04. Mnogu mi go falat vasheto devojche
    05. Kratovo via Brazil
    06. Bairo via Bebek
    07. Mome odi za voda
    08. Ohrid via Dolmabahce

    LUBOYNA

    Radio Luboyna

    [engl] For Macedonian world music group Luboyna, creating boundary-breaking music is a way of life. Over the course of 15 years, it has wilfully broken boundaries and conventions within its entertaining song structures. In doing so, Luboyna has been successfully navigating the musical opposites of composition and improvisation both in the studio and live and has expanded what is generally known as Balkan Music. While its heart and soul are deeply and firmly rooted in Macedonia and its music traditions, the band’s musical worldview has always been evidently eclectic. Mac music is the foundation and Luboyna successfully brings a lot of various musics into that foundation. Influences from across the pop, jazz, improv, electronica, and soul realm abound, all held together with unbounded enthusiasm, addictive melodies, and hooks. The band’s album Radio Luboyna which marks the Luboyna’s 15th anniversary reflects all of that and much more.
    Format
    LP
    Release-Datum
    22.09.2017
    EAN
    EAN 8606102083921
     
  • 01. Jasmin
    02. Sab-A'a
    03. Moj behare
    04. Sablja
    05. Vrelo
    06. Kanjira
    07. Put
    08. Stade se cvije?e rosom kititi
    09. Bujrum
    10. Hum

    FRANOLIC & CULAP & JOVANOVIC

    Put

    [engl] The FRANOLIC & CULAP & JOVANOVIC trio performs original compositions inspired by Arabian, Turkish, Balkan and Indian music, as well as blues and jazz. The sound they create is directly influenced by their native region, the Balkans. Their main starting point was the Balkan sentiment and local folk music. They then went on to complete their expression with individual interests of each musician - jazz, blues and ethno. The meditative oud and the warmth and melancholy of the harmonica are seamlessly imbued with the exotic percussion’s rhythm.
    Format
    CD
    Release-Datum
    28.11.2016
    EAN
    EAN 8606102083853
    Format
    LP
    Release-Datum
    28.11.2016
    EAN
    EAN 8606102083860
     
  • 01. Lo-hi
    02. Running Man
    03. Play Restart
    04. Shadows
    05. So Alive
    06. Mexico
    07. Killing Me, Killing You
    08. Remake
    09. End

    NORD

    Play Restart

    [engl] Nord is a band from Rijeka, Croatia. Their sound is a great blend of dark textural ambiance, massive guitar riffs and emotional lyrics with a very personal feeling. Play Restart is their debut album and it echoes the work of influential artists such as Faith No More, Tool, Soundgarden, but also Massive Attack, Depeche Mode or David Bowie.
    Format
    CD
    Release-Datum
    22.04.2017
    EAN
    EAN 8606102083822
    Format
    LP
    Release-Datum
    22.04.2017
    EAN
    EAN 8606102083839
     
  • 01. Debeli leptir
    02. Sheed
    03. Secanje na Ameliju
    04. Grob
    05. Ejmi (1983-2011-201?)

    CONSECRATION

    Grob

    [engl] Fifth album by the masters of stoner / sludge metal from Belgrade, Serbia, spiced with a dash of ambiance darkness and mystique, and enriched with Aaron Harris' mixing (Isis, Palms) and James Plotkin's (Khanate, OLD) mastering and craftsmanship. Influenced by Neurosis, Opeth, Pink Floyd and The Cure.
    Format
    LP
    Release-Datum
    02.02.2016
    EAN
    EAN 8606102083808
     
  • 01. Cut And Run
    02. Break Away
    03. Borrowed Time
    04. Tighten The Screws
    05. Total Neglect
    06. Blank Expression
    07. Distractions
    08. No Walls, No Curtains
    09. Suffocate
    10. Taking You With Me
    11. Point Of No Return

    CAREER SUICIDE

    Machine Response

    Neues Album der Kanadier nach knapp zehn Jahren, die musikalisch gerne mit frühen Hardcore-Punk Bands wie den Angry Samoans, The Freeze, Germs oder Jerry´s Kids verglichen werden. Das neue Album beinhaltet die vertrauten Zutaten, tolle Melodien, rasende Geschwindigkeit und heftige Tempiwechsel beeinflusst von frühem 80s Ami-Hardcore und spätem 70s Punk. Dallas Good (Sadies, Andre Williams, John Doe, Half Japanese, Elevator) übernimmt die zweite Gitarre, außerdem dabei Souichi Hisatake (Forward, GISM, Insane Youth, Gudon, etc.).
    Format
    LP
    Release-Datum
    24.02.2017
    Format
    LP
    Release-Datum
    24.02.2017
    EAN
    EAN 5055300392008
     
  • 01. I've Been Walking
    02. Go! Go! Go!
    03. Money Blind
    04. The Boy I Love
    05. Push It Too Hard
    06. I Wanna Be Your Yoko Ono
    07. Shiver!
    08. We Are Gonna Die

    COURETTES, THE

    Here are the Courettes

    REPRESS! Mit alternativen Artwork! Es gibt Dinge, die kann niemand beeinflussen. Eines davon ist die Liebe. Die Liebe zur Musik und die Liebe zu einem Menschen. Zufällig oder Schicksal, darüber zu philosophieren ist müßig und ebenso wenig zielführen. Fakt ist jedenfalls das egal wie man es dreht, beides Pate bei den Courettes stand. Die Geschichte ist kurz erzählt. Kennen und lieben gelernt haben sich Flavia, Bassistin der Autoramas, und Martin, Schlagzeuger der Columbian Neckties, 2013 auf der gemeinsamen Brasilientour beider Bands. 10.000 km Distanz waren allerdings kein Grund, keine Band zu gründen, vor allem wenn man die Liebe zum selben Sound pflegt. Also geheiratet, Band gegründet, Songs geschrieben. Platte aufgenommen! Fertig aus. Here are the Courettes heißt das Teil. In Mono von Kim Powersolo. Was die Brasilianerin und der Däne hier abliefern ist, wie nicht anders zu erwarten, First-Class 60s infizierter Garagen-R’n’R. Wild und roh jagt eine mit Fuzz geladene Nummer, die nächste. Dazu wird exzellent auf die Schießbude geprügelt und die Vocals von schön bis plärrig rausgehauen - überwiegend von Flavia. Das klingt nach den Sonics, nach den Jackets, nach Headcoats und den 5.6.7.8.s - vor allem aber verdammt so, wie Teentrash nunmal klingen muss.
    Format
    10'' lim
    Release-Datum
    17.07.2015
    EAN
    EAN 4260016921447
     
  • 01. You Have The Right To Remain Violent
    02. Analysis Of A Smile
    03. Now Is The Time For Making New Enemies
    04. Thinking Through Our Fingers
    05. Fuck Your Male Sexual Entitlement
    06. The Lowest Animal
    07. Poetics Of Despair
    08. Stifling Progress
    09. Life Is Worth Losing
    10. Proper Corruption

    MERCY TIES

    Proper Corruption

    Schon etwas älter, aber der absolute Tip und jetzt endlich zu haben!!! … vereinen in etwa 20 Minuten Hardcore mit D-Beat, Grindcore, Sludge und Mathrock, um etwas Bedrückendes und Unbarmherziges zu erschaffen, in dem auf Momente der Erleichterung, der kurzzeitig verstörenden Stille, die nächste Erschütterung folgt.
    Format
    LP
    Release-Datum
    07.08.2015
     
  • 01. Antisocial
    02. It's Not Cool To Talk With Cops!
    03. Lost In Translation
    04. Big City Death
    05. Keine Alternative Für Irgendwen
    06. Let's Take (What Is Ours)
    07. I Fool Myself
    08. I'll Be A Snob
    09. German Values
    10. Refugees Welcome
    11. Wasted

    KICK IT!

    Biére, Frites Et Vandalisme

    [engl] After the great 7" from 2013 here's finally the 1st longplayer from the german band KICK IT. Yet again you'll get beautiful melodic punk-rock, which moves skillfully between hardcore, garage-punk and '77 punk. All harsh and at high speed, but always remaining nice and catchy like on the 7". Vinyl is housed in a nice diy-silk-screened cover and includes a digitial download card.
    Format
    LP
    Release-Datum
    29.05.2015
     
  • 01. Irgendwas Läuft Falsch
    02. Schwarzes Loch
    03. Trostpreis
    04. Milben
    05. Aufziehen

    ZUSTÄNDE

    s/t

    [engl] new band from germany mixing great melodic KBD punk-rock with some power-pop tunes. not only great melodies, but also pretty snotty and great energy. amazing!!!
    Format
    7''
    Release-Datum
    29.05.2014
     
  • 01. Guten Tag
    02. Halb wach
    03. Wesen
    04. Verformt
    05. Verpuzzelt
    06. Eiter
    07. Falscher Dampfer
    08. Halt die Fresse
    09. Unkraut
    10. Schwarm
    11. Verblüht

    WEICHE

    s/t

    [engl] After releasing a great Demo-Tape in 2014, WEICHE from Frankfurt are back with their Vinyl debut. 11 songs in about 35 minutes - dark, brutal and pissed Hardcore-Punk with Mathcore- and Metal-influences. Dirty Midtempo sound - raw, angry and full of negativity. Dark music for dark times!
    Format
    LP
    Release-Datum
    23.06.2017
     
  • 01. Viles
    02. The Magick Hour
    03. Negative Vomit
    04. Nervous
    05. Boring Sex
    06. Crazy Glue
    07. Grinds To a Halt
    08. Black Christmas
    09. Archaic Illusions
    10. Triangle Eyes
    11. Going Nowhere Slow
    12. Suggested Reading for the Confused

    DIAGNOSIS? BASTARD!

    Silenciado

    [engl] DIAGNOSIS? BASTARD! features members of VICTIMS and NITAD and bring you 12 bombers of hateful, distörted Swedish hardcore punk that tend to drift into d-beat territory from time to time. Does this sound like your cup of tea?
    Format
    LP
    Release-Datum
    23.06.2017
     
  • 01. Cool!
    02. Autopilot
    03. Konfetti
    04. Smoothjoe
    05. Sex
    06. Ja ich weiß
    07. Zucker
    08. Zimmer
    09. Das bin ich
    10. Keinen Sinn

    REIZ

    s/t

    [engl] Highly recommended debut LP by these german youngsters called REIZ. Formed out of LIBERTY MADNESS / MODERN PETS members and local classifieds these guys deliver ten deutschpunk / garage / 70s punk smashers that make you think about bands like THE SHOCKS, BUTTOCKS MARIONETZ or THE BRIEFS. Grab it by the pony while its hot. REIZ-Time!
    Format
    LP
    Release-Datum
    23.06.2017
     
  • 01. Maurice Alcindor - Sekirité sociale
    02. Gabby Siarras - Sauvagement sexy
    03. Les Bois sirop - Je voudrais danser avec toi
    04. Dany Play - Mais tu sais
    05. David Martial - Jerk vidé
    06.Le Ry-co Jazz - Pipi poh
    07. Le Ry-co Jazz - Tu bois beaucoup
    08. Joby Valente - Disque la rayé
    09.Fred Aucagos - Ti Mam'zelle
    10. Dany Play - Pourquoi pas
    11.Les Vickings - Puchi's boogaloo
    12. Monsieur X - Ou qué di moin
    13. Henri Debs - Ou pas z'amis en moin

    V/A

    DISQUE LA RAYé - 60's FRENCH WEST INDIES BOO-BOO-GALOO

    [engl] Suddenly, as soon as the first piano notes are heard, a hysterical frenzy transcends the venue: musicians waddle onto the stage, dancers rush on the dancefloor, their patent shoes gliding on the lacquered wood flooring, and everyone sings along to the rhythm of “Haaa… bi-bi!”. Each performance brings the same madness, and night clubs all over New York are shaking. Joe Cuba’s sextet skyrockets to fame with their new song, cunningly named « Bang Bang ». Many similar deflagrations would soon shake ballrooms across the Big Apple. Over the year 1966, a new pulse spreads like wildfire on the sidewalks of Spanish Harlem and local radio waves. “This is boogaloo”, you could hear. Like no music genre ever before, it brought together African Americans and Latinos. The two communities had been attending the same parties for a while, but they wouldn’t boogie to the same tracks: as Black people waited for the rhythm n blues and soul tunes, Latinos saved their energy for the cha-cha-cha and pachanga. As the ultimate musical syncretism of popular genres in the Barrio, boogaloo is often described at « the first Nuyorican music ». Purists claim that you can hear the premises of the genre in the cover of “Watermelon Man” by Mongo Santamaria, or in Ray Barretto’s “El Watusi” in 1963. But it is in 1966 that it established itself as the most vibrant incarnation of its time, both musically and politically. A revolutionary hurricane was then blowing on Amerika: in the trail of the Black Panthers and the Young Lords Organization, minorities were gathering in the streets to reclaim their rights from the establishment. The apparent naivety of the lyrics of the hit “I Like It Like That”, recorded by Pete Rodriguez’s orchestra for Alegre Records in 1996, is misleading: it must be interpreted as the most direct and dazzling affirmation of an identity. Blacks and Hispanics were now embracing their skin colors and origins, while asserting their American identity. Boogaloo made it way on the soundtrack of a social revolution overtaking the country, and lend it its tempo until the end of the decade, before it got overshadowed by salsa. « Boogaloo is youths trying to make it, it’s immigrant influence, it’s musical development.”, says Johnny Colon in the must-see documentary We Like It Like That. Boogaloo’s energy seduced young people from different backgrounds, well beyond the borders of the U.S.A., and especially in the Caribbean cradle land: in Cuba, Puerto Rico, Dominica, and all the way to the French West Indies. From Fort-de-France to Pointe-à-Pitre, old biguines and mazurkas from West Indian orchestras strong of a bloodline of virtuosos, from father to son in the likes of Siobud, Stellio, Fanfant or Coppet, became outdated by those modern beats. When boogaloo overtook the West Indies, at the same time as other music genres with amplified keyboards and electrified guitars, this new wave knocked out hierarchy and habits. The necessity to learn how to read music to call yourself a musician became obsolete, as you only needed a good pair of ears and to be tuned on the new sounds from the international radios. “I was a student in Paris in the early 60s”, recalls Fred Aucagos, Guadeloupe’s first rock musician. But I didn’t go much in class, I was hanging out with Golf Drouot, with Eddy Mitchell, Johnny Halliday, Dick Rivers… When I went back home in January 1966, I brought back on the island the first reverb amplifier and the first electric guitar. I was yé-yé, I wanted to play this music home.” Aucagos started by revisiting the standards of French and Yankee rock, but the musicians in his band, the Vikings of Guadeloupe, persuaded him to sing in Creole, to add some ka drums, hire some Latin brass… On Fred Aucagos’ “Ti Man’zelle”, we can hear a subtle mix of imports from the mainland, the U.S.A and the neighboring islands. With only one desire in the end: fire up the West Indies balls. On the dancefloors of the most prestigious nightclubs, such as La Bananeraie in Martinique or La Cocoteraie in Guadeloupe, musicians dabbled with boogaloo coming up with rather unorthodox interpretations, and this is precisely what gives this compilation its singularity and panache. It incorporates influences from the African continent thanks to the Rico Jazz (an adaptation of “Si Tu Bois Beaucoup” of the Congolese rumba orchestra O.K Jazz). It rubs elbows with the “Jerk Vidé” of a David Martial before he turned in a doudouiste cliché. With the cheeky humor of the Guyanese Dany Play (“Mais Tu Sais”), the perkiness of Joby Valente (“Disk La Rayé” with Camille Soprann’ on sax), we (re)discover forgotten classics published half a century ago on the two historical labels in Guadeloupe: Aux Ondes of producer Raymond Célini, and Disque Debs whose boss Henri Debs can be heard behind the mic on “Ou Pas Z’ami En Moins”. In another style, “Ou Que Di Moin” from Monsieur X is a Creole funk pamphlet, neither Latin, nor festive, and not strictly boogaloo for that matter. The Nuyorican rhythm is a tiny fraction of what the West Indies orchestras were playing, and they would often incorporate biguine and Haitian kopi elements. This compilation allows some deviations, for the fun of it, presenting tracks where boogaloo is more of an influence. Assisted by Jean-Baptiste Guillot of the Born Bad label, Julien Achard spent more than three years digging some records to compile the best of the Creole boogaloo. The charm of the restored sound of these old 7” vinyl records is only matched by the ardor of the interpretations. “Sauvagement sexy”, wildly sexy, as Gabby Siarras sings.
    Format
    LP
    Release-Datum
    04.07.2017
    EAN
    EAN 3521381543124
    Format
    CD
    Release-Datum
    04.07.2017
    EAN
    EAN 3521383443118
     
  • 01. gespenster
    02. das blut an den fahnen
    03. substanbul
    04. rosige gesichter
    05. gier
    06. unterwegs
    07. freitag der 13te
    08. schlecht ist besser
    09. der hobel
    10. hirn
    11. nie wieder
    12. satt sein

    ES WAR MORD

    Unter Kannibalen

    Es war Mord ist eine Band aus Berlin mit zwei Gitarren, Bass, Schlagzeug und natürlich einem Sänger. Es war Mord singen in deutscher Sprache. Dabei sind die Texte oftmals mehr phonetische Willkür, als platzierte Poesie. Es war Mord spielen ungefälligen, sperrigen, düsteren Punk mit vielen Rhythmuswechseln. Der Grundton basiert fast immer auf E-Moll, da er der dunkelste und tiefste Akkord ist, den man auf einer normal gestimmten Gitarre spielen kann. Es war Mord haben eine Langspielplatte namens „Unter Kannibalen“ fertig gestellt, der ursprüngliche Titel „Erinnerungen des Agenten, der aus Notwehr mit den Kannibalen knutschte“ wurde von der Band als gut, aber zu lang auf oben genannten gekürzt. Das Artwork ist der Abzug eines Holzschnittes mit der Bezeichnung „Es lebe das 21. Jahrhundert“ und stammt von Fritz Ebeling, einem Berliner Künstler und Meisterschüler von Schmidt Rottluff, der 2011 verstorben ist. Es war Mord sind Sepp, Dietmar, Markus, Tom und Stunk. Es war Mord Vorgängerbands: The Rest, Vorkriegsjugend, Zerstörte Jugend, Situations, Jingo de Lunch, Kumpelbasis, Porno Patrol, No Alligians und die Skeptiker.
    Format
    CD
    Release-Datum
    23.06.2017
    EAN
    EAN 4260016921607
    Format
    LP 180gr
    Release-Datum
    23.06.2017
    EAN
    EAN 4260016921591
    Format
    TAPE
    Release-Datum
    23.06.2017
    Format
    LP + Shirt
    Release-Datum
    23.06.2017
    Format
    CD + Shirt
    Release-Datum
    23.06.2017
     
  • 01. Somebody’s Peepin’
    02. I Can See It
    03. I’d Go Anywhere
    04. Danny’s Son
    05. Wheels Of Fortune
    06. I See You’re Looking Fine
    07. What’s Wrong With That
    08. Someone Just Passed By
    09. Her Darkness In December (Drone Song)
    10. Lazy Livin’

    NEW TWEEDY BROTHERS

    The New Tweedy Bros!

    [engl] 100% uncut psychedelia and garagey, jangly folk–rock from 1968 Originally from Portland, the New Tweedy Brothers were formed by brothers Fred and Danny Lackaff plus Dennis Fagaly and Steve Ekman. In 1966, they relocated to San Francisco, where they were part of the exploding, nascent psychedelic Ballroom scene, influencing none other than Jerry Garcia and sharing stage with bands like The Warlocks (pre–Grateful Dead), Quicksilver and Big Brother among others. Upon returning to Oregon, they self–released in 1968 their only album, housed in a striking hexagonal, over–sized silver foil cover, now a holy grail between psychedelic collectors. Innocent vocal harmonies, fuzzy bass, jangly guitars, raga sounds...
    Format
    LP
    Release-Datum
    19.06.2017
     
  • 01. State
    02. Voices A Drama
    03. A Welcome Mystery
    04. Red Lock On See Steal
    05. Imprint
    06. Many Risk
    07. A Secret West
    08. Is New Is
    09. 4 Hours
    10. P
    11. F1
    12. Winchsoul

    VOIGT/465

    Slights Still Unspoken (1978–1979)

    [engl] Formed in Sydney in 1976, VOIGT/465 was a truly unique band from the exciting days of the Australian post–punk scene. Heavily influenced by such luminaries as the Velvets, Stooges, Syd Barrett, Pere Ubu, Can, Faust, Henry Cow, Slapp Happy and Eno’s Roxy Music, they created an abrasive sound in which Krautrock, DIY, avant–garage, post–punk, psych, art–rock and free improv–noise combined to form a sound unlike any other. In 1978 Voigt/465 released one of the first DIY 45s from Australia, "State" / "A Secret West", which showed their "pop–psych" side and was played by John Peel in the UK. The following year, their bass player Lindsay O’Meara decided to leave the band and join Crime & The City Solution in Melboune. Before parting ways, Voigt/465 decided to record one last album as a testament. "Slights Spoken", saw the light in 1979 and it’s without doubt one of the most fascinating albums from the post–punk /DIY era. Here it is including the two tracks from their first 45 as bonus tracks. It comes with free download coupon, featuring the complete album plus five studio / live bonus tracks from ’78–79, including killer covers of Faust, Can and Roxy Music.
    Format
    LP
    Release-Datum
    19.06.2017
    Format
    CD
    Release-Datum
    19.06.2017
     
  • 01. Heavy Metal For Sex People
    02. Blue Suede Shoe
    03. Dingo Ate Your Baby
    04. Double Decker Bus
    05. Fight Death, Not The Dead
    06. Communication Or Surprise
    07. Do You Remember The Memories?
    08. My Head Hurts
    09. Dim Plastigon
    10. Norman Collier's Microphone
    11. Winds Of Tomorrow
    12. I've Never Used A Lawnmower
    13. George Orwell Called

    HEAVY METAL

    Smash Criticism Smash Optimism Smash Arachnophobia

    Zweite LP
    Format
    LP
    Release-Datum
    04.05.2017
     
  • 01. MASTER ACE
    02. SO WHAT SO WELL
    03. MASS OF BOUNDS
    04. CHICO
    05. I SAW YOU
    06. 5 DROPS
    07. TAME
    08. BRUTAL

    SICK HORSE

    Good Body Feeling

    [engl] "Big, groovy, polytoxikoman, psychedelic, punk rock nightmare debut long player by Berlins' unpredictable, multi-dysfunctional, multinational boy group. As majestic, tragic, delirious and powerful as...well, a sick horse. Buy it." Sig Vishnu (Heavy Metal) "Sick horse play loud. Sick horse play hard. Sick horse play tight. And if you don't like the songs it doesn't fuckin matter cos they've been up for two days and they didn't miss a beat." Daryl Sulfate (Diät)
    Format
    LP
    Release-Datum
    04.06.2017
     
  • 01. Piero - Quelle époque épique et punk
    02. Soda Fraise - Ca baigne dans l'huile
    03. Stéfan - J'suis pas méchant
    04. Geiger - Je suis punky
    05. Too Much - Silex Pistols
    06. Gérard Bôle du Chaumont - C'est la défonce
    07. Sublime de Luxe - Chose molle
    08. Bulldozer - J'suis punk
    09. Sublime de Luxe - Donne-moi ton corps, juste pour le sport
    10. Les Marylènes - Le beau tétard sur son cigare
    11. Gisor - Le plan
    12. Anatole Frantz - Le monde est fou
    13. Fatsy Wataire - Chimène Hovelicot
    14. Gérard Depardieu - La p'tite Agathe
    15. Plastichke - Ca gaze pour moi

    V/A

    BINGO - French Punk Exploitation 1978-1981

    [engl] The real, great rock 'n' roll swindle? Don't look for it in the Pistols, well, in Mac Laren' movie The Great Rock 'n' Roll Swindle... you'd better search Belgium, and more specifically somewhere near Lou Deprijck and Yvan Lacomblez, two born-and-bred “Brusselians[1] ”. If their names don't ring a bell at first glance, you've most likely already wiggled to the interplanetary hit which brought them fortune (in every way): “Ça plane pour moi”! Oh yeah, France already had Antoine's “Élucubrations”, a mildly transgressive hit in its own way... and an unprecedented landslide in Gallic memory. But this time, another category was tackled! “Ca plane pour moi”? A moronic song by a crappy singer... The prank swept through the world and within a few months, no less than one million 45s were sold just in France. And the incredible part is that it was to spawn a mass-produced bunch of cover versions, finally becoming – how ironic – a universal punk anthem: think what you will, it IS the hold-up of the century! Of course, such a cash cow would arouse envy and create quite a few vocations among our fellow countrymen. The song's trademark derision was finally about to bridge the missing link between original punk – too violent, too dirty – and the general public eager to enjoy a little Saturday-night pogo. Once more, humor became the magic bullet to conquer a frightened audience: even though the French aren't exactly fond of rock'n'roll, they've always loved a good laugh. The formula had already proved successful. Remember the arrival of rock'n'roll in France (1957) through Boris Vian, Henri Salvador and Michel Legrand. Their famous, jokey “Rock and Roll-Mops” already laid the foundations for the same equation (refer to Born Bad's Rock Rock Rock comp for a deeper look): joke + rock'n'roll + derision = success. The big labels sure did try to produce punk bands in France – Polydor, the most daring one, signed up the Stinky Toys and the Guilty Razors in a row – but only to result in huge commercial failures which ended up discouraging the entire profession. But in the face of Mr. Bertrand's huge success, those big labels thought they got how it works. Very soon, music publishers and majors all wanted a punk hit. From Barclay to RCA to Polydor, all discovered a passion for punk and wanted their own “Ça plane pour moi”. So A&R executives from big labels and publishers brought all of their seasoned producers, composers and lyricists into the stampede: eccentric arrangements, daft and stereotyped lyrics – one-upmanship was the rule. Anything served as a pretext to be punker than punk – who cares if grotesqueness and ridiculousness were constantly flirted with, what we want is good laugh (and a shitload of cash!). An unprecedented bunch of punk-novelty records followed. Even André Verchuren had his own unbridled accordion cover version of “Ça plane pour moi” – that's saying something! Sure, most of these punk hoaxes are real lousy, real shitty but one must admit that some numbers stand out of the crowd. While they didn't reach the success of “Ça plane pour moi”, some, here and there, were really inspired and – let's be punk – even more creative than the songs they hijacked and mimicked. So, as would say Pierô who opens the comp: “Hey guys, got your guitars out of tune? let's play PUNK today! and start up the infernal machine. Ein, Zwei, Drei quattro...”
    Format
    LP
    Release-Datum
    25.05.2017
    EAN
    EAN 3521381537949
    Format
    CD
    Release-Datum
    25.05.2017
    EAN
    EAN 3521383437933
     
  • 01. Hollow Men
    02. At the Bijou

    BOBBY CONN

    Hollow Men / Special Edition

    Diese Special Edition entstand in Zusammenarbeit mit Bobbys langjährigen Freund und Schmuckdesigner Jonathan Johnson (Deichkind, Bela B., Rocko Schamoni, Chilly Gonzales, Absolute Beginner). Für den Song hat Jonathan Johnson einen limitierten 7“-Adapter aus Messing entworfen - eine umgedrehten Dollarpyramide, deren Spitze ins Pentagon rast, umrandet von zwei Statuen der ägyptischen Göttin Isis, einem Schwan, einem Schlittschuh und einer Eisenstange. Frei nach Guy Debord's „Die Gesellschaft des Spektakels" oder um es mit den Worten Bobby Conn´s zu sagen: More than you need!
    Format
    7" special
    Release-Datum
    28.04.2017
     
  • 01. Paracaidas
    02. Magica Nueva
    03. Cumbia 94

    JUNGLELYD

    Paracaidas

    JUNGLELYD sind die neue Entdeckung von Sounds Of Subterrania. Die Jungs aus Dänemark vermischen Cumbia, tropischen Bass, Surf Rock, psychedelischen Elektronik-Sound und nehmen dabei den Zuhörer mit auf ein berauschendes Abenteuer. Hypnotisierende Beats werden durch melodiöse Elemente der Stammes- und Ritualgeräusche aus den nebeligen Urwäldern Südamerikas akzentuiert. Auf der Bühne vereint die fünfköpfige dänische Band Elektronik mit Instrumenten wie Saxophon, Flöten, Gitarren, Bass und Percussion, um eine Fusion aus digitaler und analoger Musik zu schaffen. Dieser einzigartige Sound reißt die Hörer nicht nur einfach mit wie eine Flutwelle, sondern verführt ihn auch der wahren Bedeutung des Wortes Cumbia, nämlich “cum" für Trommel und “ia” für sich schütteln, zu frönen. Nicht nur deswegen sind Junglelyd und ihre Liveshows in Dänemark bereits mehr als nur ein Geheimtipp. Einer ihrer Songs wurde letztes Jahr zum besten Weltmusik-Track Dänemarks gewählt. Die Band wurde daraufhin eingeladen, das Hausorchester bei den prestigevollen Danish Music Awards World zu sein. Folgt dem Klang! Lasst Euch von Junglelyd tief in die Magie des Dschungels tragen. Oder man kann es auch Abkürzen, Cumbia ist der Sound der Stunde und Junglelyd spielen ihn.
    Format
    Release-Datum
    31.03.2017
    EAN
    EAN 4260016921560