Katalog

Suchergebnisse

  • 01. Alien
    02. Machine
    03. The Hunted
    04. The Scream
    05. Slave
    06. The Ritual
    07. Control
    08. Repulsion
    09. Tear Down These Walls
    10. Caged
    11. After The Fall
    cover

    1919

    Machine

    [engl] First time reissue of this classic mini album since its original release in 1983. This version features 4 bonus tracks, songs from both early single 7" "Repulsion" & "Caged". 1919 is a post-punk band from Bradford, UK and an early contributor to what would become the goth genre. The band is still active !
    Format
    LP
    Release-Datum
    09.11.2019
     
  • 01. Snap It Around
    02. Relentless (Edit)
    03. Camaracadabra
    04. Psycle Sluts
    05. Samouri Swords
    06. Cob On (Bonus)
    07. You Were Never There
    08. Discolero
    09. Rhino Whip
    10. Too Nice For Nigel
    11. Snap It Around (Version Edit)
    12. Tootsies (Bonus)
    cover

    48 CHAIRS

    70% Paranoid

    [engl] Documenting the unlikely coupling of British free jazz bastion Lol Coxhill and the sarcy synth pop don't-wannabes known as Gerry And The Holograms this rare incognito full-length album bridges the micro-niches of electronic jazz and punk jazz from a band formed in 1979 at an axis where DIY and new wave hadn't quite collided! With sprinklings of post-punk female vocals worthy of PragVEC and Suburban Lawns, featuring angular art rock paeans to voodoo dolls and closed-circuit TV, this privately pressed LP comes directly from the man who gave Martin Hannett some of his best ideas and wrote the "Blue"print for Manchester's new musical order. Imagine if Talking Heads became Mark E Smith’s backing band for a week before being sacked for wearing a Frank Zappa t-shirt while Eric Dolphy forgot to take his headphones off… If that sounds up your street, then you should be paying double. A genuine lost moment from the post-punk era with progressive pop credentials from the university of Alberto Y Lost Trios Paranoias before everyone got a job at the local Factory. Why are you the only person who doesn't know about this?
    Format
    LP
    Release-Datum
    02.11.2018
    EAN
    EAN 5060099507052
     
  • 01. Walls
    02. I Wonder Why
    03. Take Me Away
    04. Dancing
    05. War
    06. We Can Never Go Back
    07. Mirror Breaks
    08. Was It Worth It?
    cover

    A Culture of Killing

    s/t

    [engl] Very little information exists about Italian anarcho-punks A Culture Of Killing. Like many of their forebears, they evidently eschew communication via mainstream press or corporate-owned social media. So I guess it’s on me to tell ya that their latest release is a long-overdue vinyl press of their 2017 self-titled cassette, and it absolutely slays. OK, it’s not immediately obvious as anarcho - you won’t find the teeth-rattling rhythms of early Crass or Flux Of Pink Indians on any of the eight tracks here. Sonically the territory the occupy is somewhere between the gothed-out territory marked out by The Cure and Siouxsie, and the more mournful but recognisably punk tones of The Mob (in fact, they even cover that band’s Mirror Breaks and firmly put their own stamp on it). This screams early 1980s - a time presided over by right-wing politicians, with the shadows of recession and poverty hanging ominously over proceedings… hey, that sounds familiar… Unsurprisingly for a bunch of anarchists, ACOK are about far more than the mere sound of the music. They rail against the state of the world - and sure, these songs are from 2017, but it can’t have escaped your notice that things ain’t improved too much. That’s why we need soundtracks like this, helping us make sense of the mess we’re inhabiting thanks to the shitbags in power. If that sounds simplistic, their worldview is most assuredly not. For now though, it’s clear what we have to do: ENGAGE, for fuck’s sake. And that starts right here, with a record that’s dark, entrancing, exhilarating and… ah hey, I’m going there: IMPORTANT. Press play and thrill forever. Anyone who doesn’t is a fucking cop.
    Format
    LP
    Release-Datum
    29.05.2020
     
  • cover

    ALEXIS GIDEON

    Floating Oceans

    [engl] Alexis Gideon will be presenting the third installment in his critically-acclaimed multimedia opera series, Video Musics III: Floating Oceans, beginning this fall. Portland, Oregon’s historic Hollywood Theatre will host the world premiere on October 11, 2012. Gideon is an interdisciplinary iconoclast whose body of work joyfully challenges the presumed constraints of visual arts and music genres. Where others attempting the same projects might get lost in the weeds, Gideon’s ferocious intelligence and crystal-clear vision produces some of the most engaging pieces audiences will encounter. Gideon worked with Cynthia Star (Lead Painter for Coraline, Laika Studios) and Jacob Rubin (Best New American Voices), among others, to produce the video piece. Video Musics III: Floating Oceans was funded by a generous award from The Regional Arts and Culture Council, the second consecutive grant from this organization Gideon has received. (Gideon’s first RACC award was for Video Musics II: Sun Wu-Kong). Video Musics III: Floating Oceans is a 38-minute stop-motion animation video opera based on the works of the early 20th century Irish writer Lord Dunsany, and inspired by the time and dream experiments of the Irish physicist John William Dunne. The piece is dedicated to Flann O’Brien. Video Musics III: Floating Oceans contrasts the vivid dreams of its poet-protagonist with the foreboding routine of pedestrian life. Parts operate under the tow of dream logic. All dialogue and narration are expressed through lyrics and music performed live in front of the projected video. The piece explores non-linear and traditional linear narrative, and uses the musical meters of modern classical, hip-hop, ambient, and psychedelia.
    Format
    LP
    Release-Datum
    13.10.2012
     
  • cover

    ALEXIS GIDEON

    Sun Wu-Kong

    Um es kurz zu machen, diese Doppel LP ist ein Manifest. Am ehesten könnte man die Scheibe noch unter Hip Hop einsortieren, aber im Grunde wäre das totaler Käse, weil 99,9% der Hip Hopper darüber empört wären und damit sogar recht hätten. Es wird zwar öfter mal sehr nasal gerappt (bzw. sowas in der Art), aber aber eigentlich auch viel (und sogar ziemlich merkwürdig) gesungen. Überhaupt erscheint alles ein bisschen textlastig zu sein, was spätestens dann einen Sinn ergibt, wenn man den Film auf der DVD ansieht, der eben eine recht umfangreiche und sehr mystische Geschichte erzählt. Diese gehört untrennbar zu der Musik, so dass man ganz klar sagen muss: Sun Wu-Kong stellt ein multimediales Spektakel dar, das auf jeden Fall dann am besten funktioniert, wenn man auch beide Kanäle, also Bild und Ton zur Verfügung hat. Alexis Gideon erzählt die chinesische Novelle "Die Reise nach Westen" und seht es euch selbst an ein Manifest.
    Format
    2LP + DVD
    Release-Datum
    25.01.2011
     
  • cover

    ALGARA

    Enamorados Del Control Total EP

    [engl] ALGARA's first communiqué vomits in the face of moderate leftism; encouraging class war and insurrection, and wanting the total annihilation of police forces. Home recorded in a Barcelona Squat, the production of their debut four-track EP is minimal. ALGARA deal in stark and sparse sounding post-punk that hints at CRISIS, early DECIMA VICTIMA and JOY DIVISION in equal measures. The lead guitar is brittle and skeletal, and sits perfectly on the driving rhythm section, made up of a primitive drum machine, creating a sonic background for their message to be heard.
    Format
    7''
    Release-Datum
    30.01.2020
     
  • 01. Artistic Vision
    02. Leather Gunn
    03. Duplicating Satan
    04. Crusader of Coles
    05. The Butcher
    06. Jetlagging
    07. King's Gambit
    08. Phone Alone
    09. Clear as Paint
    10. Party Time
    11. Bite My Tongue
    cover

    ALIEN NOSEJOB

    Paint It Clear

    [engl] One of the most familiar faces in the busy Melbourne music scene; Jake Robertson (who you may remember from such class acts as Ausmuteants, Hierophants, School Damage, et al) returns in full-fledged form with another unruly record from his solo alter-ego ALIEN NOSEJOB. Thirteen months on since the hardcore-punk inspired concept album, ‘Once Again The Present Becomes The Past’, Alien Nosejob turns the ship back to front and sails in a new direction, yet again. Paint It Clear mixes sounds of classic 80’s new wave and post punk whilst sprinkling in the occasional disco track on top. But don’t let these descriptions throw you off - it still carries Robertson’s classic screech of cheeky yet witty lyrics and sharp songwriting hooks. After three home-recorded records prior to this, Mikey Young has finally been phoned in to take over the production controls and breathes a whole new way of life into Alien Nosejob. Never before has ANJ been heard in such fidelity. The clarity! The definition! The dynamics! It all shines brighter than ever before resulting in a record that Robertson’s “parents could actually listen to”. There’s a little something for everyone; whether it be 80’s Cure-inspired synths in Duplicating Satan, the robust Devo-like feel of Leather Gunn, the sing-along chorus of Crusader of Coles, or the melodic, minor closer that is Bite My Tongue. There’s even The Butcher; a piano ballad inspired by the Fun Boy Three, showcasing Jake’s skills as not just a songwriter, but a damn fine singer. Paint It Clear is Alien Nosejob’s fourth full length record since 2018 - it certainly proves he a nose for these things.
    Format
    LP
    Release-Datum
    02.12.2021
    Format
    LPcol
    Release-Datum
    02.12.2021
     
  • 01. Beatles Vs Stones
    02. Post Punk Posers
    03. Shuffle Boogie
    04. Shuffling Like Coins
    05. RnR Rubbish Bin
    06. Coastal Living 2
    07. Sharp As A Needle
    08. Moldy Dough
    cover

    ALIEN NOSEJOB

    Stained Glass

    [engl] Much loved, relentless rocker, Jake Robertson is back yet again with the next instalment of his ridiculously productive solo project, Alien Nosejob. Jake’s got a brand-new bag of tricks and I ain’t gonna beat around the bush; it sounds like AC/DC! Stained Glass may be his finest and most stylistically suited work to date. Ironically, and to quote his own sarcastic lyrics from the album’s second track, he definitely fits this shoe. Not only does Jake have the high-pitched pipes while many others don’t (obviously a vital part in this sound), but the guitar chops to pull off the sweet, sustained lead breaks of this particular style. And he does so in great fashion as you’ll be made immediately aware from the scorching solo on album opener, “Beatles vs, Stones”. Trust Jake to write a song with that title! But alas! it’s not all Bon Scott’s and Angus Young’s. Some Rikk Agnew guitar lines shine through on album closer, "Mouldy Dough". "Shuffle Boogie" marks Jake’s first ever stab at the shuffle backbeat - which he says is him knicking from Rose Tattoo what they knicked from AC/DC - but it also kinda sounds like a sped up Jean Genie or some lost Bowie boog. "RNR Rubbish Bin" stomps its way through five minutes of electrified solo’s and witty lyrics. Even Brian Johnston makes an appearance on the Ausmuteants sequel, “Coastal Living 2”; about growing up on the NSW Central Coast. The bulk (backing tracks) of Stained Glass were recorded by Mix Master Mikey (Young), over a Friday / Saturday in October last year - but by the sounds of it they spent just as much time eating Guzmen y Gomez, talking shit and hanging out as they did recording. Jake took the beds for the eight tracks home, tucked their sheets in tightly and the record was complete before years end.
    Format
    LP lim
    Release-Datum
    25.11.2022
     
  • 01. Sacrilege
    02. Genesis
    03. Three Fires
    04. Existence
    05. Matrix of Chaos
    06. Legion
    cover

    ALTAR OF EDEN

    Chimeras

    [engl] Second LP from the project led by Albert Limones (Nosferatu/ Creamers) following on from The Grotto Screams in 2021. Skeletal, brittle and skittish punk. Complex, layered tones with wobbly chorused bass, jagged drum patterns and bristling guitar. Amongst the rubble, 'Limones vocals are everything that hold this together, piercing and primal. Recalling Christian Death, Bauhaus, but Altar of Eden really stand alone The LP sounds like it’s been pulled from some tape archive from 1985. Not that it’s dated in any way. It’s just along the same strand of DNA..
    Format
    LP
    Release-Datum
    01.04.2022
     
  • 01. The Abandonment
    02. Tears
    03. Eternity
    04. The Grotto Screams
    05. Veil of Sanctuary
    06. Death in the Country
    cover

    ALTAR OF EDEN

    The Grotto Screams

    [engl] Perhaps you, like me, have listened to Bauhaus and Killing Joke and thought, ‘Well, this is great, but I wish it was a bit more of a rager.’ Similarly, maybe you listened to The Effigies and Samhain before musing to yourself, ‘Cool, although I thought it’d be darker.’ In other words, it’s occurred to you that deathrock could be a tad deathier and - if it’s not too distasteful of me to say so - rock a hell of a lot harder. Step forward, Altar of Eden. The project of Austin, TX resident Albert Limones (whose bruising sounds you may have heard in the shadowy likes of Nosferatu and Creamers), it’s an unholy marriage of Big Black’s mechanistic rhythms and the serrated, atmospheric noise of yer favourite early ‘80s 4AD types. Tracks like ‘The Abandonment’ absolutely lay waste to your speakers - it opens with a harrowing shriek before throbs of chorusing bass and guitar carve out their own unnerving paths. Somewhere in the distance, a menacing voice can be heard, buried in murk and distortion, with the song operating at breakneck pace and maximum volume - hey, I think our criteria may have been met. Second track ‘Tears’ ups the ante, leaning heavily on atmospheric gloom while pushing the drum machine to the fore, like Clan of Xymox setting up traps for the Slenderman, before the lacerating strafes of guitar on ‘Eternity’ invite the nightmares to truly begin. And that’s just the first three songs - by the time ‘Death in the Country’ gallops to a beautifully discordant end, we’re well and truly bewitched by this wonderful, horrible noise. ‘The Grotto Screams’ was originally released on cassette in April of last year, before finally getting this well-deserved vinyl pressing - one of the first truly essential releases of 2021. Don’t miss out.
    Format
    LP
    Release-Datum
    05.03.2021
     
  • 01. New Mexico
    02. Crack In The Surface
    03. Bad Brad
    04. People Watching People
    05. Power
    06. 2 Is A Letter
    07. Sweating Man
    08. Swell
    cover

    ANNOUNCING BRONZE

    Absolute Compliance

    [engl] We here at Castle Face dig a good trance. Hypnosis, mesmerization, and brain trickery are some of our favorite results of deep listening and it is a suggestive, ritualistic and dreamlike vibe that Bronze ooze like pheromones all over their excellent new record. Absolute Compliance is a truly hypnogogic group of tunes from Bronze on their best and weirdest behavior and it hits all my favorite things about them immediately and repeatedly: Insistently strange synth voicings emanating from Miles Friction's mad scientists lab worth of equipment controlled by a homemade-looking oversized knob; Brian Hock’s throbbing, woolly, hall of mirror grooves; and above it all Rob Spector’s thousand yard croon the vaguely familiar touchstone amongst the Lynchian, mutated surroundings…these are songs of dreams and nightmares, hidden rituals observed, futuristic coliseum entertainments displaced in time, sci fi jams of an uncertain future. Bronze are one-of-a kind great and if you’re unfamiliar you should go find their other records (including their great live record for us) and get caught up. They are real-deal weirdo kings of San Francisco and their spell is not easily dissipated once cast.
    Format
    LP
    Release-Datum
    02.04.2022
    EAN
    EAN 733102722111
    Format
    LPcol
    Release-Datum
    02.04.2022
     
  • 01. Fournaise À La Grenouillère
    02. Stade
    03. Le Grand Soir En Plein Soleil
    04. Exil
    05. "Et Moi Aussi, Mais Alors Avec Un Peu De Moutarde..."
    06. Chasse À L'Homme
    cover

    API UIZ

    peplum

    [engl] Peplum is the 5th solo LP album of Api Uiz, a band from Bordeaux, France which plays since 1995. They influenced an entire generation of french musicians by the ferociously independent way they play and produce music. Peplum is a perfect album name for a band which is such a landmark in the french underground scene. PS: What they do can imperfectly be described as an instrumental, teared-apart and howling harsh folkloric pop. PPS:This album is brought to you by: Les Potagers Natures, Mon Cul C'est Du Tofu, La République Des Granges, Attila Tralala, Red Wig Records and, yours truely, Kythibong.
    Format
    LP
    Release-Datum
    18.09.2017
     
  • 01. Song Of Calumny
    02. The Isis Pool Narrated
    cover

    ARABROT

    For Lack Of Discipline You Will Die

    [engl] Exclusive 7" from Norwegian Grammy-award winners Årabrot. The A-side, 'Song Of Calumny', is a groovy monster hit from the same recording sessions as their upcoming album, The Gospel. Featuring noise maestro Lasse Marhaug. The B-side is a narrated version of previously released 'The Isis Pool', and an excusive cover (vinyl only).
    Format
    7''
    Release-Datum
    11.01.2016
    EAN
    EAN 7041889508181
     
  • 01. Hallow Water
    02. Glass On Ice
    03.Rose In Bend
    04. Whip Hand
    05. Dreamer
    06. In Silence
    07. One Step
    08. Cabinet Of Masks
    09. The Fool
    10. Waking Things
    11. Husk
    cover

    ARCTIC FLOWERS

    Straight To The Hunter

    Die vierte Scheibe von Portlands female fronted Postpunk Geschoss. Ein moody Bastard mit hintertückischen Gitarrenriffs, einer pumpenden Rhytmussektion und verführerischen Vocaleinlagen. Ihre Mischung aus Punk, Goth, Deathrock und Anarcho klingt heuer deutlich aufgeräumter als bislang und zeigt die Band definitiv auf der Höhe ihrer Zeit. 11 Tracks ambitious, challenging, and rewarding. FFO PLeasure Leftists, Don´t, Wipers,
    Format
    LP
    Release-Datum
    29.06.2019
     
  • 01. Magdalene
    02. Tell My Horse
    03. Ex Oblivione
    04. Anamnesis
    05. Cold Air...Dead Hand
    06. ... Dead Hand
    07. Byzantine
    08. Weaver
    09. Dirges Dwell
    10. Impasse
    cover

    ARCTIC FLOWERS

    Weaver

    Die zweite Platte von einer der besten Female-Fronted Deathrock Bands, die es jenseits der 1980er gibt! Der Debüt-Longplayer vor 3 Jahren war schon geil, auf der neuen Scheibe merkt man allerdings, dass man ganz ordentlich in Sachen Songwriting gedreht hat. Man wirkt insgesamt sehr viel vielschichtiger und abwechlungsreicher und schafft es ohne Probleme die Stärken von heutigen Punkkombos wie den Red Dons mit dem düsteren Sound von alten Underground-Helden wie (den original) Voodoo Church, Super Heroines oder Your Funeral zu verbinden.
    Format
    LP
    Release-Datum
    14.02.2014
     
  • 01. Infinite Void - Face in the Window
    02. Arctic Flowers - The Fool
    cover

    ARCTIC FLOWERS / INFINITE VOID

    Split

    [engl] Melbourne’s post-punk favourites INFINITE VOID have teamed up with Portland, OR’s dark-punk masters ARTIC FLOWERS for a special split 7?.
    Format
    7''
    Release-Datum
    06.07.2016
     
  • 01. Airuin
    02. Hotbed
    03. Makeup
    04. Luv
    05. Poskok
    06. Filter
    cover

    ARKTIS/AIR

    En-trance

    Man nehme John Zorns legendäres Free-Jazz-Noise-Impro-Hardcore Projekt Painkiller und mische dieses mit großen Post-Metal-Ambitionen der Sorte Isis, sowie gelegentlichen 70er Jahre Progrock-Experimenten in der Tradition von Bands wie King Crimson. Zu guter Letzt garniere man das dieser Art entstandene wild-schräge Klangspektakel mit dem grenzenlosen Blast Beat-Wahnsinn der Grindcore-Kapelle Napalm Death, der Komplexität und spielerischen Finesse des Jazz und auch leichten Melvins-Anleihen. Wie das alles zusammengeht? Arktis/Air machen es vor.
    Format
    LP 180gr
    Release-Datum
    15.11.2013
    EAN
    EAN 9120047540206
     
  • 01. Siren
    02. The Morrigan
    03. Deja Vu
    04. Sacred/Sacrilege
    05. War
    06. Witching Hour
    07. Styx
    08. Libracide
    09. Boudicca
    10. Votive Offering
    cover

    ARTEFACT

    votive offering

    [engl] Pressing Info 100 copies on White 300 copies on Black You might have previously chanced upon Artefact if you’ve got your ear to the ground of the fertile, exciting DIY punk circuit in the UK. Equally, they might be brand new to you, but there’s no shame in that game. Release-wise, the four-piece have gone straight from a demo to a debut LP – a step-up that, ‘Votive Offering’, the long player in question, justifies in a half-hour blaze of elegant, alluring gothic punk grandeur. Artefact assembled in the Welsh capital, Cardiff, around late 2014 and debuted in early 2015 with a seven-song demo cassette. Featuring Hannah Saunders on vocals, Matthew Green on guitar, Jon Mohajer on bass and Danny Parsons on drums, members’ musical CVs span indiepop (Joanna Gruesome), post-hardcore (Facel Vega), emo (Plaids), garage punk (Twisted) and slowcore (Mars To Stay). This collective experience has certainly informed Artefact, in terms of how they operate and conduct themselves, but it should equally be seen as a clean break, and a chance to indulge their tastes for postpunk, goth, deathrock and the darker side of the tracks in general. Saunders – the only one of the quartet to be playing in a band for the first time – is a great and mercurial presence at the microphone, ramping up the drama and emotion running through ‘Votive Offering’. Her lyrics are suitably, poetically intriguing, heavy with alliteration and wordplay and spiked with literary and historical references. They meet their perfect match across these ten songs: rolling rhythms built from tom-heavy drums and punchy basslines, waves of ear-ringing chorus-pedal guitar, an ability to switch tempos from a brisk clip to a funereally slow march. ‘Votive Offering’ is boosted by a recording (at North Wales’ Foel Studios) which gives each sonic element the spotlight it deserves, while retaining Artefact’s serrated edge, and mastering by prolific punk platter polisher, Daniel Husayn of North London Bomb Factory. The striking sleeve art comes from inside the mind of Scott Young, an American artist who has also fashioned covers for bands including Gag and Strutter. And it’s being released by German punk label Adagio830 (Diät, Dark Blue, Ranx/Xerox, Rat Columns) as a result of label owner Robert Schulze stumbling on an Artefact live set while on tour, and falling in love. Anyone whose tastes include foundation stones of goth such as Siouxsie & The Banshees or Bauhaus; The Mob, Part 1 and other names from the gloomier end of 1980s anarcho punk; or contemporary burners of the flame like Belgrado, Arctic Flowers or Anasazi… Artefact have made an album for you to fall in love with too.
    Format
    LP
    Release-Datum
    25.01.2017
     
  • cover

    ASTARON

    s/t

    [engl] Astaron from Vienna Austria were a music and art performance duo made up of Angie Mörth (member of viele bunte Autos) and Martina Aichhorn who existed from 1984 to 1989. Influenced by the Viennese Actionism, Einstürzende Neubauten and Kate Bush and armed with a big dose of black humour and a true love for trash culture they created an impressively unique body of work. They released two DIY tapes, One 12” and this stunning self titled album at the tail end of 1987. It was originally released by local label Ton Um Ton Records in a criminally low pressing of 500 Copies. It’s an unadjusted highly experimental and totally addictive dark wave album with hints of minimal post punk. The music ranges from dirgelike chants to ethereal pop to haunting ballads. It’s pure melancholic beauty from start to finish. Think KUKL, Cocteau Twins, Young Marble Giants for the minimal sound, Brian Eno, Lizzy Mercier Descloux and Diamanda Galas.
    Format
    LP
    Release-Datum
    18.09.2020
     
  • 01. Immerzu
    02. Abendvorstellung
    03. Keine Antwort Auf Brennende Fragen
    04. In Feuer Und Wasser Haben Sie Den Tod Gefunden
    05. Ich Zeige Dir
    06. Warten
    07. Zimmer 43
    cover

    ATLANTIKSCHWIMMER

    Kassetto Fix

    [engl] Their Demo Tape from 83 for the first time on vinyl ! FFO of Wire, The Sound, Chameleons, Post Punk, ZickZack etc. ! limited on 300 copies!
    Format
    LP
    Release-Datum
    22.05.2020
     
  • cover

    AUCAN

    DNA

    [engl] A crossroad between styles and sounds, AUCAN's music is based on a unique energy: synthesis of the opposites. Digital and analog, cleanliness and distortion, melody and dissonance, quietness and strongness arm free-fall structures, open to direct light, leave the listener inside obscurity. Gifted of an hammering rhythmical compactness, and of a deadly technical awareness, the band's obsessive combinations contain nonetheless an emotive tissue spent on crooked roads long time ago, incarnate the need to yell out, to get lost in order to discover yourself. THE special secret ‘’DNA EP’’ (5 gracks, 35mn), dedicated to Gerhardt Fuchs (Maserati’s drummer, 1974-2009) is finally coming out on Africantape in Vinyl 12" (CD included).
    Format
    LP + CD
    Release-Datum
    06.09.2011
     
  • 01. Abgemacht
    02. Ausgedacht
    03. Alarm
    04. Kein Licht
    05. Ansicht
    06. Modern
    07. Linie
    cover

    AUS

    Aus

    All Girl Post-Punk aus Berlin! Schön aufgemachte LP im 320 Gramm Cover und Bandphoto im separaten Umschlag! Die Welle großartiger, mitreißender Bands, die sich bei 80´s-New- und Cold-Wave bedienen, scheint nicht abzureißen. Aus aus Berlin erzeugen mit durchaus ruppiger Gitarre, abgehackt-unterkühltem Beat und melancholisch-tanzbaren Elektro-Klängen jene Dunkel-Disco-Atmosphäre, die Freunden von X-Mal-Deutschland, Joy Division, Bauhaus und in Ansätzen Nitzer Ebb bzw. Neubauten (die Drums) sehr gefallen dürfte. Die Stimme der Sängerin passt ausgezeichnet und die von Zweifeln geprägten deutschen Texte sind ebenfalls gelungen.
    Format
    LP
    Release-Datum
    26.06.2018
     
  • 01. Suchmaschine
    02. Zahnloser Tiger
    03. Schwall
    04. Kreis
    05. 1000 Umdrehungen
    06. Die Taste
    07. Für die Katz
    08. Bilderflut
    09. Am Puls der Zeit
    10. In der Tat
    cover

    AUS

    II

    Zweiter Output der Berliner Postpunk-Damen, die uns vor zwei Jahren mit ihrem Debüt eine der unterkühltesten Platten der 2010er vor den Latz geknallt haben. Ihre neuen Stücke zeigen sich dankbarer Weise keine Spur warmherziger, sondern versprühen eine gefährlich klirrende Kälte, die so seit den frühen Xmal Deutschland kaum mehr zu Gehör fand. Selbige sind unverkennbar auch der Größte Einfluss ihrer Musik. Schleppend und zehrend kombinieren die Tracks verhallte Vocals mit reduzierten Synthlinien, wabernden Bassläufen und zutiefst depressiven Gitarreneinlagen. Ein hervorragendes Postpunkalbum ohne viel Klimbim zudem man eigentlich nur wahlweise durch Berliner Nächte wandeln oder sich die Pulsadern aufschlitzen kann.
    Format
    LP
    Release-Datum
    22.05.2020
     
  • 01. Les Deux Loups
    02. Dead End
    03. Razor Tongue
    04. The More The Less
    05. No Way
    06. Béton Armé
    cover

    AVALE

    Incisives

    französischer WavePunk. Side B is laser-etched.
    Format
    LP
    Release-Datum
    28.09.2018