ProductDetails

  • 01. Intro
    02. Bongos Suspence
    03. Smookie
    04. Asfalto In Agguato
    05. Ossessione Omicida
    06. Base Pericolosa
    07. Suspence Subacqueo
    08. Corsa Pericolosa
    09. Immagini
    10. Thrilling Mortale
    11. Temporale
    12. Boxes
    13. Drumming Free
    14. Tensione Ed Attesa
    15. Tema Di Raven I Vers
    17. Atmosfere Spaziali
    18. Giallo
    cover

    I MARC 4

    Thrilling Mortale

    [engl] Welcome to the third instalment in our series dedicated to the original Italian library music from the vaults of Nelson Records. In this album we dig deeper into the most experimental recordings in the archives of Nelson Records.The label was founded in 1970 by the musicians Maurizio Majorana, Antonello Vannucchi and Roberto Podio (who along with Carlo Pes would be known as I MARC 4), after establishing the Telecinesound studio, right where the New Italian Library Sound was created. They recorded with Armando Trovajoli, Piero Piccioni, Ennio Morricone, Piero Umiliani, Henry Mancini and many others, and created a special sound, mixing jazz, pop, rock and psychedelic music, to produce records aiming to be used by the programmers of the Italian RAI television.The music of “Thrilling Mortale” is mostly special effects, drum breaks, fast bongo rhythms and groovy Hammond background sounds inspired by cinema noise experts who did not use any musical instruments and had only a few objects to recreate the noises of the films; from horse rides to closing gates, everything was done in the traditional way. I MARC 4, instead, would recreate those sounds with bass, guitar, drums, piano and Hammond organ.Many musicians, record producers and film directors still like, look for, rediscover and re-use for their work, and the music on these albums recorded by I MARC 4 between 1970-1976 have reached cult status among library music collectors.
    Format
    LP
    Release-Datum
    13.12.2019
    EAN
    EAN 8435008863388
     

Einsortiert unter

 

Mehr vom Label »Vampisoul«

  • cover

    SONORA CASINO

    Trompeteros

    [engl] Hugo Macedo was a member of the first sonora in Peru, directed by his brother: the Sonora de Lucho Macedo. His brothers were the singers of the band while he performed as a timbalero. After nine years
  • cover

    ADOLFO ECHEVERRÍA Y SU ORQUESTA

    Sabroso bacalao

    [engl] Born on September 3, 1934 in the barrio of San Roque in Barranquilla, Adolfo Ernesto Echeverría Comas started singing on the radio first as a young man, forming his own conjunto and signing with vari
  • cover

    LITO BARRIENTOS Y SU ORQUESTA

    Very Very Well

    [engl] Colombia spawned several big band tropical orchestras in the 1930s and 40s, perhaps the most famous being those of Lucho Bermúdez, Pacho Galán, Edmudo Arias, Pedro Laza and Crecencio Camacho. Their
  • cover

    SEBASTIÃO TAPAJOS AND PEDRO DOS SANTOS

    Vol. 2

    [engl] The ION studios, located in the Buenos Aires neighborhood of Balvanera, have been the usual setting for recordings by Argentine artists as popular as Les Luthiers or Charly García. In the early 1970s
  • cover

    CUMBIA MODERNA DE  LA CLAVADA

    La clavada

    [engl] Contrary to popular belief, so-called ‘folkloric’ music is not always conservative and static, and is often the cultural space where musical innovation and experimentation first take place. Additi
  • cover

    EL AFROCOMBO

    Pan con salsa

    [engl] Although Pete Vicentini’s El Afrocombo did not have the overwhelming commercial and international success of Fruko y sus Tesos, Joe Arroyo y La Verdad or Grupo Niche during the height of Colombian s
 
Zeige alles vom Label »Vampisoul«