[engl] Chicago born Jeff Liberman is a guitar player in the best tradition of 70s guitar Gods like Hendrix, Trower, Clapton or Zappa. The perfect mix between virtuosity and feeling with a gift for brilliant songwriting. Between 1975 and 1978, Liberman self-released three albums on his own Librah label which were some of the first private pressings to gain recognition amongst psych collectors in the 80s. “Jeffery Liberman” is his first one, released in 1975 and recorded at PSR Studios in Chicago. Heavy guitar psych with plenty of fuzz-wah, phasing, effects, mystical / moody vocals, acid-blues, mellow folkie tracks, West Coast vibes and even some crazy synth /electronic / experimental excursions.

[engl] CChicago born Jeff Liberman is a guitar player in the best tradition of 70s guitar Gods like Hendrix, Trower, Clapton or Zappa. The perfect mix between virtuosity and feeling with a gift for brilliant songwriting. Between 1975 and 1978, Liberman self-released three albums on his own Librah label which were some of the first private pressings to gain recognition amongst psych collectors in the 80s. “Solitude Within” is his second album, released in 1975. A heavy guitar psych / West Coast /acid rock classic with plenty of acid soloing drenched in fuzz-wah plus treated vocals, effects, hard-blues and even some cool mellow folk grooves and experimental excursions.

[engl] Chicago born Jeff Liberman is a guitar player in the best tradition of 70s guitar Gods like Hendrix, Trower, Clapton or Zappa. The perfect mix between virtuosity and feeling with a gift for brilliant songwriting. Between 1975 and 1978, Liberman self-released three albums on his own Librah label which were some of the first private pressings to gain recognition amongst psych collectors in the 80s. For his third album, released in 1978, guitar wizard Jeff Liberman incorporated to his heavy guitar psych style some cool cosmic funk, soul-jazz and A.O.R influences. Superb musicianship, psych / prog-rock flashes, acid guitar soloing, soulful vocals, occasional synths & analog keyboards, flowing rhythm section…featuring the Balearic classic “Transformation” (compiled by Psychemagik) plus other choice cuts.

[engl] “…we can make [enough] progress inside our heads and the heads of our friends to lay the foundations of an intergalactic life more meaningful than our earthbound condition…” – John Peel, International Times Mirroring the sentiment of the prescient UK radio legend in his Vibrations column for the International Times in the ‘70s, LightDreams leader Paul Marcano took one further step beyond his intimate colleagues and chose to spread his ideals concerning peaceful outer space colonization to all with open ears. Islands In Space, dotted with acoustic jams, backwards guitars, lyrics alluding to the British progressive era, smoking hot electric leads, synths galore, and the dreamiest of melodies, is both Marcano’s love letter to the work of science-fiction author Gerard K. O’Neill and the psych-tinged folk explorers who came before him such as McDonald & Giles. Originally privately-issued in 1981 in an edition of 1,000 copies, Islands In Space explores space travel and cosmic ideology making for a sci-fi psych odyssey and is filled with atmospheric, lysergic creations atop a hybrid of sounds from the cosmic-psych/progressive-folk/new age spectrum. Home-recorded (yet hi-fi), Islands In Space carries a singular quality, defies easy categorization and has long been savored over by collectors of otherworldly joys. Got Kinda Lost Records is absolutely ecstatic to allow this singular, beatific work another chance to shine from Earth’s surface to the outer reaches of the galaxy.

[engl] Steve Linnegar was an accomplished songwriter, musician, painter and martial arts disciple. A legendary figure from the South African 60s- 70s underground music scene, the ''hippie king of Cape Town'' formed the Snakeshed band in the 70s along with top guitar player Martin Kopelowitz and keyboardist / producer Peter Hubner. Refusing offers from some record labels who insisted they should go ''commercial'', they decided to record and release their first album, ''Classic Epics'', all by themselves.

[engl] Psychedelic hard- rock featuring the explosive fuzz- wah guitar of Peter Illingworth (ex- David John & The Mood). Little Free Rock were an underground British power- trio which evolved from heavy- mod- psych band Purple Haze. In 1969, the band released their only album for the Transatlantic label. A rather disappointing effort for the band and their fans, as the ultra- clean production did not show the real, powerful sound of the power- trio. Nirvanating Nervesounds? collects previously unreleased sessions for an aborted Little Free Rock second album from 1971, produced by Robert Stigwood, plus tracks from their early incarnation as Purple Haze, taken from an ultra- rare demo acetate from 1969.

[engl] Influenced by a life split between Lima, London, and Twentynine Palms, Peru-born Caye Castagnetto's "Leap Second" is an intriguingly personal and hard to classify debut album. The album is thick collage of samples Caye recorded with different artists and musicians, including Beatrice Dillon and the late Aileen Bryant, that spans 5 years in the making. There is something in Leap Second that tracks the speed of bodies, how they approach and retreat. The 10 tracks are speedy and languid, thick ruffles, and dirges. In parts it feels like you've stumbled upon a forgotten incredible 70's folk record but that feeling gets broken quickly by clever sleights of hand. Caye's balladry is angular, time is elastic. Each song is a fresh cape. How dandies really mean it, so masc that it's fay, how the only moment is this one and it's just passed, etcetera. "While it doesn’t really sound like anything else, there are moments that feel like a Latin flavored Nico, that’s edging its way towards some of the outings of the Sun City Girls. In my opinion it checks all the boxes, by checking none of them.” - Bjorn Copeland, Black Dice "A truly interesting conglomeration of loose inspirations and conjurings. A hard to decipher sound all together which makes it worth every moment, A sprinkling of Catherine Ribeiro, Dr. John, Terje Rypdal & Nico. Far out sun-soaked odysseys & moon dappled woodland night creepers.." - John Dwyer

[engl] U.S basement psych- prog monster released in 1979 as an ultra- rare private pressing of 200 copies. MacArthur were formed when a young guitar player and songwriter named Ben MacArthur met a 17- yeard old prodigy musician called Bill Heffelfinger in Saginaw, Michigan, in 1978. Bill was not only a gifted guitar player but also a genius arranger and keyboard wizard. When Ben showed him some of the stuff he had written, Bill took the songs and transformed them into classic pieces of music. They soon recruited Jeff Bauer on drums and Scott Stockford on bass. The chemistry of MacArthur was born. The first MacArthur album, known in collector?s circles as ?The Black Forest? due to the vinyl bootleg of the same title released in the 80s, was recorded in 1979 using a four- track machine. Produced by Bill Heffelfinger, ?MacArthur? is a progressive / psychedelic concept album highlighted by devastating, ripping fuzz guitar solos and Mini- Moog / analog synths attacks. Due to the lack of funds, the album was originally issued by the band in a primitive hand- made sleeve with just a sticker on front and a paper sheet with the credits glued on back. For this, the first ever legit reissue, we?ve done a printed sleeve with embossed letters on front, as the band originally intended.

[engl] First ever release for this previously unknown late ’60s/ early ’70s acetate, rescued from a thrift store in Chicago. Damaged heavy blooz–psych in the vein of Blue Cheer, Majic Ship, Mount Rushmore, Houston Fearless, Apryl Fool, Sweet Slag, Mutzie, Aum, Screw, or a wasted teenage Canned Heat. In these digital and interconnected times, it’s very rare to find an album from the 60s–70s which hasn’t been documented or "discovered" yet. That’s the case with a mysterious demo LP titled "A Very Snug Joiner" by a band called Mad Timothy. In words of Steve Krakow (of Plastic Crimewave / Galactic Zoo): "A friend of mine found this no–jacket LP at a thrift shop, and there is ZERO information on them––no one knows anything and I’ve spoken to many collectors. Very cool sludgy Blue Cheer/Majic Ship/Mount Rushmore kind of vibe––with a few folkier tracks–––it’s all pretty charmingly primitive–– I think people would want to hear this!" Even knowing that our efforts to track down the band were fruitless, we thought that this rarity deserved to be shared with the world, so we at Out–Sider / Guerssen in collaboration with Steve’s Galactic Archive imprint, are doing a vinyl edition of the Mad Timothy demo album, hoping that any of the band members will see it and contact us... *The audio has been lovingly restored for full thudding blastage, with new artwork by underground sculptor Robert Buchholz and Plastic Crimewave (Galactic Zoo Dossier). *Free digital download coupon included.

[engl] Hideously rare 1969 album by this US band. Psychedelic and bluesy West Coast sound with ripping fuzz guitar much in the vein of Crazy Horse, Quicksilver, ?Vindicator? era Arthur Lee and the likes. The 12- minutes long ?I?ll just play?, full of endless dual guitar attacks & effects is the ultimate acid- rock jam!

[engl] Previously unreleased recordings, 1968/1970, by British quintessential psychedelic / progressive band MANDRAKE PADDLE STEAMER / MANDRAKE, culled from the band’s archive of reel tapes and acetates. Pure late 60s UK psychedelic sound with early prog moves, plenty of Hammond and fuzzed out guitar, powerful vocals...Including such lost gems as the Barrett–Floyd sounding "The World Whistles By", killer psych–rockers like "Pandemonium Shadow Show" or "Doris The Piper", the mellotron fuelled "October Country" and more! Unlike other 60s British bands who changed their music to ’psychedelic’ or ’progressive’ with the time, MPS were born "progressive" from day one. Formed in 1967 in Walthamstow (London) by a core of art school students, their members were Brian Engel, Martin Briley, Paula Riordan, Martin Hooker and Barry Nightingale (later replaced by David Potts). During their short lifespan (1967–1970), MPS supported big names like Pink Floyd, The Nice or Vanilla Fudge. They played at the Isle Of Wight Festival, had a residence at the Star Club in Germany and ran their own club night (Asgard). Signed to the Parlophone label (though the band was aiming to be part of the more progressive Harvest imprint) they released in 1969 the "Strange Walking Man" 45, recorded at Abbey Road and now widely considered a lost British psychedelic classic (check Rubbles, Perfumed Garden, etc). Due to lack of promotion and interest from their record label, the 45 went nowhere. After some line–up changes and shortening their name to just Mandrake, the band definitively split in 1970. "Pandemonium Shadow Show" collects studio recordings registered by Mandrake Paddle Steamer / Mandrake during 1968/1970 at various London studios such as Regent, Orange and other unknown locations. Some of these tracks had been previously included on several bootleg albums with inferior sound quality / wrong titles and others have remained unreleased until now.

[engl] “10,001 Dreams” is a perfect distillation of Paul Marcano’s musical essence: thoughtful, psychedelic, pop-oriented music but with a deeply progressive ear for song structure and the intuitive glow of a well-crafted lyrical refrain.” (Jack D. Fleischer—10, 001 Dreams, Liner Notes) A thematic sequel of sorts to the sci-fi psych odyssey exploring cosmic ideology that was the British Columbians debut—LightDreams’ Islands In Space—10,001 Dreams from 1982 finds its leader, Paul Marcano, edging closer lyrically to the utopian outer space colonization he’d previously conjured while under the sway of physicist/space activist/author Gerard K. O’Neill. The ever-present percussive acoustic layers from Islands In Space remain, while the New Age-like keyboard washes are nearly totally supplanted by mellow, wickedly fuzzed, floating layers of dreamy, treated, atmospheric electric guitar. As scribe Jack D. Fleischer says, at the time of the recording the group had reached, “a certain kind of psychedelic revelation that had become completely frontal,” and that is emphasized by this increased use of soaring electric coloring. Originally issued solely on cassette, Marcano and Lightdreams’ home-recorded (yet hi-fi) lysergic creations give nod to the original British psychedelic and progressive eras, while maintaining a firm foot in hook-based, melodic folk’n’pop and are a guaranteed treasure for those searching for unheard and otherworldly joys.

[engl] Ray McKay Pierle started recording his own songs in 1974 and in 1977 he released his first album, ?Into You?, which is one of the finest West Coast / rural- rock private pressing ever. ?A New Light Shines? collects previously unreleased tracks recorded at home between 1974 and 1979. The overall sound here is more psychedelic, raw and loose than what you can hear on his other albums, ?Into You? and ?Take Two? but you can expect the same kind of laid- back sound, top- level songwriting, Neil Young- esque vocals and outlaw guitars. An exciting find for any lover of West Coast / Psychedelia / Rural- Rock / Obscure US private press sounds!

[engl] In 2013 we released the celebrated ''A New Light Shines'' by McKay, an album comprised of unreleased recordings by this master of rural psychedelic sounds. ''Into You (Take Two)'' includes previously unreleased tracks recorded in 1975- 79 by the same cast of musicians who recorded ''Into You'', the legendary first McKay private album. Laid- back, rural psychedelic rock with dreamy Neil Young- Beatlesque vocal harmonies, raw fuzzed- out guitars and druggy atmosphere. Certainly the most psychedelic sounding stuff McKay ever recorded! In 1995, the now defunct OR label put out ''Into You (Take Two)'' as a limited 300 copies vinyl pressing. After many years out of print, we present a new vinyl edition of this amazing album.

[engl] One of the rarest albums from Australia, originally released in 1971 on the Violets Holiday label. Acid–rock / prog–psych with jam / club live feel: long tracks, powerful female / male vocals, prominent Hammond and hard guitar. Wild covers of Spooky Tooth, Beatles, Neil Young... plus a couple of killer originals. *Master tape sound, insert with liner notes by Ian McFarlane.

[engl] French prog rock band of the 1970's in the tradition of Ange, Mona Lisa and Atoll.

[engl] Fabulous and ultra- rare USA West Coast psychedelic album. Released in 1973 on Windy Records (same label as Creation Of Sunlight) but sounding more 1967- 68 with fuzzed out / jangly guitars and melodic, floating harmony vocals. Newly remastered sound, insert with liner notes.

[engl] Originally released in 1977.

[engl] A stunning blend of psychedelia, hard-rock and prog-folk courtesy of MIGUEL ABUELO, the legendary Argentinean rock pioneer. Recorded and released only in France in 1975, featuring some top Argentinean musicians such as killer guitar player DANIEL SBARRA. Original artwork in gatefold sleeve, master tape sound and insert with lyrics, rare photos and liner notes by Daniel Sbarra. Miguel Ángel Peralta aka Miguel Abuelo was a musician, poet and singer from Buenos Aires, Argentine. During the Sixties, he was the leader of early psychedelic band Los Abuelos de la Nada, who released a highly sought-after 45 in 1968. In the early 70s, Miguel, a free spirit, left Argentina for Europe and he ended up busking in Paris. There, he formed a band called NADA featuring guitar player Daniel Sbarra and other expat Argentinean musicians. Supported by their producer, Moshé Naïm, who was fascinated with Miguel’s personality and voice, they registered in France their only album, recorded circa 1973 but actually released in 1975 on Moshé’s own label, just when the band had decided to part ways. Housed in a beautiful gatefold cover depicting Miguel in full hippie-fashion along with his little child Gato Azul, “Miguel Abuelo & Nada” is simply one of the best Argentinean rock albums ever recorded. Cleary influenced by bands like Deep Purple, Led Zepp, Jethro Tull and the like, Miguel and Daniel managed to create a very unique sound, powerful yet delicate, highlighted by Miguel's hearfelt vocals (sometimes treated as just another instrument), outstanding guitar playing by Daniel (listen to him doing one of the early known examples of proto-metal tapping on "Tirando piedras al río”), well crafted songs and deep, poetic lyrics. The album was recorded at a state-of-the-art studio located in the countryside and was carefully produced: electric & acoustic guitars, bass, drums, flute, keyboards (including Moog), cello, violin... Sadly, the release date kept getting delayed, the band had to go on tour without the album in the street and when it was finally released, Miguel and Daniel had decided to take separate ways. During the 80s, Miguel obtained mainstream success in Argentine until his death in 1988. "Miguel Abuelo & Nada" is now widely regarded worldwide as a legendary, cult album and we're thrilled to present a top-notch vinyl reissue.

[engl] USA? 71 West Coast / Psychedelic monster with long flowing guitar jams and melodic vocals. Listen to their 10 minute cover of ?I Know You Rider? or the acid guitar spacey- jam of ?Hexaedron? and prepare to melt away. Highly recommended to fans of Grateful Dead, Quicksilver, Mighty Baby?Mastertape sound, insert with linernotes.

[engl] Leaded by legendary prog- fusion / session guitarist Ray Russell (John Barry Seven, Graham Bond, Georgie Fame, Running Man) and bass player Jeff Watts (Steel Mill), Mouse released their only album in 1973 for the short- lived Sovereign label. An eclectic mix of progressive sounds, hard- rock, psych, blues and glam with stunning acid lead guitar. Includes their celebrated cover of Medicine Heads All the fallen teen- angels. Heres the first ever legit vinyl reissue of this sought- after album. Remastered sound, original artwork in gatefold sleeve just like the original, insert with liner notes and pictures, 180gr vinyl.