ProductDetails
- 01. Loose Cannons
02. Big Black Car
HITS
Loose Cannons / Big Black Car
[engl] Agitated Records favourite album that they didn’t release in 2014 was the amazing bulldozer of australian rock and roll driven by HITS. "Hikikomori" was released in Australia and France, Agitated asked to do a single, a proper old fashioned 7" single. HITS obliged, and the track "Loose Cannons" (from the album) was chosen as the a-side, with the unreleased studio version of Big Black Car. Both songs recorded with Radio Birdman /New Christs' Rob Younger at the desk. Loose Cannons kicks out your speaker dust with a sound that can only be from Australia, loud guitars, riffs a-plenty, hi energy rock and roll with killer vocals. and then theres "big black cars" on the flip, a previously released live version blew peoples ear offs, this studio version is even more proof that rock and roll action from Australia is superior to all!- Format
- 7''
- Release-Datum
- 30.03.2015
Mehr vom Label »Agitated«
KINGS OF THE FUCKING SEA
In Concert
[engl] The Kings of the Fucking Sea are Sara Nelson (b), Poni Silver (d), and Chet Weise (g,v). All three members have toured and released records with critically acclaimed bands such as The Little Killers,
HOWLIN RAIN
When The Morning Comes
[engl] Limited edition tour only 7" for the upcoming Howlin Rain tour, a-side is a great cover of the Grateful Dead song "Till The Morning Comes", b-side is demo version of the album track "Collage", itself
STRAIGHT ARROWS
Make Up Your Mind / Two Timer
[engl] Agitated is way pleased to be releasing the new / forthcoming album from the Straight Arrows in the summer, and to get the motor running they are releasing a limited edition 7” with one track from t
EVIL ACIDHEAD
In The Name of All That is Unholy
[engl] Originally released in the late 1980’s on cassette only, “In The Name of All That is Unholy” is Evil Acid Head’s (aka John McBain, previously of Monster Magnet & Wellwater Conspiracy fame) lon
CARLTON MELTON
Mind Minerals
[engl] This will be their first full length release since 2015’s widely lauded “Out To Sea” double opus, itself a languid drifting of drones and psychedically enhanced riffmongering. Sure, there’s be
