ProductDetails
- 01. Lunarscape
02. Ethereal Jazz
03. Venus RisingGALACTIC EXPLORERS
Epitaph for Venus
[engl] Another shrouded in mystery album from the Pyramid label, produced by Toby Robinson in Cologne circa 1974. Kosmische and Head sounds with plenty of Minimoog, analogue synths / keyboards, effects, loops, tape manipulation, treated percussions, etc., courtesy of Galactic Explorers, an electronic, minimal, ambient krautrock trio featuring Reinhard Karwatky (Dzyan). Take a trip to the inner regions of your mind, see ancient solar systems forming and listen to cosmic winds and vibrations while sine waves of pure bliss will give you total peace of mind...- Format
- LP
- Release-Datum
- 21.05.2019
- EAN
- EAN 4040824087210
Mehr vom Label »Mental Experience«
RED SQUARE
Rare and Lost 70s Recordings
[engl] Ultra- rare recordings by 70s UK avant- rockers Red Square, the missing link between original free- noise practitioners like AMM, Nihilist Spasm Band and Peter Brotzmann and post- No Wavers ala the BlCARE OF THE COW
Dogs Ears Are Stupid
[engl] Originally released only on cassette in 1983, "Dogs’ Ears Are Stupid" by Chicago trio Care of the Cow is a fascinating blend of psychedelic folk, minimal electronics and post–punk weirdness. AcidELECTRIC CHAIRS
So Many Ways
[engl] Expanded to 12" including hot edits / reworks by GARETH GODDARD aka CHERRYSTONES. In 1979, Wayne County & The Electric Chairs – the legendary punk–rock band – recorded their third album, ThingsAGUILAR, ILDEFONSO
Erosion
[engl] Spooky, meditative soundscapes inspired by the desolate volcanic environment of Lanzarote (Canary Islands), created using Minimoog, Polymoog, vocal loops and field recordings. Originally recorded in GBASKING SHARKS
Back To The Deep Water (Sharkive: 1981-1987)
[engl] BASKING SHARKS are one of the unsung heroes of the original minimal / synth-pop / wave era. Formed in 1980 in the North of England, members Adrian Todd, Ged McPhail and Martyn Eames used an array of hEMILIO APARICIO MOOG
Expansion Galactica
[engl] “In 2010, I was searching for old records in the city of Quetzaltenango in Guatemala. I found myself in a dusty basement which had been in another time the warehouse of Iximché, a rock-o-la machine