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  • 01. Electronic Rock (1983 Instrumental Version)
    02. Electronic Rock (Original 1981 LP Version)
    cover

    T.R.A.S.E

    Electronic Rock

    [engl] Known amongst a small group of teenage friends as T.R.A.S.E. (Tape Recorder And Synthesiser Ensemble) this previously unearthed and fully formed electronic music project was spearheaded by a 16-year-old school- boy as an extension of his woodwork, metalwork and science classes in 1981. Composed and recorded using a self-made synth, audio mixer and elec- tronic percussion units T.R.A.S.E would bridge the gap between a love for sci-fi horror soundtracks, Gary Numan b-sides and an extra curricular hobby as a sound and lighting designer for school plays - bequeathing a backstory as unique and unfathomable as the individualistic sonic results that he would finally commit to C90. Having successfully recorded his only solo album, Electronic Rock (which was never duplicated beyond his own demo copy), this early musical achievement by Andy Popplewell stands up as a rare self-initiated example of embryonic experimental electro pop and genuine outsider music, marking the early domestication of synthesisers and the dawn of electronic home recording studios and the uninhibited results. Unhindered by adult concepts like self-consciousness, popular snobbery, fashion, pride and fear of failure (while funded by paper rounds and odd jobs in his Mancunian community), Andy, armed with the plans to the Chorosynth kit module, an old junk shop piano keyboard and some hand-me-down tools from his recently deceased dad, would fill an exercise book with plans, arrangements and self-penned new wave pop lyrics to fully realise the potential of his one-man synthetic symphony. Reaping the benefits of his own stencilled circuit boards and soldering iron skills (whilst occasionally enlisting the part time help of his younger brother on guitar) T.R.A.S.E’s homemade technology pop continued to bloom right up until the very cusp of adolescence when careers officers and real life responsi- bilities saw the end of Andy's reel to reel multitracking which is finally pre- sented here for the first time since it was sung and played. This ambitious cross section of robotic funk and moody soundscape sequences makes instrumental nods to John Carpenter and Kraftwerk next to unpolished vocal drones worthy of a sedated Human League or Joy Divison, all of whom shared radio dial digits amongst Giorgio Moroder, Tubeway Army and The Glitter Band as Popplewell’s clearest unabashed influences. The T.R.A.S.E tapes, finally unearthed by Finders Keepers, show the full extent of the projects repertoire before the "group's" final hiatus which, for Andy, was followed by a working education in London under BBC employ- ment as a trainee radio engineer (not far from the closed door of the Radiophonic Workshop) which has since led to a widespread reputation as one of the country’s leading independent tape engineers/editors/archivists indiscriminately splicing and baking vintage tapes for anyone in-between Alpha in Brussels and ZTT in London. Having worked with hundreds of reputable studios, pop stars and media companies throughout his career Andy claims he has rarely been asked about his own musical history in 30 working years, Finders Keepers are glad we Popped that very question.
    Format
    7''
    Release-Datum
    27.10.2013
    EAN
    EAN 5060099504686
     
  • 01. T.R.A.S.E. Sketch-1
    02. Electronic Rock (1983 instrumental version) 03. Harmonium
    04. T.R.A.S.E. Sketch-3
    05. Talk To Me (1983 version)
    06. T.R.A.S.E. Sketch-4
    07. Angel Face
    08. Unrequited Love (1983 instrumental version) 09. T.R.A.S.E. Sketch-5
    10. This Life Of Yours (1981 version)
    11. We Are So Fragile
    12. Momento (1983 electric guitar version)
    13. Twilight
    14. War Machine
    15. Voice
    cover

    T.R.A.S.E

    Tape Recorder And Synthesiser Ensemble

    [engl] Known amongst a small group of teenage friends as T.R.A.S.E. (Tape Recorder And Synthesiser Ensemble) this previously unearthed and fully formed electronic music project was spearheaded by a 16-year-old schoolboy as an extension of his woodwork, metalwork and science classes in 1981. Composed and recorded using a self-made synth, audio mixer and electronic per- cussion units T.R.A.S.E would bridge the gap between a love for sci-fi horror sound- tracks, Gary Numan b-sides and an extra curricular hobby as a sound and lighting designer for school plays - bequeathing a backstory as unique and unfathomable as the individualistic sonic results that he would finally commit to C90. Having suc- cessfully recorded his only solo album, Electronic Rock (which was never duplicat- ed beyond his own demo copy), this early musical achievement by Andy Popplewell stands up as a rare self-initiated example of embryonic experimental electro pop and genuine outsider music, marking the early domestication of synthesisers and the dawn of electronic home recording studios and the uninhibited results. Unhindered by adult concepts like self-consciousness, popular snobbery, fashion, pride and fear of failure (while funded by paper rounds and odd jobs in his Mancunian community), Andy, armed with the plans to the Chorosynth kit module, an old junk shop piano keyboard and some hand-me-down tools from his recently deceased dad, would fill an exercise book with plans, arrangements and self- penned new wave pop lyrics to fully realise the potential of his one-man synthetic symphony. Reaping the benefits of his own stencilled circuit boards and soldering iron skills (whilst occasionally enlisting the part time help of his younger brother on guitar) T.R.A.S.E’s homemade technology pop continued to bloom right up until the very cusp of adolescence when careers officers and real life responsibilities saw the end of Andy's reel to reel multitracking which is finally presented here for the first time since it was sung and played. This ambitious cross section of robotic funk and moody soundscape sequences makes instrumental nods to John Carpenter and Kraftwerk next to unpolished vocal drones worthy of a sedated Human League or Joy Divison, all of whom shared radio dial digits amongst Giorgio Moroder, Tubeway Army and The Glitter Band as Popplewell’s clearest unabashed influ- ences. The T.R.A.S.E tapes, finally unearthed by Finders Keepers, show the full extent of the projects repertoire before the "group's" final hiatus which, for Andy, was fol- lowed by a working education in London under BBC employment as a trainee radio engineer (not far from the closed door of the Radiophonic Workshop) which has since led to a widespread reputation as one of the country’s leading independent tape engineers/editors/archivists indiscriminately splicing and baking vintage tapes for anyone in-between Alpha in Brussels and ZTT in London. Having worked with hundreds of reputable studios, pop stars and media companies throughout his career Andy claims he has rarely been asked about his own musical history in 30 working years, Finders Keepers are glad we Popped that very question.
    Format
    DoLP
    Release-Datum
    14.10.2012
    EAN
    EAN 5060099504631
     
  • 01. Winds
    02. Vendome
    03. Spy
    04. Maracatu
    05. Lilja
    06. France
    07. Forro
    08. Ciceron
    cover

    TEMPLE & YOUNG

    Demented Perverts

    [engl] Producer/songwriter/artist Andreas Kleerup (Robyn, Neneh Cherry, Lykke Li, Teddybears Sthlm and others) team up with Andreas Unge, mean bass player/ producer having spent years in Africa working with Oumou Sangaré, Salif Keita, Cheikh Lô, Youssou N’Dour and others. The result is the electronica/ kraut manifestation Temple & Young. After a road trip through Europe in an old Volvo packed with an arsenal of old instruments and recording equip- ment Temple & Young settled in a cottage in a rural village in the French countryside and turned the second floor into a studio where the duo captured the beating heart of an endless summer. While not swimming under the stars the duo mapped out their collective consciousness with driving, mathe- matical grooves in a land somewhere between 70s Düsseldorf and 90s Manchester that oozes cheap drinks, club nights and love. Temple & Young have made a timeless, hypnotic and mind-expanding space travel, here in a limited vinyl edition. Make sure to grab one before summer is over.
    Format
    LP
    Release-Datum
    16.10.2019
    EAN
    EAN 7331915024588
     
  • Kalt
    Tanz Im Licht
    In Bewegung
    Das Ist Die Wahrheit
    Heute Oder Morgen
    Die Sonne In Der Wüste
    Verwüstung
    Im Film
    (Es Ist) Zu Spät
    Egal Wohin
    cover

    THOMAS SYSTEM

    In Bewegung

    Orange Translucent
    Format
    LP
    Release-Datum
    01.10.2018
     
  • 01. Filantropen (Irate, Peeved)
    02. I Tacksamhet
    03. Kristen Musik Fran Ragsved
    cover

    TRERIKSÖSET

    Kristen Musik Fran Ragsved

    Format
    LP
    Release-Datum
    01.02.2019
     
  • 01. Nova
    02. Überall
    03. Eolomea
    04. Gus
    05. Transit
    06. Lass uns überlegen
    07. Luxor
    08. Phantom
    09. Jimmy
    cover

    UNHAPPYBIRTHDAY

    Stella Loops

    [engl] Unhappybirthday from Hamburg have been releasing dreamy Avant-pop records and touring Europe consis- tently for over 10 years now. The group was founded in the port city of Wismar in northern Germany in 2012 by singer and keyboardist Daniel Jahn and guitarist Tobias Rutkowski and producer Jonas Meyer joins the band for this, their new (fifth) album release. "Stella Loops" circles around the vast cosmos offering refuge from the feeling of confinement that has enveloped us all over the last few years and to help achieve this Unhappybirth- day have mixed their trademark elements of Electronica, House and Ambient music and for this release invited a guest list that includes Andreas Dorau, Martha Rose and Jimi Tenor to contribute.
    Format
    LP
    Release-Datum
    09.09.2022
    EAN
    EAN 4015698303339
     
  • 01. Dit + Uta - Science Fiction Park BRD
    02. Z.S.K.A. - La Surete Nr 3
    03. Neros tanzende Elektropäpste - Der singende Lenorhaushalt
    04. Kleines Schwingvergnügen - 10 Jahre Frauenbewegung
    05. Das Glück- Die Bombe
    06. Andy Giorbino - Stadt der Kinder
    07. Plastiktanz - Chord Invasions
    08. CHBB - Ima Iki Mashoo
    09. Eisenhauer - Insekten
    10. Holger Hiller - Ja Nein
    11. Wat?Sanitär! - Except Me And My Monkey
    12. Cinéma Vérité - Starres Weiß
    13. Cinéma Vérité - Die Zone
    14. Lustige Mutanten - Missgeburten
    15. Pyrolator - Vati es brennt
    16. x2 - Das Bild
    17. Twist Noir - Enemies
    18. Grüne Rosen - Jungle
    19. Pierre Godot - Petra im spanischen Garten
    20. Anadolu Bayramlari - Titremek ve Terlemek
    21. Co-Mix - Revol Rules OK
    22. DIT - Abbelstiel
    23. Plastiktanz - Pelikan
    24. Grüne Rosen - Do You Feel The Love Inside Me?
    25. Frank Schröder - Ohne Titel (1983-18)
    cover

    V/A

    Science Fiction Park Bundesrepublik

    [engl] In the summer of 1982, in a cottage in the Bavarian forest a thirteen-year-old boy sits with his brother on the sofa and stares at the television. What he sees will transform his life. In rapid, revue-like sequences, young costumed people jump around in front of a painted background. They serenade tulips that are sparingly lit, twist and stretch under rubber sheets and with eyes taped over, iron on empty boards. Sometimes they just stand there, staring brazenly or absently into the camera, cryptic texts intoning through stiff mouths. The entire spectacle might be a direct transmission from Mars. The music accompanying all this is so radically new that the terminology to describe it doesn’t exist yet. Most of all, it is unexpectedly bizarre, minimalistic and electronic. The astonishing performance is garnished by four amateurish dancers obviously assigned to the musicians by a decree of the TV broadcaster. Nothing fits together, yet the combination is pure genius. The demeanor of the group is so shockingly modern and uncompromising that the boy in front of the television has to repeatedly pinch himself to prove he isn’t dreaming. This is the music he has waited years for. This is his music, and it sets off a catalytic spark in him. His little brother is drafted to write down the names of the bands Palais Schaumburg, Der Plan, Deutsch- Amerikanische Freundschaft, Lorenz Lorenz, Der Körper und die Seele (The Body And The Soul)... One can imagine the creative spelling that made it on to the list. Back home in Hamburg, as if possessed, the boy begins to experiment with a synthesiser, home organ, and voice and tape recorder. He is not the only one to begin explorations in this direction. The entire Federal Republic of Germany is just at the boiling point. A new form of home music is coming into existence. It has nothing to do with violin playing children, scratchy sweaters and well- combed relatives listening on the sofa, but rather combines the fears and dark abyss of industrial society. Remarkably it is the same industry that made the tools available to the raging youths: cheap Casio keyboards, synthesisers, drum computers and four track tape recorders. Suddenly anyone can acquire his own means of production to use in protest against the industrial forces. In Germany especially, that neurotic country whose dark Nazi past and subsequent East/West division filled its closet with skeletons, the electro-industry’s advance falls on fertile ground. The four-track tape studio becomes the medium of the collective unconscious; becomes the embrasure, the lighting rod and the magnetic witness to the fears of an imminent nuclear war. On top of that most of the recordings are born without strategy or intention of commercial exploitation. They are eruptions out of the crater of a society that had reached a deadlock during the so-called German Autumn with its failed RAF movement. Everyone was waiting... But for what? For the end of the world, approaching via an insane arms race? A new youth movement? A new kind of ice cream? In their freshly established home studios the protagonists practice the new underground music, the “undirected aggression of liberated sounds,” as Frank Apunkt Schneider expressed in his book Als die Welt noch unterging (As The World Was Still Ending). Everything that isn’t nailed or riveted down is used as an instrument: baking trays, cartons, room lamps, toys, wooden flutes, whistles, cans, trays, record players, televisions, a doorbell, a telephone. Out of the living rooms of the nation drones an obsession with noise, sparing not even the children. And what became of that thirteen-year-old boy who sat in front of the television back then? He hasn’t had a television for the last twenty-five years and is just now writing these lines. His enthusiasm for the cassette scene has remained to this day. And while collecting the pieces for this compilation he had to keep pinching himself in the arm.
    Format
    DoLP
    Release-Datum
    03.11.2014
    EAN
    EAN 5060099505409
     
  • 01. Die Partei – Strahlsund
    02. Rolf Trostel – Two Faces (bureau b edit)
    03. Michael Bundt – Full Steam Ahead (bureau b edit)
    04. Moebius – Etwas (bureau b edit)
    05. Populäre Mechanik – Scharfer Schnitt No. 1
    06. Roedelius – Regenmacher (bureau b edit)
    07. Tyndall – Großstadtgefu?hl
    08. Conrad Schnitzler – Bis die Blaue Blume blu?ht (bureau b edit)
    09. Phantom Band – Pulsar
    10. Bernd Kistenmacher – Quitting Time (bureau b edit)
    11. Heiko Maile – Nachtspaziergang (Tape 40)
    12. Moebius & Plank – News
    13. Faust – Vorsatz
    14. Riechmann – Weltweit (bureau b edit)
    15. Asmus Tietchens – Tru?mmerk.pfe
    16. Cluster – Avanti (bureau b edit)
    17. Gu?nter Schickert – Wanderer (bureau b edit)
    18. You – Live Line (bureau b edit)
    19. Harald Grosskopf – Emphasis
    20. Eno Moebius Roedelius – Base & Apex
    cover

    V/A

    Silberland - Kosmische Musik Vol 1 (1972-1986)

    [engl] Fellow humans, Bureau B invite you on an expedition to Silberland, a singular span of spacetime created by Germany’s sonic futurists of the seventies and eighties. Embracing the early electronics and tape experiments of the sixties’ avant-garde, these artists aimed to boldly go, eschewing small steps for giant leaps into a nebulous and novel sound.
    Format
    DoLP
    Release-Datum
    01.07.2022
     
  • 01. Harald Grosskopf - Eve On The Hill (Bureau B Edit)
    02. Cluster - Prothese
    03. Conrad Schnitzler - Elektroklang
    04. You - Son A True Star (Bureau B Edit)
    05. Thomas Dinger - Für Dich (Bureau B Edit)
    06. Asmus Tietchens - Bockwurst Á La Maîtresse
    07. Moebius, Plank, Neumeier - Search Zero (Bureau B Edit)
    08. Heiko Maile - Beat For Ikutaro (Tape 52) (Bureau B Edit)
    09. Lapre - Flokati
    10. Adelbert Von Deyen - Time Machine
    11. Günter Schickert - Puls (Bureau B Edit)
    12. Faust - Juggernaut
    13. Moebius & Plank - Feedback 66 (Bureau B Edit)
    14. Roedelius - Band 068 3 Bock Auf Rock (Nicht Verwendetes Stück)
    15. Serge Blenner - Phonique
    16. Moebius & Beerbohm - Subito
    17. Tyndall - Wolkenlos (Bureau B Edit)
    18. Pyrolator - 180°
    19. Die Partei - Guten Morgen In Köln
    20. Deutsche Wertarbeit - Auf Engelsflügeln (Bureau B Edit)
    cover

    V/A

    Silberland Vol 2 - The Driving Side Of Kosmische Musik 1974-1984

    [engl] Welcome to Silberland – where the streets are paved with strobes. Home to neon lights, straight lines and open roads, this futurist fantasy was first founded in the mid-seventies, when Germany's creative class chose musical therapy in order to indulge their shared hallucination of a new Europe. Fuelled by the catalytic fusion of globalisation and new technology, the world was turning ever faster and the kosmische generation were ready to keep the pace. With synthesisers, rhythm computers and human metronomes turned to a gallop, these electronic innovators set modernity to a motorik beat, and Bureau B's second trip into Silberland cuts right to the thrust of the genre.
    Format
    DoLP
    Release-Datum
    16.06.2023
    EAN
    EAN 4015698753524