Johnny Come Home
It Cost's To Be Austere
I Don't Know
Summer In L.A.
No More Summer
Vol 3[engl] Last year’s Pools having taken up a sizable chunk of our cold dark hearts, we were delighted to hear that LA post-industrial trio Prettiest Eyes have a new gang of crowd-stirrers. None too early, either; once you’ve become accustomed to their clanging synthetic orbit, it’s hard to find other tunes that truly scratch the same itch. Volume 3 bursts at the seams with chrome-dipped timbres and surprise sharp edges, alien klaxon-calls and wailing dissonance offsetting the ziplock’d grease of their insistent drum and bass grooves. Prettiest Eyes are one of the most exciting live bands going on right now, and Volume 3 catches them in fine fettle.
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Looks[engl] Forming amongst the toxic sludge in Los Angeles sewers rises the city’s greatest new threat, the PRETTIEST EYES. Their new album, LOOKS, is set to be released by Aagoo Records , on vinyl and digital
Pools[engl] “Very pleased to be working with these boys… I first saw them ages ago at the Sattelite and they were cake-takers that night…now, they are stronger and weirder than ever. I couldn’t believe th
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Glass Ceiling Universe[engl] Recorded completely in secret, one track at a time at Guitar Center, Apprentice Destroyer’s debut Glass Ceiling Universe transcends its immediately intriguing concept to highlight a hyperactive and
Cold Hot Plumbs[engl] John Dwyer has a surprise for us…while we’ve all been eagerly anticipating the next Oh Sees record, he’s been tirelessly working in his synth laboratory as Damaged Bug and has hand-crafted a fol
s/t[engl] Announcing W-X, a new double LP by Tim Presley “I look across the table at the man cuban coffee in hand, cigarette stuck to lip glasses nearly opaque grey blue you can see his sleepy eyes but on
Good Bad Pretty[engl] "Trying to look up “Deep Throats” on the internet to find out what year I first saw them just proved interesting...Clarion Alley 1999(?) I was a kid, I took mushrooms to help me 'ease into
In Triangle Time[engl] Silver-tongued songsmith and true American treasure Kelley Stoltz brings us a new collection of instant classics with just a hint more synthery than 2013's "Double Exposure". For those not yet in