ProductDetails

  • 01. Arrivee?
    02. Arles
    03. Lucidite?
    04. Espace Gestuel 05. Tournesol
    06. Irise?
    cover

    TIN MAN

    Arles

    [engl] Renowned acid cosmologist Johannes Auvinen, best known by his alias Tin Man, leaves the club floor behind for a full-length kosmische excursion on Bureau B. Since his first Tin Man records nearly 20 years ago, Auvinen has impelled acid—in the grand tradition of Phuture and co.—into shapes and forms heretofore uncharted. He does it again on his latest, "Arles," exploring a new realm of impressionistic beauty where pristine, heartfelt melodies dance delicately atop austere motorik rhythms. It's a trip you'll want to take again and again. "Cosmic," as defined by the Merriam-Webster dictionary, means "of or relating to the cosmos, the extraterrestrial vastness," or "relating to abstract spiritual or metaphysical ideas." In that light, the first record by Tin Man, aka Johannes Auvinen, on Bureau B is cosmic indeed— kosmische, if you will. Auvinen is best known for his manifold expressions of acid, in the house and techno sense, that pull your heartstrings as they move your feet. But on "Arles," he leaves his dance floor bonafides behind for an album-length journey through inner and outer space. Although "Arles" isn't built for the club, it's unmistakably a Tin Man record, through and through. (Fret not: adventurous DJs will find much to work with here, naturally.) Auvinen's tender melodies, coaxed from an array of gear including his signature Roland TB-303, dance delicately atop minimal, propulsive rhythms. The form is different, but the fundament remains the same. In the manner of its namesake city, "Arles" is a portrait of impressionistic beauty. One might call it a turning point for Auvinen, a new direction, but like Auvinen's best work elsewhere, "Arles" is disarming in its unveiled simplicity. There is no artifice here; this album has nothing to prove, no need to convince the listener of anything. Its elegance is accessible immediately, its grace given freely. And after the record's done, chances are you'll find yourself dropping the needle right back at the beginning. Each listen reveals a new tenor—each track becomes a new favorite. It's a trip you'll want to take again and again.
    Format
    LP
    Release-Datum
    28.04.2023
     

Einsortiert unter

 

Mehr vom Label »Bureau B«

  • cover

    V/A

    Klar!80

    [engl] This compilation represents an initial – and long overdue – foray into the years 1980 - 82, when KLAR! 80 was a cassette label, paired with a shop of the same name in Düsseldorf. Founded by Raine
  • cover

    V/A

    Eins und Zwei und Drei und Vier - Deutsche Experimentelle Pop-Musik 1980-86

    [engl] Do not adjust your sets. Take a step back from the tracking. This is the sound of Germany's musical youth let loose on cheap synths and pawnshop guitars. A record of a disparate scene of squat pop
  • cover

    HOLGER HILLER

    Ein Bündel Fäulnis in der Grube

    [engl] With "Ein Bündel Fäulnis in der Grube", Holger Hiller presented his solo debut having left Palais Schaumburg. Originally released in 1983 on the Düsseldorf scene label Ata Tak, an international rel
  • cover

    SPRUNG AUS DEN WOLKEN

    s/t

    [engl] The Berlin project Sprung Aus Den Wolken was part of the "Geniale Dilletanten" movement in the early 1980s, along with Einstürzende Neubauten and Mechanik Destrüktiw Komandöh. The band first re- le
  • cover

    DINGER, THOMAS

    Für Mich

  • cover

    ROEDELIUS

    Selbstporträt Wahre Liebe

    [engl] The first part of Hans-Joachim Roedelius' Selbstportrait (Self-Portrait) series was originally released under the title 'Sanfte Musik' on Sky Records in 1979. Now, some forty years later,
 
Zeige alles vom Label »Bureau B«