Labels

Dig! Records

  • 01. Real Girl
    02. My Father's Name Was Cat
    03. 69th Road
    04. Hacksaw
    05. Big Enough
    07. U N Him
    08. Buzzsaw
    09. Better Days
    10. You May Know Me As The Kind Of Guy Who
    11. I Am Very Far

    BROWER

    Buzzsaws

    [engl] BUZZSAWS is the debut album by BROWER, the solo project of Nat Brower, resident of Ridgewood Queens and erstwhile NANCY and METALLEG compatriot, already championing the spirits and sounds of our most cherished Punk and Rock musical varietals the world over. After last spring’s Little Big EP (DIG007), BROWER is back, and the fire behind that ass is simply inextinguishable! Enter BUZZSAWS – a glam’d-out glitter-bomb of fuzz guitars and giant vocal melodies within the Venn diagram of Bolan, Bowie and Brett (Smiley). Like Little Big, each song is jammed full of sugarcoated harmonies, laser-beam licks and unearthly hooks. Unlike LITTLE BIG, BROWER shows his teeth on BUZZSAWS – and they’re gnarly, thanks to all the sugarcoated harmonies – with several dbs of gain and big city grit added to the mix. From the first crack! of the snare on “Real Girl”, the album opener, a barrage of big guitars and bonafied boogie – missing even in this year’s finer Rock’n’roll offerings – takes hold for a satisfying spin the whole way thru. Loyal glam-o-philes will clap their feet and stomp their hands to “Hacksaw” and “U N Him”, two of BROWER’s heaviest headbangers to date, pulling together the swagger of T. Rex or Iron Virgin with the whirring guitars and sneering ‘tude of Hubble Bubble. While “My Father’s Name Was Cat” – a storybook ode to our animal ancestors and dads who look like Cat Stevens – offers a psychedelic respite compliments of tripped-out, blissed-out synth layers; “Better Days” showcases BROWER’s tender side – in full display on LITTLE BIG – replete with dulcet sitar strums. AMANAZ covers closeout each side of the album, for two Zam Rock heavies re-interpreted as indispensible power pop bangers, epitomizing the eclectic Rock’n’roll DNA evolving in the BROWER petri dish. Recorded and performed entirely by the BROWER boy himself, Nat has somehow captured the over-produced gleam of the glam era from his bedroom home studio. In the flesh, Nat has recruited the perfect band (featuring members of DIRTY FENCES and VELVETEEN RABBIT) to get the BROWER show on the road, heralding the coming year, THE YEAR OF THE BUZZSAWS…
    Format
    LP
    Release-Datum
    25.12.2019
     
  • 01.Through a Sea of Time
    02. Music is Easy
    03. Me and My Boys
    04. Dear Money
    05. Take All the Time
    06. I Heard You're Gonnna Leave Him
    07. Fantasy Lyfe
    08. I Won't Wait Forever
    09. He Still Calls Me Baby
    10. Song for Sleepy
    cover

    JOSEPHINE

    Music Is Easy

    [engl] Josephine is a singer/songwriter and shapeshifting drag yenta from New York. Her debut album “Music is Easy” is her grand opening statement. With Josh Hahn producing and Nat Brower providing rhythm, the trio make a warm & glittering hi-fi sound with a soulful glam pop style. Call it ‘soulgum’ or just call it ‘easy’...
    Format
    LP
    Release-Datum
    12.12.2018
     
  • 01. Strung Out on the Line
    02. Dance Tonight
    03. Anytime
    04. Brand New Girl
    05. Pop City
    06. Just Can't Help It
    07. Leaving Blues
    08. Too Much Traffic
    09 Someday Tomorrow
    10. Go Down
    11. Got To Have It
    12. Time
    cover

    SHATTERBOX

    Strung Out on the Line

    [engl] DIG! Records Archeological Division presents Strung Out on the Line, the all but lost private press powerhouse LP from SHATTERBOX. The band formed in 1979, at a major and sketchy (read: majorly sketchy) generational crossroads for what threatened to be the last gasp of Rock’n’roll in the ‘70s, and the new directions it’d take in the ‘80s. Recorded in their Seattle basement, the band utilized a mobile studio unit ala a low-rent D.I.Y. Exile Main on St., and self-released the album on New Year’s Day 1981 in an unknown – or, at least now forgotten – quantity, and an array of handmade album art designs: stencil and spray paint; paste-on Xerox cutout; and bare-white factory sleeves, SHATTERBOX never followed standard operating procedures and Strung Out on the Line captures the band’s wild and ragged original sound and style in full. Newly restored and re-mastered by David Eck from the original quarter-inch reels and housed in properly printed jackets with liner notes displaying the numerous versions of album art and an oral history from the band’s sole surviving member, Richard Pleasant, this LP is finally receiving the presentation it deserves – now, nearly forty years down the line. Rocketing through twelve brash and energetic cuts of exuberant Punk Rock and raw Power Pop, the album sonically falls somewhere between THE HEARTBREAKERS, NERVOUS EATERS and either –or, better yet – both iterations of THE GIZMOS. Archetypal subject matter ranging from Sex to Drugs and onto Rock‘n’roll are all addressed on tracks like “Anytime”, “Got To Have It”, “Dance Tonight”, “Just Can’t Help It”, “Go Down” and “Brand New Girl” – typically all in the same song! More complex themes surface on a Proustian examination of time (“Time”) and the quantifiable burden of modern life (“Too Much Traffic”), while the band’s own creative force can be summed up by the chorus to “Pop City”: Ain’t nothin but a rock song. Ain’t nothin but a pop song. Ain’t nothin but a punk song. So whose doin right or wrong? Strung Out on the Line is an unlikely album for rediscovery, given its diamond in the rough mystique – the precious few remaining copies fetch hundreds in collector circles – but fortunately for today’s rocker, there’s no expiration date on the musical contents contained herein. SHATTERBOX made their own way, shirking record industry conventions and sidestepping the musical trends touted by their Hardcore Punk and New Wave peers, to create something at once their own, and now ours again.
    Format
    LP
    Release-Datum
    12.12.2018