[engl] "Drop" was recorded in a banana ripening warehouse (no joke) with hair-farming studio warlock Chris Woodhouse playing drums and graced with the presence of talented gurus Mikal Cronin, Greer McGettrick, and Casafis adding horns and vocals. The result pushes the familiar polarities of the group farther outward than ever before…opener "Penetrating Eye" might be the heaviest Oh Sees song yet, "Transparent World" and "Put Some Reverb On My Brother" foam with seasick fuzz, and yet the ballads, like the harpsichorded "King's Nose" and the lush and stately closer "The Lens", extend their oeuvre into mellotronic, far-out pop with delicacy and grace. This schizophrenia heralds the man and the band into an unseen future in classic Dwyer fashion - with restless energy harnessed into exquisitely crafted jams, with an emphasis on the pensive and the paranoid in turns. Featuring artwork by Jonny Negron. All vinyl includes a handsome gatefold lyric sheet insert.

[engl] A pinnacle in Thee Oh Sees' catalog, featuring the louder, grungier, synth-melty sound they've bludgeoned audiences around the world with. Featuring terrifying artwork from Matt Brinkman and John Dwyer. Vinyl LP comes with a download card.

[engl] Perched in the belfry of The Chapel we caught Thee mighty Oh Sees, alive and in their natural element, with our shutters aflutter and our tapes on a roll. After a short incubation period the beast has reached full maturity and it is hideous. Over three nights they pummeled, and we’ve culled some great photographs, a wicked recording, and even a little live video action that we’re very excited to share with you. Presented to you on two discs, in a handsome double gatefold LP, with bonus live video directed by Brian Lee Hughes, edited by Casey Anderson and filmed by their crew of merry gentlemen on an included DVD, we are happy to announce our first double LP of the “Live in San Francisco” series. Finally you depraved Oh Sees freaks have something to take home with you when you lose your shoes and your girlfriend at the show. Put it on at home and pretend to wait in line for the bathroom and it’s like you’re really there. The thrash, the throb, the mob is all present and pushed to the front. Dual drummers synced in each ear, Tim Hellman rounding out the bottom and Castle Face’s own John Dwyer lasering young brains off and fomenting the crowd to a froth up front on guitar - it’s a great band, in a great room, with a great crowd and it’s cooked to perfection…take a little bit of it with you this time.

[engl] Here we have nine muscular tunes primed to pummel to. Last year’s Drop was more schizophrenic, ranging from heavy to whimsical and back - Mutilator Defeated At Last has more in common with the monolithic hugeness of Floating Coffin - with only two slight reprieves in heaviness this is a record made to be played loudly and that demands bodily sacrifice inherently. Despite the plutonium heavy feel, Thee Oh Sees continue to be omnivorous - synths and acoustic guitars expertly wind their way throughout like veins of gold through granite - any and all that stands in its way will be devoured and assimilated.

[engl] One-offs, covers, and rarities from 2011-2013 by Thee Oh Sees collected in one place for your fancies. The brightest most metallic chrome printing available to man, with three color original artwork by Shalo P.

[engl] All the Oh Sees singles and B sides (through 2011) in one place! Includes Tidal Wave (featured on TV's gnarly Breaking Bad)

[engl] Thee Oh Sees – Sucks Blood: 6th full length from “the” Oh Sees, mellow vibes, lots of musical saw...cover art by John Dwyer