• 01. Free The People
    02. Treachery
    03. Good People
    04. Express Yourself
    05. Mr. Somebody
    06. You Can Make It If You Try
    07. Akwa Idim
    08. Sugar Node Bitter


    Free The People

    [engl] The year is 1978 and one hot thing from the musical underground is Reggae music from Jamaica, the USA or UK, where most of the acts had musicians of Caribbean descent. Reggae had the groove, the rebel spirit and the relaxed attitude all in one, to enchant a big part of the world’s inhabitants. And while at least Jamaica as a relatively poor and so called „Third World“ country proved to spawn Reggae acts of highest quality, literally nobody dared to look further and dig deeper into the underground except of a few maniacs who were not satisfied with spinning Marley over and over again. And maybe they stumbled over the 1970s Afro Beat sound from countries like Zambia or Nigeria and then got interested. What did they find in the simmering metropolises of this still mysterious continent? Somewhere in Nigeria they would have certainly caught a glimpse on mind blowing performanes of THE SEA LIONS, a six piece group mixing the then hip Reggae and Afro Beat stylesto generate fresh and furious music with a hypnotizing atmosphere. Polyrhythmic beat patterns build the foundation, the utterly fruitful soil for the heartwarming melodies wailed out by the guitars and the commanding vocals with their conjuring charme. Great organwork builds the link between the groove section and the melody instruments. You can imagine what a pleasant experience this band might have been live back in 1978 when their sole album „Free the people“ got released. And this album, of which copies in only good conditions already fetch prices of 450,00 US$, while nice clean pieces might go up to 1200 US$, lives up to the expectations one might have from watching a live show by the SEA LIONS. The sound is vivid, transparent, powerful and clean enough to make the music a real pleasure listening to, but earthy enough to present nothing but the band going wild here. The songs all have similar pace, not too fast, but swinging and pulsating to spread their energy to and among the listeners. The melodies are simple but come from the depth of the heart. This feels typical for African 70s music and despite being kind of reduced, these melodies keep haunting you still even hours after the record been taken off the turntable and put back into its sleeve. They bring images of an ever pulsating city by night, warm climate, palm trees, people at the bar, a witches cauldron of sounds, smells, voice and pictures. And you feel the magic floating through the air while this groove will not let you go so easily. You can either dance your soul out to this ultimate reissue or you can sit down, listen and let the music tell you a story of the dark corners of the big city, the narrow alleys that lead you into a boiling labyrinth of mystical dreams. And in songs like „You can make it if you try“ you will find the whole magic of the African world, a world so fascinating for us Europeans but still so unapproachable in some ways and dangerous for the weak. Do not try to resist, this is your pleasure. Grab a copy and the SEA LIONS, carry you off to their place. I haven’t heard such a killer Afro Beat and Reggae album with songs this exciting and wild in a long time. If you equally love Peter Tosh, Bob Marley, Segun Bucknor and Fela Kuti, look no further. Here is the spiritual essence of all these great artists merged into one giant act.

Einsortiert unter


Mehr vom Label »Jet«

  • cover


    Son Of January 15

    [engl] "Segun Bucknor was one of the most important figures in the Nigerian music scene of the 70s, despite having only a brief career with his afrobeat unit which in 1972 released this superb album of which
  • cover


    Free The People

    [engl] This is the 1973 solo album by Ghanaian percussionist Anthony Kwaku Bah, who was given the nickname „Reebop“ by American jazz legend Dizzie Gillespie. He passed away early at the age of 39 in Sto
  • cover


    Sweet Funk Music

    [engl] Who said that all Nigerian afrobeat from the 70s was dark and though provoking with a melancholic edge despite the ongoing powerful grooves and a more or less political message denouncing the the meth
Zeige alles vom Label »Jet«