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  • 01. Kruktu
    02. Pleši nevidljivo
    03. Triptih
    04. Na valove
    05. Agent
    06. Malena svjetla, si?ušne lanterne
    07. Mjese?ev pjev
    08. Anatom matador
    09. Muzika malih enigmi
    10. Do?e vatra
    11. Kristalna leptirica
    12. Spore duge
    13. Izvor
    14. Jutarnja pjesma o kozmosu
    15. Lebdimo
    16. Plamen
    17. U dobokoj no?i
    18. Kvamb
    cover

    IZAE

    Kvamb

    [engl] Izae's "Kvamb" perfectly demonstrates how short, acoustic songs can be beautiful and creative. Calm, tender, and atmospheric compositions, with guitars frequently performed in major chords and scales. All tracks are emitting positive vibes which will cheer you up in a twisted, but entertaining way.
    Format
    LP
    Release-Datum
    29.11.2019
    EAN
    EAN 603765399275
     
  • 01. La Pomme D’Argent
    02. I Need A Connection
    03. You Are Dissolved
    04. Cascade In Dark
    05. Argent (Tom Furse Extrapolation)
    06. The Amber Light (Edit)
    07. Parade Of Blood Red Sorrows
    08. Neotantrik Globes (Excerpt)
    cover

    JANE WEAVER

    The Amber Light

    [engl] After almost two years of busy tour schedules and widespread unanimous critical acclaim longstanding experimental pop crusader Jane Weaver finally commits one of her most requested projects to vinyl in the shape of dedicated mini-album The Amber Light presented here on exclusive and limited Amber transparent vinyl. Originally issued as a limited CD only bonus disc for The Silver Globe album global re-release The Amber Light surprised fans expecting B-sides and outtakes with what for many stood up as its own isolated project including some of Jane’s best material to date including the pulsating synth anthem I Need A Connection which since became a radio favourite also appearing on film and fashion shows throughout the latter half of 2015. The Amber Light also included further collaborations with Finders Keepers Andy Votel as well as long awaited collaborations with Atari/Star Wars Synthesist Suzanne Ciani, Tom Furse (keyboardist from The Horrors) and Sean Canty from Demdike Stare. Recorded over the course of two long weekends between tours with her custom-built band operating at an energetic optimum, The Amber Light captures Jane exuding the passion, experimentalism and justified confidence which is instantly reflected with some of her best songwriting to date. Currently causing a stir with her collaboration with Beyond The Wizards Sleeves and within the final throes of recording a brand new LP it is still a very exciting time for this unique multi-tasking independent female composer who’s loyal long-running fan-base multiplies with every closely recorded breath. Trepidation is not required here, The Amber Light means you can go.
    Format
    LP
    Release-Datum
    08.07.2016
    EAN
    EAN 5060099506024
     
  • 01. The Silver Globe
    02. Argent
    03. The Electric Mountain
    04. If Only We Could Be In Love
    05. Don’t take my soul
    06. Cells
    07. Mission Desire
    08. Stealing Gold
    09. Arrows
    10. Your Time In This Life Is Just Temporary
    cover

    JANE WEAVER

    The Silver Globe

    [engl] The Silver Globe Expands As one of the most industrious female multi-instrumentalist songwriters in modern pop Jane Weaver literally doubles the content of her Best Record Of 2014 for this synth-ridden special release. When a handful of broadsheet music columns and reputable blog pages began to mention the vaguely familiar name Jane Weaver in the “Here’s One We Missed” themed features during 2014s end of year round-ups it became quickly apparent that the singer’s concept album The Silver Globe had already independently garnered a “must have” status amongst virtually any self-respecting music buyers. But unlike so many other big label “campaigns” that vied for PR attention via ego-fuelled video promos and down your throat advertising, this unassuming, dedicated, focused piece of experimental female vocal pop was in no way spoon fed to editors nor playlisters. Nor did it fall within the lines of what might have been considered fashionable or culturally relevant. The Silver Globe defied species, and for once, was judged on its own merit as a brilliant uncompromising pop record. The sixth album by a long-standing pillar of the North West music scene (loosely based on a lost Polish dystopian feature film and a French novella featuring a personnel of vintage Atari music composers next to Australian synth pioneers) was a simply typical product of the way Jane Weaver has always operated - as an independent and resilient female experimental songwriter, on her own label, on the outskirts of anything that resembles a music industry. Throughout her twenty-year “career” she has stayed focused, avoided whimsical fads and distractions and used her experience to work as hard as she can when she can. By Christmas The Silver Globe had been announced as Piccadilly Records’ best album of the year, earned a “worldwide” top ten track of the year accolade by Gilles Peterson, gleaned across the board full-stars and thumbs up from the music press, benefitted unanimous repeat plays from virtually every specialist DJ on BBC6 Music (amongst many more global radio stations), found DJ mix support from Andrew Weatherall, and filled most of the pages in a twelve month diary with gig and festival requests. Meanwhile, Jane’s own Bird Imprint (via Finders Keepers) has to worked around the clock to keep up with stock demands of her new (and old) music. Album collaborators such as David Holmes, Andy Votel and BC Camplight share gushing pride in the project and with this unanimous critical support (and long earned respect) Jane has reacted in the only way she knows best - to keep creating. In March, barely six months since its initial release, following tours with friend and sonic sister figure Laetitia Sadier (Stereolab) and one time backing band Black Rivers (two thirds of Doves), Jane will release an expanded edition of The Silver Globe - including a second full-length disc called The Amber Light which follows the original LP with the same dedication and adventurous zeal as its much loved synth driven sister record. With a title that alludes to the toils of trepidation and a running theme of industrial procreativity and DIY handy craft, The Amber Light carves a niche between new age motivational music, radiophonic folk and snarling krautrock echoing the kosmische stylings of The Silver Globe with the punk urgency of 80s domestic-synth pop. Featuring four brand new songs, three exclusive instrumental themes (including a commissioned theme from an American vampire film) and three new collaborative re-workings/duets based on tracks from The Silver Globe, this extensive package harbours co-production work from Tom Furse (The Horrors), Andy Votel, Suzanne Ciani, members of Demdike Stare and original Silver Globe inhabitants Pete J. Phillipson and Martin King. Substantiated by other extra format editions, including a silver vinyl version of The Silver Globe, a series of compact cassettes and a single release of standout robotic roller rink track Don’t Take My Soul (presented digitally as well as a split single with Bird Records label mate Tender Prey) Jane’s expanded Silver Globe/Amber Light project reciprocates the positive energy shared by her loyal readership and a wide host of new converts who have allowed Jane’s self-sufficient songs and synthetic soundscapes to flourish on he cusp of 2014/2015. Showing little signs of slowing down, Jane Weaver alongside her Bird Records family looks set for an airborne year. The Silver Globe is still turning and catching many a siege in its electric rays.
    Format
    LP
    Release-Datum
    30.03.2015
    EAN
    EAN 5060099505751
     
  • 01. Europium Alluminate with Demdike Stare
    02. A Circle And A Star Part 1 with The Focus Group and Susan Christie
    03. The Fallen By Watchbird Video Mix
    04. Turning In Circles by Emma Tricca
    05. Majic Milk
    06. Whispers Of Winter with Wendy Flower
    07. Noctilmina with Anworth Kirk
    08. My Soul Was Lost, My Soul Was Lost And No-One Saved Me by Magpahi
    09. Silver Chord with Samandtheplants
    10. A Circle And A Star Part 2 with The Focus Group and Susan Christie
    cover

    JANE WEAVER

    The Watchbird Alluminate

    [engl] Remaining faithful to her influences of Germanic märchen tales, Eastern European children's cinema and mechanical pop music, Jane Weaver expands her critically acclaimed Fallen By Watchbird concept album in this ten chapter sequel-of-sorts by employing a cast of new actors and narrators to reinterpret her surreal "cosmic aquatic folklore" 12 months after the first installment. Here Jane experiments with volks-music in its purest most innocent form using modern tools to re-tell and recycle second hand stories. Inspired by post-war cinematic interpretations and hand-me-down mistranslations of global folk tales Jane has collaborated with a close-knit group of musicians, noisemakers and vocalists/narrators to create automatic-music and re-illuminate an eleven-page novella about telepathy, technology, lost-love, wiccan, war and watchbirds. As part of ongoing voice and electronic experiments with the people behind Pre-Cert Records The Watchbird Alluminate includes a wordless vocal introduction and interlude from both Demdike Stare and the elusive Anworth Kirk while the spoken-word narrative of Finders Keepers' lost American pop folk singer Susan Christie is reinterpreted by Ghostbox's Focus Group with results comparable to Ruth Whites 1968 electronic/vox inter- pretations of Baudelaire's Flowers Of Evil. Jane's own Bird Records label roster contributes two new cover versions of Weaver's self-penned tracks re-sung by Italian singer Emma Tricca and Rochdale's time-slipped falsetto soloist Magpahi (in a track evokes cinematic scenes from Night Of The Hunter or The Innocents). Elsewhere vintage soft-pop royalty appears in the form of a lead vocal from Wendy & Bonnie's, Wendy Flower, a close friend and confidant of Jane’s since their first collaborations in New York and London in 2006 at the request of Jarvis Cocker for his guest curation at the Meltdown festival. Other lead per- formances from Weaver add a new poetic twist to the story in both solo capacity and along- side Samandtheplants' Sam McLoughlin whose Supernatural Lancashire library project (with Alison Cooper) from 2010 still resonates as one of the finest new releases of last year. With a unique approach to making non-linear mechanical music this pop-up collective adds a further creative perspective to the oft mistreated "concept album" virtually eliminating genre distinction in favour of communal noise - a unique product of genuinely independent music in 2011 which continues to sprout further branches.
    Format
    LP
    Release-Datum
    26.09.2011
    EAN
    EAN 5060099502941
     
  • 01. Don’t Take My Soul
    02. Undisputed Heavyweight Champion Of My Heart
    cover

    JANE WEAVER/TENDER PREY

    Don’t Take My Soul / Undisputed Heavyweight Champion Of My Heart

    [engl] From an unassuming, self-sufficient musical micro-industry in the north of England comes more finely tuned fastidious femme pop from Jane Weaver and her growing Bird Records imprint with a new split single available of vinyl and download this spring. Having garnered unanimous acclaim amongst critics, bloggers, radio programmers, likeminded artists, gig promoters and record shops alike, Jane’s The Silver Globe LP has managed to top multiple end of year charts in 2014 and is still commanding the attention of new found fans on a daily basis - a feat deemed almost impossible for an artist with five previous albums to her name and a fervent loyalty to the independent anti corporation she has cohabited for the last twent years. With this mindset (plus good taste and talent) blooms independent pop music as it should be - adventurous, free, visionary and exciting - with Don’t Take My Soul the Liverpudlian born Manc dweller has achieved just that. Combining domestic synth pop with falsetto melodics and 10cc sounding prog pop arrangements Jane depicts a theatrical electronic pop character that fuses Kate Bush karaoke with a J-Pop Erykah Badu whilst retaining her own very distinctive songwriting, conjuring images of neon arcade machines and shabby 1980’s Euro roller rinks. Singled out as a class favourite on an album that was awarded Piccadilly Records coveted Album Of The Year accolade (and has since commanded an entire year’s worth of live commitments) Don’t Take My Soul features extra production duties from Andy Votel and ends with a guitar solo from Badly Drawn Boy which sounds like a cryogenic experiment from his pre-Bewilderbeast days. True to her co-op mentality Jane’s first vinyl single from the LP (following a limited cassette single of the Dave Brock co-write Electric Mountain) shares vinyl sides with label mate Tender Prey (aka Laura Bryon) who brings her inimitable drummy saccharine tinged pow-wow punk to the fray with the effortless Undisputed Heavyweight Champion Of My Heart ripped from the forthcoming Organ Calzone cassette and download long player released later this year. Based in Cardiff with countless road miles shared on tour with H.Hawkline and Cate Le Bon (another Bird school alumni), Laura has stolen the hearts of unknowing live converts via support slots and Marc Riley endorsed radio sessions motivated by her own self-propelled god speed. Amongst a broad clutch of other artists, spanning 70 years of lost pop and new noise, Bird records looks set for an airborne 2015. The Silver Globe is still turning and catching many a siege in its electric rays.
    Format
    7''
    Release-Datum
    30.03.2015
    EAN
    EAN 5060099505539
     
  • 01. I won't come back
    02. Centaur Desire
    03. Erika
    04. no brain no shame
    05. communion
    06. complex situation
    07. drink dope and debauchery
    08. the end
    09. the road
    10. lies
    11. libera
    cover

    JC SATAN

    Centaur Desire

    [engl] As we know, first times are always the most powerful: the shattering rush of revelation can only be experienced once. After that it’s all an inevitable, exhausting quest for repetition, a feverish search for the original shock, and pointless reiteration and accumulation poisoned by consciousness, analysis and age: and such a sensation keeps fading as we experience it. 2018’s garage band #1001 will look and sound the same as the preceding one, and leave you wondering – half-sorry, half-dismayed – how on earth listening to the Sonics and the Standells could electrify you back in the days. Likewise, you can count on the fingers of one hand the bands you’ve loved up until their 5th album like J.C. Satàn – almost ten years after falling in love. We all already know dudes who have “seen them too much”, heard them too much and stopped expecting anything from them anymore. Except that… Except that those folks are in for a big-time surprise, as the Satàn crew did not deliver a 5th album just for the hell of it, just to justify their next tour: they got together to seek the rare fuel, the miraculous current able to galvanize our sleeping senses, the electroshock forcing us to revive the urgent impression of being alive. Centaur Desire has something of a new first-time record – recorded all together (Arthur and Dorian used to handle all instruments themselves), enhanced by an incredibly powerful sonority (gear has piled up over the last years), and filled with a new groove (Romain finally plays his drum parts, and it’s fantastic). Never where you’d expect it, Paula’s voice adds to the pervading climate of freshness. A true panacea, in the alchemists’ sense – that universal remedy that gives sight back to the blind, hearing back to the deaf and youth back to old jaded bodies. A formula had to be found, that combines an undeniable talent for composition with devastating live fury – the laboratory residue of which, on the vinyl sieve, had always seemed a bit staid. Here it is, and some of this on-stage gold stabilized to get cut on record and reproduced endlessly until reaching our speakers. If the modern-era Nicholas Flamel extracting this yellow metal out of peat was called Josh Homme or Black Rebel Something, the whole world would be murmuring the ecstasy of court’s flatterers. At a time when the aforementioned bigwigs are composing a supposedly magnum umpteenth opus that smacks a lot of schlock, J.C. Satàn release something that dashes all of them with the cheerfulness of freaks and the Rabelaisian, farcical mirth of a horny centaur inviting us to Pan’s great farandole, in the setting of a Manowar sleeve. “CENTAUR DESIRE!” declaims a sonorous voice on the title song, just like one would invoke some demon/leviathan to lay low an army of muddy killer whales by hitting them with burning dildos. Like a superlative life, an explosion of springtime sap accompanying the great universal libidinous rush that seizes us in the cosmic shag or in the mosh pit. No doubt the fact that this 5th album is their best one to date is quite uncommon and leads one to wonder. Light years away from barely-hatched bands that seem to find reward in a second-class access prime-time appearance playing a shortened version of their unique hit before docilely presenting the weather forecast between two cell phones ads, thus betraying their only ambition – to become TV hosts – J.C. Satàn took their time, worked and searched without sacrificing their ambitions on the altar of dayglo-tracksuit pop, on which the critique, hysterical by dint of its own pomposity, reveres each day a new genius. And when a killer such as “Complex Situation” is played on a TV set, we’ll see some dislocated host disappear through a puppet-theater trapdoor, and then be pulled from there with tears on his face: a first-time shock of this caliber really doesn’t hit one every day.
    Format
    LP
    Release-Datum
    01.03.2018
    EAN
    EAN 3521381546743
    Format
    CD
    Release-Datum
    01.03.2018
    EAN
    EAN 3521383446737
     
  • 01. Satan II
    02. I could have died
    03. Dialog with Mars
    04. Don't joke with the people you don't know
    05. Waiting for you
    06. I will kill you tonight
    07. Ti amo Davvero
    08. Don't work hard
    09. Ingrid
    10. The greatest man

    JC SATAN

    s/t

    [engl] Brutal and complex, furious and spirit-evoking, making spikes then descending, the new album (sept2015 born bad/ animal factory) strikes the nail of black-garage-gospel with the hammer of Viking gods, right in the middle of a storm of decibels that lance the climate, electrically charged by each of J.C. Satan's coming shows. Imagine QUEEN OF THE STONE AGE backing SERGE GAINSBOURG during Mexico's Day Of The Dead
    Format
    LP
    Release-Datum
    19.09.2015
    EAN
    EAN 3521381533439
    Format
    CD
    Release-Datum
    19.09.2015
    EAN
    EAN 3521383433423
     
  • 01. NO TIME
    02. Nikes (Alt)
    03. Scram!
    04. N O D R E A M
    05. State Line
    06. f a m e
    07. Leave It In The Sun
    08. The Beauty Of Breathing
    09. Old Crap
    10. ***BNB
    11. Monday At The Beach
    12. Honeymoon Ashtray
    13. Ohio Tpke
    cover

    JEFF ROSENSTOCK

    No Dream

    [engl] NO DREAM is the 4th studio record from the Death Rosenstock band full of chords, words, beats and more! Tracked live in a big room for that classic "is that a mistake?" sound by Grammy-nominated recorded "Grammy Jack" Shirley, you are GUARANTEED to have not heard this record before you've listened to it! We hope it makes you feel good, but if it doesn't, that's on you sorry.
    Format
    LP
    Release-Datum
    21.08.2020
    EAN
    EAN 0619793366295
    Format
    CD
    Release-Datum
    21.08.2020
    EAN
    EAN 0619793366288
     
  • 01. Mornin'!
    02. USA
    03. Yr Throat
    04. All This Useless Energy
    05. Powerlessness
    06. TV Stars
    07. Melba
    08. Beating My Head Against A Wall
    09. 9/10
    10. Let Them Win
    cover

    JEFF ROSENSTOCK

    POST-

    [engl] Written in the days after the 2017 Presidential inauguration, POST-'s lyrics get (really) heavy but the melodies are so catchy and the builds are so big and bright that the end result is more of a rallying cry than a surrender. The album was recorded in a one-week, 86-hour marathon recording session with Jack Shirley (Joyce Manor, Deafheaven) at the Atomic Garden in East Palo Alto, CA.
    Format
    LP
    Release-Datum
    23.03.2018
    EAN
    EAN 0604565029690
    Format
    CD
    Release-Datum
    23.03.2018
    EAN
    EAN 0604565035776
     
  • 01. Claims Nonexistence
    02. Someday Soon
    03. ( )
    04. Fade Into
    05. Sunspots
    06. Artificial Gravity
    cover

    KINDLING

    no education

    [engl] Kindling is comprised of my good buddies Stephen and Andy who also play in WMass hardcore outfit Ampere, as well as Gretschen (who plays guitar and sings) and Andrew, who plays bass. I can tell you these people have the most solid musical knowledge I know… While it would be easy to compare them to My Bloody Valentine, a closer listen will also led you to find evident traces of Superchunk guitar riffs, Teenage Fanclub and Jesus & Mary Chain melodies to serve a very personnal and unique sound… They blur they dreamy melodies into a wall of a massive fuzz sounds with a a pop sensibility rarely found when the volume and attack ends up this far in the red. While they spent a week at Sonelab in rural Easthampton, MA with Justin Pizzoferrato (Dinosaur Jr, Pixies, Speedy Ortiz, Sonic Youth, etc.) to record their first full length Galaxies for the amazing No Idea Records in Florida, they cut 6 extra songs for this euro-only release ! Adagio 830 and Echo Canyon team up one more timeto bring you this amazing EP for you! Those songs will also be released on tape in the US on Old Flame records !
    Format
    LP
    Release-Datum
    03.02.2017
     
  • 01. There Is A Drone In Griffith Park
    02. Sunset Report
    03. Tokyo to Kyoto
    04. Moved
    05. The Swimmer
    06. Hugs On The Beach
    07. Top Down, Heater On
    08. When It's Over
    cover

    L.A. TAKEDOWN

    Our Feeling of Natural High

    [engl] When L.A. Takedown hovers over your ear hairs the first time, so much is communicated without a word - there are patient, capable hands at the wheel as we phantom through a neon Los Angeles of the mind, a Los Angeles that only three harmonized electric guitars can conjure, with a sunset so infinitely variegated in color that only synthetic washes of synth could serve as your fainting couch. Studio magic dust seems to drip off these android dreams projected against the wall - in person it defies logic that such a sound is coming from humans, but as you watch their hands it’s unmistakable - these are calm warriors sallying forth these sweeping, swooning epics, crowned with triumphant tripartite thunderbolts of wail. For a few fleeting moments, things seem right with the world; our hero has prevailed, the race was won by a hair, the unmanned drones levitate & strafe the coast, rending the coral sky with a psychic boom, shaking loose a few palm fronds and setting off some car alarms but otherwise leaving the sprawl unchanged and teeming. While produced and performed by Aaron M. Olson, Our Feeling of Natural High was engineered and mixed to glossy perfection by Jason Quever and (we hear) it benefits greatly from the seamless contributions of John Herndon, Jason Quever, Marcus Savino, Miles Wintner, Mose Wintner, Nicholas Krgovich and The Musical Tracing Ensemble. We’re even treated to a city-hum lullaby to humanity as a nightcap, with Nedelle Torrisi and Yellow Magic Orchestra’s Yukihiro Takahashi on vocals, truly a mint on the pillow of this fantastic soundscape. For fans of Michael Rother, Top Gun, later Tangerine Dream, convertibles and long walks on the beach.
    Format
    LP
    Release-Datum
    18.04.2013
    Format
    LPcol
    Release-Datum
    18.04.2020
     
  • cover

    LA CHATTE

    s/t

    limitiert auf 500.
    Format
    7''
    Release-Datum
    26.06.2010
     
  • 01. Sphynx
    02. Le vide est ton nouveau prénom
    03. Ou va le monde
    04. Septembre
    05. Tatiana
    06. Conversations nocturnes
    07. S.S.D
    08. Exorciseur
    09. Elle ne t'aime pas
    10. Mycose
    11. Tueur de fleurs
    12. Al Warda
    13. Psyzook
    14. Le chemin
    15. Vagues
    16. Always in the sun

    LA FEMME

    Mystere

    pre-order möglich! La Femme aus Paris sind eine der angesagtesten französischen Bands. Ihr retro-futuristischer Crossover-Sound aus french cold wave, psycho wave, good vibes, fun, stereolabesquem Indie-Synth-Pop und 60?s sounds umschifft geschickt alle Genre-Schubladen und wirbelt spielerisch Erwartungshaltungen durch die Luft. "Mystere" ist ein Schmelztiegel hypnotischer Stimmungen mit etwas mehr Psych-Pop und etwas weniger Punk-Rock als sein Vorgänger. Aber der Style und Sound bleibt typisch La Femme.
    Format
    DoLP
    Release-Datum
    02.09.2016
    EAN
    EAN 3521381539325
     
  • 01. Antitaxi
    02. Amour Dans Le Motu
    03. Packshot
    04. La Femme
    05. Hypsoline
    06. Saisis La Corde
    07. Le Blues De Françoise
    08. T's Time To Wake Up 2023
    09. Nous Étions Deux
    10. La Femme Ressort
    11. Si Un Jour
    12. From Tchernobyl With Love
    13. Sur La Planche 2013
    14. Welcome America

    LA FEMME

    Psycho Tropical Berlin

    [engl] La femme is a conundrum. A resounding expression. An episodic band with various faces. La Femme shows up and it’s all of her grimy spleen that stains the city’s grey pavement, in a synthetic rain beamed by livid burstings. La femme was born during the X years in Biarritz, when Sasha and Marlon started composing on their guitars music they recorded on Garage Band. Together they ride surfboards, pianos and synthetiseur as they gave a try to various styles, from 60s yéyé French pop to Californian surf music. Marlon moved to Paris, and there he met Sam, who played bass. Together they formed SOS Mademoiselle along with Olivier Peynot, and played vintage French rock, as Sasha was practising his scales in reverb feed surf band « Les redoutables! » After getting his grade, Sasha joined his friends in Paris, where they discovered French cold wave and synth pop, Marie & Les Garcons being one of their favourite. They polished a style that could be described as one of these following : Surf wave, Bizarre wave, strange wave, weird witch wave, silly mental wave or Psycho tropical Berlin ». In fact anything you want as long as it ends with « wave ». And the boys created LA FEMME. La Femme has no frontier, neither in her style nor in her voice. She’s always on a quest for new sounds, images and sensations. Joined in 2010 by drummer Noé and female singer Clémence, La femme formed its first live roster in few days after French rider and artist Pandora Decoster asks them to play on stage for a big surf contest in Biarritz. From her hazy and changing background, La femme takes shape and release that same year its first anthem « Sur la Planche », a song that was made to be hummed and whistled while ridding a board. La femme uncovers, boys, girls, plenty of option, a bit of mystery, loads of energy. Later she released her second EP, Paris 2012. In the music video she produced for this song, she blows down the effeil tower as a symbol, it’s time to go ans see something else. After swilling Paris bars, La femme goes for a tour in USA, en mode journey, and come back in France with improved reputation where they play for various festival. Soon joined by fancy rhythm drummer Nunez Ritter Von Merguez aka « La Sauterelle » and gorgeous singer Clara Luciani, La femme takes for a ride around Europe : from beyond the grave to Berlin, by London, Bruxelles and Roubaix. Cryptic and Mysterious, La femme is in perpetual motion and the band, based around full time and up-to-date boys (Sasha, Marlon, Sam), invites over the course of its wish and needs in studio a whole cast of female singer : Clémence, Clara, Marilu, Jeanne… Sooner this year, La femme released a self titled EP, that went by along with a 11 minutes long psychedelic music video, an epic and baroque short film for tracks « La femme, Hypsoline », preceding the release of her first album in April : « Psycho Tropical Berlin »: It’s the story of a couple who slipped chaos and survives by watching each other. Le Danger est partout - Peril is all around as written in the booklet. Rock and pop, rococo bahaus, fed from multiples influences (Krafwerk, Elli & Jacno) La Femme just want to please you. Generous and welcoming, she stretches you her white hand in the dark, if you grasp it, it could be the shiver of you life.
    Format
    DoLP
    Release-Datum
    20.04.2013
    EAN
    EAN 3521381523522
     
  • 01. Immer Fremd
    02. How's The Tires?
    03. Horsetooth
    04. Nightdrive, Mile High
    05. Isolation
    06. Away
    07. Estes
    08. TCK
    09. Grey Like Travel
    cover

    LEHNEN

    Reaching over ice and waves

    Lehnen wurde von zwei Amerikanern und zwei Österreichern, mit gemeinsamem Lebensmittelpunkt in Wien, gegründet. Sie spielen laute Rockmusik, die sich an Ambient und Post-Rock orientiert. Ihr viertes Studio Album „Reaching Over Ice and Waves“ beschäftigt sich mit den Auswirkungen, die das Leben an, oder das ständige Reisen zwischen verschiedenen Orten die Identität und die Entwicklung als Individuum beeinflussen. Das Album transportiert wie es sich anfühlt ein Fremder zu sein, der zwischen zwei Kulturen pendelt, ständig mit Heimweh geplagt, egal wo man sich gerade befindet. Schließlich findet man im Reisen selbst eine Art Heimat und Geborgenheit. Flüge, Aufenthälte und Flughafen werden willkommen geheißen - sie sind das Verbindungsstück zwischen dem Reisenden und den Leuten und Orten am Reiseziel. Der Großteil dieser Gefühle wird instrumental transportiert, Gesang wird vereinzelt dort eingesetzt, wo Texte notwendig sind, um eine bestimmte Idee zu vermitteln. Auf die Veröffentlichung des viel gelobten dritten Albums „I See Your Shadow“ folgten Tourneen durch Amerika und Europa mit u.a. Russian Circles, Glasvegas, InAeona und zuletzt eine Reise durch Spanien, Portugal, Belgien und Deutschland als Support von Caspian. Mit ihrer ersten Veröffentlichung bei Noise Appeal Records, machen sich Lehnen auf zu neuen künstlerischen und performativen Höhen.
    Format
    DoLP
    Release-Datum
    28.05.2015
    EAN
    EAN 9006472027713
     
  • 01. Gone
    02. Lighthouse
    03. Astronomy
    04. Faces Dissolve
    05. It Glows Behind The Trees
    06. Meat And Flies
    07. Long Time Coming
    08. Chimera
    09. I Was A Boy And Not A Statue
    cover

    LES ATTITUDES SPECTRALES

    Vampire In The Summer

    Format
    LP
    Release-Datum
    27.03.2020
     
  • 01. Child Of Love
    02. Don't Forget To Breathe
    03. Festival Sun
    04. The Golden Sea

    LIKE ELEPHANTS

    Home

    Die Band spielt verträumten Indie-Pop, welcher durch ein großzügiges Hallmeer im Sound an Dream Pop Produktionen der letzten Jahre und New Wave/Post-Punk a la New Order erinnert. Lebensbejahende Songs geben dunklen, melancholischen Stücken stimmig die Klinke in die Hand. Limitiert auf 300 Kopien.
    Format
    7" lim
    Release-Datum
    08.05.2015
    EAN
    EAN 9006472027706
     
  • 01. Parasympathikus
    02. Hear The Summer
    03. Mesmerize
    04. Funeral
    05. Red Socks Penguin
    06. One Of Us
    07. Forest
    08. Daydream
    09. Run Away
    10. Follow Me
    11. Wake Up

    LIKE ELEPHANTS

    Oneironaut

    Nach der im Vorjahr erschienenen EP „Home“, veröffentlichen Like Elephants nun ihr erstes Album mit dem Titel „Oneironaut“. Von den synthetischen Klängen des Intros „Parasympathikus“ geleitet, taucht man behutsam ein ins Ungewisse. Die Lider werden schwer, der Traum beginnt. Verhallte Gesangs- und Gitarrenmelodien, umhüllt von wärmenden Synthesizer-Harmonien und einem richtungsweisenden Bass, zeichnen in Symbiose mit einem gnadenlos vorantreibenden Schlagzeug eine Atmosphäre, die neben ihrer Farbenpracht vor allem durch ihre Ambivalenz glänzt. Man durchwandert helle, sonnendurchflutete Wiesen und Felder, um sich einige Augenblicke später in einem dunklen Tal mit den Schatten seines Daseins konfrontiert zu sehen. Ungefähr zur Hälfte des Albums spricht das Lied „Forest“ von einer hektischen, urbanisierten Umgebung. Verwirrt geistert man durch die einschüchternde Kulisse einer bedrohlichen Großstadt, auf der Suche nach dem Wald als Lebensraum, wie man ihn mittlerweile nur noch durch ein trübes Bild in seiner Erinnerung kennt. „We are living in the forest of the ghost“ – Manchen Geistern müssen wir uns erst im Traum stellen. Die einzelnen Titel spielen mit der Phantasie der Zuhörer und erzeugen ein Wechselbad aus melancholischen, euphorisierenden und berauschenden Fragmenten, die stets dazu verleiten das erlebt geglaubte zu überdenken. Kein Traum ist in Stein gemeißelt. Alles kann sich jeden Moment wenden, alles fließt. Das Charakteristische an einem Oneironaut ist, dass er sich seines Träumens bewusst ist und aktiv in das Erlebte eingreifen kann. Er steuert die Eindrücke in die von ihm gewünschte Richtung. Lebensfreude und Melancholie, beides ist nur einen Gedankensprung entfernt. Am Ende wacht man auf, verlässt die Traumwelt und findet sich in der Realität wieder. Doch die nächste Reise kommt bestimmt. Auflage 300 Stück
    Format
    LP
    Release-Datum
    07.04.2016
     
  • cover

    LITTLE GOLD

    On the knife

    Neues von Meneguar, natürlich nicht komplett. Christian DeRoeck hat eine neue Band Little Gold und via Adiago 830 wird das erste Album veröffentlicht.
    Format
    LP
    Release-Datum
    03.10.2009
     
  • 01. The Sound Of The Streets
    02. Stop!
    03. When The Lights Went Out
    04. Lions
    05. Sit Me Down Woman Blues
    06. The Gypsy's Daughter
    07. Your Money Or Your Life
    08. House Of Cards
    09. Pound For Pound
    10. Not For The Fainthearted
    11. Red Letter Day
    12. Sunshine
    cover

    LOVEDAYS, THE

    The Key To The Trapdoor

    [engl] Back in the heady days of 2007, long before social media was the reigning king of entertainment, when people still picked going out to live shows over streaming movies, there was a band that made a little blip on the heart monitor of the Medway music scene before disappearing almost as quick. The Lovedays were a British pop band, in the retro meaning of the word "Pop". With influences ranging from Brian Wilson and The Who, to Steve Winwood and Roy Wood, The Lovedays aspired to be part of the next generation of classic pop purveyors. Their eponymous debut received 5-star notices as far afield as the US, with only self-distribution and promotion, along with noted appearances at The Cavern Club in Liverpool and Kennys Castaways in New York in 2009. They took hiatus in 2010, for pastures new. Ben Jones, the frontman and leader of the band, moved to Austin, TX, where he is part of the roots duo, Beat Root Revival.
    Format
    LP
    Release-Datum
    19.02.2021
     
  • 01. Intro
    02. J'ai un problème avec les détails
    03. Sexe de brume
    04. Inutile
    05. La péniche secrète
    06. Crise d'angoisse à la foire aux synthés
    07. Le garçon froid
    08. Berçeuse de Michel
    09. Allô Papa
    10. Boule de seum
    11. La Gosse Bizarre
    cover

    MARIE KLOCK

    Marie Klock

    Format
    LP
    Release-Datum
    08.05.2020
     
  • cover

    MARIETTA

    Basement dreams are the bedroom cream

    [engl] Marietta is the new project of Guillaume Marietta after The Feeling Of Love.
    Format
    LP
    Release-Datum
    19.05.2015
    EAN
    EAN 3521381532050
    Format
    CD
    Release-Datum
    19.05.2015
    EAN
    EAN 3521383432044
     
  • 01. La Carte
    02. Nos Ventre Nus
    03. La Grande Ville Malade
    04. L'électricité
    06. La Boucle Du Vent
    07. L'insecte Dans Ma Bouche
    08. Livide Est La Nuit
    09. La Passagère
    10. Maud La Nuit
    cover

    MARIETTA

    La passagère

    [engl] Sophomore album by Marietta, La Passagère follows Basement Dreams Are The Bedroom Cream (Born Bad Records, 2015), which was lauded by French daily newspaper Liberation, magazines Les Inrockuptibles, Magic, New Noise and online magazine Noisey. After touring with his band for two years and playing well-received concerts at Villette Sonique, Rock en Seine, Levitation Festival, Musiques Volantes, Bars en Trans, laureate of leading French development prize Fair 2017 Guillaume Marietta has come back with nine songs written in French for the first time. The album was recorded in Los Angeles by Chris Cohen, singer-songwriter and producer extraordinaire, with two albums signed on Captured Tracks and past member of Deerhoof and The Curtains. Mixed by Kenneth Gilmore, permanent member of Ariel Pink’s Haunted Graffiti, who counts in his mixing catalogue Front Row Seat To Earth by Weyes Blood and My Dreams Dictate My Reality by SOKO. A carnal, sensual, hallucinating and melancholic record, fed by representations of the woman, the modern city, self-abandon, paranoia and redemption. La Passagère is inhabited by the ghosts of Syd Barret and Lou Reed, and nods to contemporary productions by Kurt Vile, Cate Lebon, Tim Presley, Kevin Morby, and of course Chris Cohen.
    Format
    LP
    Release-Datum
    25.08.2017
    EAN
    EAN 3521381544435
    Format
    CD
    Release-Datum
    25.08.2017
    EAN
    EAN 3521383444429
     
  • 01. Aluminium
    02. Ether Ok
    03. Hump Bump Dump Jumpin
    04. Ellie Jane #2
    05. Dmpa
    06. Hey Void
    07. Prazepam Street
    08. The Jordan's Rules
    09. Pajo
    10. Cablé Au Plastique
    cover

    MARIETTA

    Prazepam St.

    [engl] In 20 or 30 years, we’ll talk about Guillaume Marietta the same way we talk about Arthur Russell or Robert Johnson today – people ignored by their contemporaries and rediscovered later in prestigious anthologies or picaresque documentaries. Future being rather incertain these days, it would maybe be better if you didn’t lose any time and enjoy Marietta right away. Sure, it won’t be easy to map Marietta’s journey – one of the key players of the GrandeTriple Alliance De l’Est, an anarchic scene which exploded between Metz and Strasbourg in the early 2000s, fronting bands such as A.H. Kraken, Plastobe?ton and The Feeling Of Love. In 2015 he released his first solo album, Basement Dreams Are The Bedroom Cream, an amazing collection of 4-track twisted lullabies who got him comparisons with Syd Barrett and John Frusciante. Then comes his second LP and suddenly you lose the track – footprints have been covered – no more of that sweet demo sounding folky weirdness : La Passage?re is recorded in Los Angeles with Chris Cohen and it’s a lush and mesmerizing record, like Berlin with windows wide open or a sun-drenched The Idiot. A record that gives Marietta’s music new layers of depth and complexity – even if he loses part of his audience in the process. Following this would be tough – and hazardous No studio sessions in LA, no 4-track demos, Prazepam St. has been recorded with cracked computer music software. Richer and fuller than the two previous records, this new LP is also, paradoxically, unbashed and easier to grasp. “I wanted to have fun,” says Marietta. Build a dark and bright world with my little hands and raw material, like David Lynch when he did Eraserhead “- one of the main keys to the album. It is also, more involuntarily a synthesis – there’s the raw side of the first album, that more flamboyant and ambitious of the second, but also small pieces of AH Kraken, Feeling Of Love and even Funk Police. Marietta went back to some of his teenage years fovorite records – Sonic Youth, Beck, Nirvana, the Beastie Boys, but also Jim O’Rourke or David Pajo – “Pajo” is a nod to te guitarist from Slint whose solo project Papa M is a mainstay on Guillaume’s record collection. Prazepam St. is also a dark and twisted record, as its title shows – a reference to an anxiolitic used for severe depression. “I have often tried to speak in my lyrics of the way the human mind works, of our contradictions, of our inner darkness, explains Marietta. And this time I wanted to bring the lexical field of drugs into my texts. Our body and mind are shaped by these substances that we use and abuse and I wanted to play with that. It’s a chemical album. » Proof made with « Dmpa », a molecule used as a chemical castrator on American sex offenders, transformed here into a battered folk song crushed by samples, rhythm machines and breaks from outer space. Or « Aluminum”, a solid and shiny but highly harmful element, like the incandescent ride full of rumbling synths, which opens the album – not an innocent choice: “Aluminum fairly well reflects our ability to accept all the things that we are presented with as being necessary for our daily life, concludes Marietta. Despite the experience, we always do the opposite of what is good for us. ” Like ignoring Marietta records, for exemple. Awaiting for 20 or 30 years to praise them. But you know what? He’s here. Right now. Enjoy.
    Format
    LP
    Release-Datum
    19.06.2020
    EAN
    EAN 3521381560466
    Format
    CD
    Release-Datum
    15.07.2020
    EAN
    EAN 3521383460450