[engl] Called by Germanies VISIONS Magazine "Todays best German Garage Punk Band", this band will give you a reason to get back into modern music. In their early days compared to bands like Gluezifer and Hellacopters, this band has evolved into something so much more than this. Centered around a driving organ and lyrics that go way beyond you usual "yeah-action-yeah-hell-rock" gibberisch, the Crime Kaisers have release a masterpiece that will withstand the test of time. The CD features 5 bonus tracks as well as a Video. Included is their ÜBERHIT "Kaiserstyle". But why take my word for it..take a listen for yourself! enjoy the wild wild world of the Crime Kaisers!!!! The CD features unseen Photos as well as 5 bonus tracks.

[engl] Hot off the heels of their debut LP entitled "Sliding Through the Halls of Fate" on Don Giovanni Records, Crow Bait returns. The band is from New York featuring three guys that you probably know from past and current projects such as Sister Kisser, and Iron Chic. But if you're checking this out on the basis of those bands, expecting to hear another "Not Like This" or "Vipers" - two very good records – prepare to be left scratching your head. Crow Bait, while clearly looking forward, is also clearly trying to create something that resembles the music they grew up on - Goo Goo Dolls, Buffalo Tom, The Replacements, etc. And they do a damn good job. If you're like me, and you never change the dial when a good 90's alt-rock song comes on the radio, this record is right up your alley.

[engl] Cruelster are made up of members of Knowso, Perverts Again, and a plethora of other Ohio noiseniks. If it seems like you’ve seen that name before, it’s highly probable - they released a demo back in 2012 and have been sporadically dropping bundles of rough-edged sonic snot ever since, thanks to labels like Lumpy (whose own Dumpers are at the very least sonically adjacent) and Turbine Piss. This singles collection compiles all the non-album tracks they’ve released since that early demo to make a thrillingly ‘orrible racket. Twelve years’ worth of punk rottenness and general stupidity contained in 29 tracks and 40 noisy minutes. It is, of course, fucking brilliant. From the gleefully melodic dumbness (and Booji Boy-flavoured additions) of ‘My Embarrassment’ to the malevolent rumble of ‘Double Trouble’, not to mention a fabulously energised cover of Icona Pop’s dance-pop smash ‘I Love It’, every track here is a winner. It’s the perfect tonic for your rage and the perfect foil to a cruel world where everyone else’s disdain seems more pronounced than your own. You owe it to yourself to complete your record shelves with this instantly classic comp - it’s punk rock par excellence. And as for that ‘hating all music thing’... ah, who cares, this is all gold. Listen immediately, you’ll be causing chaos to its raucous brilliance before you know it.

[engl] More Echoes Of A Question Never Answered... Why? 12” is the posthumous release of Rosie Davis's solo project. On it the Nova Scotia artist poured all her soul into four very special songs, which were not fully completed by the time of her passing. The DIY recording is crude and rudimentary, and obviously influenced by the golden era of British anarcho punk but with nods to so many colourful elements. Mixing CRASS, FLUX OF PINK INDIANS, HONEY BANE and SAD LOVERS AND GIANTS to create a very personal drum machine fuelled punk record. With very personal lyrics giving the recording a layer of intimacy and creating a record clearly of its time. The sleeve artwork was designed by Rosie herself with a back cover pieced together with some artwork the family had. The record comes with an 8-page lyric booklet in a 300 press and the proceeds for its sale will be donated to Rosie’s family.

[engl] Gutternsipe and Cuntroaches are two collectives operating on the slimy, rotten edge of the world. After a European tour, both bands decided to go into studios in their respetive home towns - Berlin for Cuntroaches and Leeds for Guttersnipe - and document where they were. Across 4 tracks they individually map out the end of the world and the forging in fire and dirt of a new one. Cuntroaches have been festering in Germany's Baccalian capital Berlin for a few years now, blurring the lines between an evil, masticated version of black metal and breakneck-speed punk. It's dirty as hell, punishing and thrilling. Cuntroaches taketh life and then they give it back in forms you don't know. A 3-piece, the group detour the conventional rock muzik line up into a blurred, vile, masticated, squat-grown language. Drummer Claire Panthere's pogo-ready rendition of primitive BM power-drilling deep into the frontal lobe while the instrumentation provided by bassist David Hantelius'and Martina Schoene-Radunski is twisted beyond sane recognition. I Can Tell Your Scum feels like an Ildjarn cut played by early Flux Of Pink Indians, Schoene-Radunski's vocals obliterated by ever rising delay. Brutality decimated by a dub approach. Inside Me launches further out, faster and more aggressive, with a crunched bass borrowing like a massive parasite into the track. Cuntroaches' fucked approach to punk takes into the basest, most disgusting form of high art. Gutternsipe follow their debut My Mother The Vent for Upset The Rhythm with two tracks of blown out, deeply scary and alienating abstraction. It's a completely different approach sounding like Smegma or Hanatarash throwing rock instruments around a burning junkyard. It feels like freedom, wonderful, freedom. Tipula Confusa's approach to percussion is ecstatic, harnessing the approach of improvised music and No Wave into a Dadist abomonation. Urocerus Gigas is an octpodial Kraken, wretching and wrangling guitar forms and vocal screams from some unimaginable deep. You probably know the score with Guttersnipe, but on these tracks they go further. Poppyseed Pudendum feels like every Load Records release played simultaneously yet still manages to revel in space. A five minute blast that launches after incidental prelude, it's noise as ascension, as transmogrification. Return To The Cyanobacterial Slime is an 11 minute surrealist cut up played in real time by these undescribable entities. Way more spacious, here the group have been torn apart, broadcasting from a lonely place deep in enemy territory. Held hostage by aleatory percussion, Gigas's wordless pleas reach up, up before being confined to their own misery. When the duo break through into some fire music jamming, the freedom is complete. Will we ever want to go back?

[engl] UK born US based singer - songwriter, D L Burdon, is a veteran of the punk and indie scene of his native land and a well-seasoned travelling and studio musician. Having spent time occupying various roles in such outfits as Former Cell Mates, Leatherface, Anchor Bends and Hyde & Beast, 2019 sees Burdon release his second full length effort as a solo artist. ‘The wind and the runaway’ was recorded in various studios around North East England and features performances from some of the most renowned musicians from the North East of England including members of The Futureheads, and The Golden Virgins. Released on the 20th of September 2019 via Little Rocket Records, this album sees Burdon’s song writing mature into a more classic, timeless direction whilst his live shows still retain the spontaneity and excitement of his punk rock background. It’s a more down beat, low key and somewhat more restrained vibe than his previous efforts, recalling slow core bands such as American Music Club and Magnolia Electric Co. Multiple listens to Burdon’s work pay greater dividends than ever before, so set your expectations low and go to see him play live… you may be surprised.

[engl] this hardcore punk classic is 40 years old !  in 1981, vancouver based d.o.a. released a monumental album who would change the punk rock scene for ever. hardcore 81 is a key stone, considered to be one of the first north american hardcore albums !  includes 12 pages booklet with liner notes, flyers and pictures from the era of hardcore 81 !!!

[engl] Fronted by lead singer Joey Shithead, D.O.A. is one of the most important North American band from the very early days of punk ! They are often referred to as the founders of hardcore punk along with Black Flag, Dead Kennedys, Bad Brains, Angry Samoans... « Something Better Change » is their ground breaking debut album recorded between 1977 and 1980 in their hometown vancouver, canada. This is revolutionary and highly political! This limited 40 years anniversary vinyl repress includes a gorgeous poster and the bonus track "New Wave Sucks" from 2011 Sudden Death records repress! High quality vinyl repress housed in black inner sleeve, thick outer sleeve and including D.O.A. Band logo poster ! First orders get limited smokey red color vinyl !!

[engl] 40TH ANNIVERSARY LIMITED EDITION. Includes 12 page War On 45 booklet. Side A features the original 8 songs EP with classic D.O.A. album and side B offers 7 unreleased War On 45 studios demo featuring drummer Chuck Biscuit (later in bands like Black Flag, and Danzig

[engl] A punk rock-fuelled blast of sub two minute songs that leaves you pumped with adrenalin and wanting more. Daggermouth write catchy songs at breakneck speed – certainly a very good thing indeed.

[engl] When a hardcore band ventures beyond the 2-5 year lifespan typical of the genre they’re treading into largely uncharted territory, and as a result Dark Ages’ latest LP sounds like little in the canon of fast, 80s-inspired hardcore. Which isn’t to say that they’ve changed their approach; this is still fast, tight US hardcore inspired by the midwest classics, but after five years of woodshedding they’ve managed to excise anything that feels cliche, familiar, or obvious from these songs. Captured with an absolutely stunning, fully analogue recording, Vapor is that rare record that is at the same time visceral and cerebral, constantly surprising you while still making you want to mosh, circle pit, or whatever it is that you do. If you’re a huge fan of Articles of Faith’s Give Thanks LP or you wish that Die Kreuzen had recorded an LP that fused the energy of their first LP with the progressivism of October File, then let me introduce you to your new favorite record.