Katalog

Suchergebnisse

  • 01. Holly
    02. Pebbo
    03. Nebenstrassen
    04. Alice
    05. 1987
    06. Haverie
    07. Bruch
    08. Projekt Aufgabe
    09. Moleskin
    10. Reden Über Was
    11. Altar
    12. Ansichten
    cover

    KARIES

    Alice

    Mit jedem Album ein neuer Schritt, eine neue Landschaft. Absurd bunt das Cover, dabei klingt das dritte Album eher wie eine leere Stadt nach einem heftigen Regen. Die hohe Luft-Feuchtigkeit läßt die Strassen dampfen. Die artikulierte, düster-schwermütige Enge des Vorgänger-Albums ist scheinbar einer lichteren, entspannteren Haltung gewichen. Das zuvor schwarz-weiße innerhalb ihres Sounds mutiert im Namen druckvoll gespielter Post-Punk-Riffs zu einem bisweilen ins Euphorische übergehenden Attitüde, bei der der Bass nach vorne prescht und die Gitarre für atonale und hart geschrammelte Akzente sorgt und z.B. bei "Nebenstrassen" mit gnadenlosem Anschlag a la Peter & the test Tube Babies für viel Bewegung sorgt, kontrastiert von schroffen Abfällen in die sonische Sauna mit schwermütig verzerrten Intermezzo-Parts. Die Arrangements sind raffinierter aufgebaut, das Spiel mit Stimmungen wirkt abwechslungsreicher, es offenbaren sich verschiedene und neue Einblicke. Bei "Alice" perlen auch mal Synthies, bei "1987" setzen sie Beats aus der Dose und einen Stimmeffekt ein. Dabei ist die Wiederholung nach wie vor ein auffälliges Stilmittel beim Gesang. Das sich steigernde Skandieren von zumeist nur wenigen Sätzen und Worten ist nach wie vor bei vielen Songs unverkennbares Qualitätsmerkmal von Karies, die Dynamik in jeder Hinsicht groß schreiben. Das Spiel mit den Worten bewegt sich im schwäbischen Rübenfeld entlang eines krautrockigen Dadaismus, der neben den dräuenden Postpunkgitarren auch bisweilen mal von augenzwinkernder Epik begleitet wird, aber durchaus auch nach wie vor Klaustrophobie neigen kann. Ein von Max Rieger (Die Nerven) produziertes, großes deutschsprachiges Album, das trotz erhöhter Zuversicht mit seiner eindeutigen Zweideutigkeit gekonnt falsche Fährten legt.
    Format
    LP
    Release-Datum
    01.10.2018
     
  • 01. Es Ist Ein Fest
    02. A
    03. Jugend
    04. Keine Zeit Fu?r Za?rtlichkeit
    05. Mu?hlen
    06. Ostalb
    07. U?berlegen
    08. Frage & Antwort
    09. Es Geht Sich Aus
    10. Pervers
    11. Einheiten
    cover

    KARIES

    Es geht sich aus

    Mit einem von den Nerven.
    Format
    LP
    Release-Datum
    01.03.2016
     
  • cover

    KILLER / JAPANISCHE KAMPFHÖRSPIELE

    Split

    Nach der KILLERLADY Single, nun der zweite Streich, diesmal als Split mit je einem exklusiven Stück des anderen Solo-Projektes von EA80 Sänger Junge mit der Grind-Death-Punk Kult-Band JAPANISCHE KAMPFHÖRSPIELE! Hier lässt der KILLER mit "Dis-something" DISCHARGE mit dem Jazz-Besen exotherm reagieren. Distorted and pissed in weniger als zwei Minuten. JAKA zelebrieren auf ihrer Seite mit "Die Zombies Kommen" nichts Geringeres als das erste sozialkritische Grindmusical. Oder die Dekonstruktion des Metalmarktes? Über fünf Minuten. Da stimmt aber auch alles. Limitierte Auflage von 480 Exemplaren im 4farbigen Karton-Faltcover, beidseitig bedruckt. Jeweils 240 Exexmplare mit der glatten KILLER-Seite aussen, bzw. mit der rauhen JAKA-Seite aussen. Dazu eine schwarze Banderole mit schwarzem Aufdruck, 4farbigen Label-Etiketten, inklusive Inlet, sowie ein Siebdruckkarton/Siebdruckaufkleber.
    Format
    7''
    Release-Datum
    17.12.2012
     
  • cover

    KILLERLADY

    s/t

    Solo- Album von EA80 Mastermind Martin Kircher. 11 Tracks minimal Electronic, Noise- Pop, Art-Rock and Avantgarde Non-Music. Die Songs, die nur mit Stimme, Gitarre und Keyboards instrumentiert sind (die meisten, bei nur wenigen gibt´s ein Drumcomputer dazu) haben was sakrales und hypnotisches, und mit Martins´ Stimme (er singt übrigens nur englisch und meist verzerrt) dann direkt etwas unheimliches. Sehr geil, das können auch OM nicht besser. Es gibt auch 1-2 richtige schräge Nummern, die ziemlich auf´s Gemüt gehen. Melt Banana meets mit Billy & the Willis. Limitiert auf 300 copies im Stanzcover mit Farbfoto auf dem Backcover und Foto-Beiblatt. Die Aufnahmen entstanden übrigens zwischen 2003 und 2013 in Martins´ "private hell" (O-Tom).
    Format
    LP
    Release-Datum
    17.12.2012
     
  • 01. Echo
    02. Wut
    03. Kleines Plädoyer
    04. Nicht Von Gestern
    05. Nie Mehr
    06. Tempo
    07. Xanten
    08. Augen Zu & Furcht
    09. Kasino
    cover

    KOSMONOVSKI

    S/T

    Man erlebt nicht aller Tage ein Musikkollektiv, welches absolut keinen Hehl daraus macht, dass seelische und körperliche Störungen die Mitglieder zusammengeführt und -geschweißt haben. Was die neun Jungs hier zaubern, ist gleichermaßen treibend wie knackig und dabei stets angenehm schrullig. Irgendwie ist das Indie, irgendwo Pop, irgendwas daran Punk und bei all dem immer absolut straight. Im Zusammenspiel mit Holgers cleveren deutschen Texten wird man jedenfalls das Gefühl nicht los, dass man in Kosmonmoskis´ Heimatstadt Rheine das Trinkwasser mittlerweile ehrfürchtig mit gestrecktem Muff Potter Schnaps versetzt hat.
    Format
    LP
    Release-Datum
    11.05.2017
     
  • KURT

    La guard

    [engl] KURT are back, and they're better than ever! Their 3rd full album was exceeding the highest of our expectations! This LP finally captures their sound at its full potential: Razor-sharp guitars, a thundering bass and full-on driving drums, all totally tight and compact, and at the same time clear and crisp! All of the reations we ever got on this record, were exclusively like "Wow! Great! Amazing!" - So you can be sure that this is a record you don't want to miss out!
    Format
    LP
    Release-Datum
    19.12.2003
     
  • cover

    KURT

    RMXD

    [engl] A new 12inch-EP by KURT, featuring one or two new originals of theirs, plus various remixes (of other/older songs!). No final decisions are made yet about the quantity of songs on this vinyl-only release - but rest assured it is gonna be a killer-release that can be filed under Hardcore/Noise-Rock as well as Dance-Punk then!!!
    Format
    12''
    Release-Datum
    19.12.2006
     
  • 01. Intro
    02. Renegade
    03. 3-Way Switch
    04. If They Catch Your Hand,Say It Isn't Yours
    05. Don't Talk With Them,They Don't Drink Before Noon
    06. Please Stop Drinking Or Learn How To Dance
    07. The Ebbs And Flows
    08. Nothing Good Happens After 2AM
    cover

    LAZY JACK AND THE SPINNING JENNY

    Tender Romance

    Format
    LP
    Release-Datum
    20.10.2018
     
  • 01. Granola
    02. No Education
    03. Sin Gobierno
    04. Radical
    05. Wake Up
    06. Compa
    07. Force
    08. Balas como autos
    09. Sin Medios
    10. Paraiso
    cover

    LUMEN LAB

    They Are Killing Us

    [engl] Lumen lab is a project created by Diego Martínez in 2000. When he was fifteen, he surprised the electronic scene in Mexico (reserved then only to genres associated with dance music or late rave culture) with drum machines, secondhand synths and any device with which he could use to generate rhythmic noise and distortion. After two years of live performances linked to a post-industrial sound, Diego began to merge other influences such as glitch, the late nineties IDM and sounds associated to hip-hop and punk music. In 2004 the « enfant terrible of mexican electronic music » released his first album « Comiendo algodón en la pista de baile » (Eating cotton candy on the dance floor), published by the record label Abolipop in the boom of leftist electronic music in Mexico. It became one of the most important titles to strengthen a new scene more closely linked with experimentation. « They Are Killing Us » has several collaborations, including his brother Israel Martinez, a recognized sound and interdisciplinary artist. Both co-direct Abolipop and the digital publishing platform Suplex. For vocals, Chanocollaborates. He was the voice of important bands of the crust and grindcore scene of Mexico in the nineties and the new millennium as Hydrophobia and Emphysema, besides collaborating with anarcho-punk bands like Fallas del Sistema. « They Are Killing Us » is a convulsive and powerful work, the result of fifteen years of experimentation as Lumen laband a social context that demands nothing less than a great energy and anger to get ahead, to preserve life, because they are killing us.
    Format
    LP
    Release-Datum
    11.03.2016
    EAN
    EAN 689407953951
    Format
    CD
    Release-Datum
    11.03.2016
    EAN
    EAN 814867020817
     
  • 01. Masses
    02. Above The Law Underneath
    03. Your Policy
    04. Papier Mit Einem Stempel
    05. Kill The World
    06. Pompously
    07. The Earh With No Anthem
    08. Ku Swietlanej
    cover

    MADE IN POLAND

    Kult

    [engl] Made In Poland is one of Polands oldest cold wave bands. Formed in mid 80’s and back together again with the new force.
    Format
    LP + CD
    Release-Datum
    20.10.2018
     
  • 01. Piece
    02. Gross White
    03. Dye Out
    04. The Corporate Idendity
    05. Earth 2
    06. Minimal
    07. Gothic Fiction
    08. Kind
    cover

    MELT DOWNER

    III

    Melt Downers allumfassende Noise-Rock-Hyperbel ist angemessen, wenn man bedenkt, wie man mit den unzähligen Ungerechtigkeiten des heutigen Lebens umzugehen hat. Nach den beiden selbstproduzierten Alben LP Nummer 1 (s/t) und LP Nummer 2 (Alter the stunt) fordert LP Nummer 3 eine kontinuierliche Gegenwart, ein radikales Zuhören: Ein heftig eruptiver Sound + eine düster-komische Sichtweise in den Lyrics auf den kapitalistischen Lebensstil (The Corporate Identity) alias die Verlustangst des Patriarchats (Dye Out), und, wenn wir schon dabei sind, da die Welt wieder einmal den Bach hinuntergeht, schwimmen MD weiter gegen den Strom - den Mainstream, den Malestream (Gross White). Melt Downer rippen sich durch 8 Songs, klingen dabei kompromisslos wild und drängen ihre 3 Instrumente weit hinaus, auf einen herzergreifenden Trip zurück zum 80er-Punk, aber mit einem konstanten, wenn auch abrupten Schlag gegen den Hinterkopf, der Vergangenes loszulassen vermag. limitiert auf 300 Stück
    Format
    LP lim
    Release-Datum
    22.02.2021
     
  • cover

    MELVINS

    Stoner Witch

    Format
    DoLP
    Release-Datum
    ---
     
  • 01. Awakening
    02. A.M in the P.M
    03. Elephant Swing
    04. The boy, the wolf, and the Hill
    05. Howls (Interlude)
    06. Senses
    07. Real Slow
    08. The Giver
    cover

    MIND MONOGRAM

    AM in the PM

    [engl] Los Angeles based band Mind Monogram started out in 2014 as the passion project of vocalist/guitarist Edgar A. Ruiz, who wrote/recorded and self-released the band’s debut E.P. “Moments in Time”. Ruiz’s project has now come into fruition as a full band with the addition of members Christian Caro (guitar), Bryan Mejia (drums) and Billy Azurdia (bass) & have since then fleshed out a follow up E.P. this past April titled Maus. Mind Monogram now returns with their Debut LP “AM in the PM” for Aagoo Records. The Mind Monogram sound is fragile, reverb soaked psych-pop. It’s super honest, raw and sweet, it swings and has energy, it seduces... The songs are about; ‘LIFE', life in this moment now, life in the 'A.M. life in the P.M’. They almost sound a bit vintage psychedelic garage, with a serious late night, wind-down vibe. The LP was recorded in early 2015 with the help of Ruiz’s friends and ex-bandmates Richard Delgado (bass) and Julian K. Withfield (drums). Dust the cobwebs from your mind and turn up AM In The PM.
    Format
    CD
    Release-Datum
    27.09.2016
    EAN
    EAN 675595662638
     
  • 01. Realm Of Refuge
    02. Saccades And Fixations
    03. Paris
    04. Wild Horses
    05. Doll's Eyes
    06. Letters Of Pliny
    cover

    MOE

    Examination of the Eye of a Horse

    [engl] On the new album, MoE challenges their established band sound and bring themselves to uncharted territory. The production reveals new sides that embraces the duality in their music, resulting in their most dynamic and courageous album so far. Whereas their last album reflected their Mexican influence, this album is another geographical tribute. Over the last years the Japanese music scene have made a profound impact on the band, and have brought them to close relations with numerous independent bands and musicians that continues to influence MoEs music. Their previous releases have focused on a live energy, “Examination of the Eye of a Horse” puts the band into a more elaborate production. The collaboration with producer and mixer Jørgen Træen (Jaga Jazzist/Sondre Lerche/Susanne Sundfør) brings new and unheard elements to the music and the genre. In many ways Træen turns “Examination of the Eye of a Horse” into MoE’s pop album, altering the dogmatic punk sound, in favour for a cleaner and transparent sound. Letting the compositions blossom and leaving considerably more space to the voice, whispering in the listener's ears. Adding a whole new dimension to the music. Extensive touring outside the usual paths has become a trademark, putting MoE on the map as one of the most adventurous DIY bands in Europe. China, Japan, Vietnam, Mexico, Thailand, Malaysia, Australia, and countless other countries have all witnessed and embraced MoE's presence. “Examination of the Eye of a Horse” is the beginning of the continuation.
    Format
    LP
    Release-Datum
    02.11.2016
    EAN
    EAN 190394797164
     
  • 01. On Focus
    02. Haze
    03. Cola Hunker
    04. Bite II
    05. Furrow
    06. Bite
    07. Milk
    08. Perl
    09. This Blur
    cover

    Muscle Tomcat Machine

    Furrow

    fredl von bulbul + david von reflector
    Format
    LP
    Release-Datum
    08.05.2017
     
  • 01. Saignant
    02. Electric War
    03. Weird And Wasted Connection
    04. The Virologist
    05. I Got A Lot
    cover

    OSEES

    Metamorphosed

    [engl] It seems that every time you turn around, there’s another Oh Sees slab. Long ago we lost all capacity to be surprised that this sturdy unit keeps putting out records and that they’re really good. You can now add the Metamorphosed 12” to your ever deeper shelf sagging row of John Dwyer & Co.’s seemingly no sleep release schedule. The five tracks were taken from the sessions that formed 2019’s Face Stabber album, a 17 track/80+ minute jammified four-sider. Metamorphosed would have been the perfect third LP to fit in with the other two. The very existence of Metamorphosed asks any number of questions. Speculation is for pundits and amateurs. Let’s go to John Dwyer and see if he’ll kick loose some information. As to the Metamorphosed coming out so long after Face Stabber: This is just how the release landed. We are trying to stagger the releases a bit this year and we have a salvo coming down the pipe, so that’s how the cookie crumbled. Metamorphosed would’ve been out sooner but with the virus restrictions, shipping of LPs has obviously slowed down and so has manufacturing, so here we are. It’s worthwhile to note the Face Stabber sessions also resulted in The 12” Synth, a two track deal released in November of 2019. So, what was happening in the studio that rendered almost three hours of finished music? Just the usual run with ideas. Usually this takes place at the end of the planned recording. We have extra time and tape to lay down some deep cuts and long jams, etc., the fun part, really. It’s a test to keep up with Dwyer and his extraordinarily able bandmates. It seems like there’s always something on the way to the pressing plant. When and how did Metamorphosed come together? Basically, I found myself with a 12"'s worth of material in the new year and things were starting to grind to a halt, so it was the perfect time to sew it all up. People need some tunes right now and I think the artist's community is making a good run of it. So much great shit is seeing light right now. John and Matt Jones run the Castle Face label with full autonomy, so it would make sense that Metamorphosed, like The 12” Synth, would have been a CF release. Yet, it’s on the very cool Rock Is Hell Records label, which has put out some great Dwyer related jams in the past. The OCS Live In San Francisco album was not only great musically but all the vinyl and sleeve variants made the collectors break out in a fan sweat they’re probably still recovering from. Being able to do all this yourself, it’s obviously cool to still work with Jochen and Rock Is Hell. Yes. I’ve worked with Jochen a few times over the past decade or more (so he is grandfathered in. :) It’s pretty rare these days that I work outside my own label but his stuff is so well done and usually its own work of art. Last question. The fan cannot resist! At any time, were you thinking of making Face Stabber a 3LP set? Hell no. But now maybe I am. Metamorphosed isn’t just some barrel scrape for those who can’t get enough. All of the five tracks stand up to anything on Face Stabber. The record’s 23+ minute I Got A Lot is one of the coolest songs the band has ever done. As it is with a full on Rock Is Hell roll out, there’s a lot of details. Metamorphosed is no exception. This is what the release schedule looks like: In October, there will be a silkscreened cover limited to 300 copies with four sleeve variants. A larger press run will follow in January with four or five color variants. Whew! Something to look forward to! Henry Rollins clear w/ blue & green splatter exclusiv distributed by Sounds Of Subterrania, Ger
    Format
    LP
    Release-Datum
    22.01.2021
    EAN
    EAN 4260016924677
    Format
    LP clear
    Release-Datum
    22.01.2021
    EAN
    EAN 4260016924677
    Format
    LP yellow
    Release-Datum
    22.01.2021
    EAN
    EAN 4260016924677
     
  • 01. Pronounce Tarot
    02. Fabulous Dates
    03. I Feel Good
    04. See Tangerine
    05. Ferns Are Fine Forever
    06. On a Vanity
    07. Jar of Marbles
    08. Quartz on the Table
    09. No Part of it
    cover

    OTHER HOUSES

    Fabulous Dates

    [engl] Fabulous Dates is the second full-length from Other Houses, aka Morgan Enos of Hollow Sunshine and Hheaven. Affectionately referred to by its creator as "my punk album", Dates is a hurled cherry bomb of glorious songwriting. Both extremes of Other Houses' mid-fi sound are taken deeper and further, with baroque harpsichords and strings a la "Sgt. Pepper's" and "Smile" careening headlong into jagged noise. It's a beautiful mess, one which betrays the young, prolific Enos as a student of rock and roll and a songwriting force to be reckoned with.
    Format
    LP
    Release-Datum
    18.11.2016
    EAN
    EAN 689407953975
     
  • 01. There’s Nothing Like You
    02. Pretty Perfect
    03. The Secret of Happiness
    04. Terrible Luck
    05. Drift to Death
    06. Men of the Women
    07. The Revenge of Teeth
    08. The Shape of your Face in Space
    09. This Storm will Last
    10. The Fatigue of Passing the Night

    PETER KERNEL

    The Size of the Night

    [engl] What is the size of the night? How can we measure the night? The night is a very personal moment. It can be majestic; spent indulged in love and joy or terribly frightening; filled with nightmares and fear. The size of this moment is hidden in the details that shake our bodies and keep our hearts beating. In this album we took off the darkest and most mysterious part of our persons and transformed it into songs. We don't have instructions to not make mistakes or not hurt people around us or to love in the most proper manner. We just live. We do good and bad. Sometimes we learn but often we don’t, and simply go ahead doing mistakes. We're complex. We can act stupid and feel lost inside. We can miss each other yet not talk to each other when we're together. This album express this new consciousness we found ourselves exploring throughout these past months. There are some very serious songs and others seem surreal, but each one of these creations form The Size Of The Night in it's greatness and in its darkness. Through this album we’re trying to accept that we can be very sensitive people and at the same time we can be asshole. And that it’s alright.
    Format
    LP
    Release-Datum
    06.05.2018
    EAN
    EAN 5425016133507
    Format
    CD
    Release-Datum
    06.05.2018
    EAN
    EAN 5425016133514
     
  • 01. Pomp And Circumstance
    02. You Can Call Me Shiny
    03. Escape From Now
    04. Mowing Machine
    05. The Stink Of Her Eyes (A)
    06. Icky Mouth
    07. Hey, Brother
    08. Pumpy Circumstance
    09. How Much Many More
    10. The Stink Of Her Eyes (B)
    11. Forgivement
    12. 15 Little Arguments
    13. Trust Force
    14. Come, Come
    cover

    QUI

    Snuh

    [engl] Qui is back with another installment of their own brand of avant-rock weirdness. Having spent the last four years in an almost constant state of transcontinental delirium, they have pounded the pavement extensively throughout the US, Europe and beyond. After eighteen years of crazy shows, long tours, hot shit collaborators, and exceptionally ambitious music, the Los Angeles duo of Paul Christensen and Matt Cronk shows no sign of slowing down. Qui’s latest LP, Snuh, extrapolates on their genre-bending brand of avant-garde rock. Working again with long time producer Toshi Kasai, the duo has integrated more shades of unlikely forms and timbres along with their always-present penchant for abrasive noise punk. Snuh is at once both playful and belligerent, switching abruptly from heavy to soft, screaming to crooning, sweet to hostile. The record also features cameo performances from Justin Pearson (The Locust, Retox, Head Wound City, Dead Cross), Trevor Dunn (Mr. Bungle, Fantomas, Melvins, John Zorn) Dale Crover (Melvins) and Adam Harding (Dumb Numbers).
    Format
    LP + CD
    Release-Datum
    02.08.2018
     
  • 01. Woss Hozz
    02. Die Träne
    03. Shabby Metal Radio Rap
    04. Tennis
    05. Fang Mein Gesicht
    06. Blusn
    07. Centgödbabe
    08. Tee Für Die Feuerwehr
    09. Im Wald
    10. Am Schüttel
    cover

    Raumschiff Engelmayr

    Am Schüttel

    soloalbum vom bulbul frontmann
    Format
    LP
    Release-Datum
    22.01.2018
     
  • 01. Drone War
    02. Exterminate Adult Thinking featuring XVC
    03. Boiys featuring XVC
    cover

    ROOM 101

    Vox Humana

    [engl] This is ONE MAN recording and playing everything on this three song EP – and it's no less than a FUCKING POWERHOUSE! No hackneyed cliche of Hardcore, like most of contemporary bands do! You'll get a thrilling mixture instead: Thrashing hardcore like with "Exterminate Adult Thinking", a both raging and catchy song like "Drone Wars", and last not least the odd funky Post-Punk song "Boiys" on the B-side. Like the debut EP of ROOM 101, this is a jam-packed and challenging record! Reminding of the best aspects of 80s Hardcore bands like BIG BOYS or REAGAN YOUTH, a great voice in the vein of Sam McPheeters or the young Keith Morris, but it's also slowed down and irritating (with the Wurlitzer organ or womans yelling in "Boiys")... Expect the unexpected. Comes in proper heavy cardboard-cover, with lyric-sheet, mini-poster and download-code included. Artwork by the infamous Winston Smith, the man who designed most of the DEAD KENNEDYS covers and invented the DK-logo.
    Format
    7''
    Release-Datum
    31.01.2015
     
  • 01.MIÅD
    02.EÅD
    03.FÄÅL
    04.HÄS
    05.GLUÅD
    06.HAIÅ
    07.LOIS
    08.OMUÅS
    09.NAWÄTS
    10.ZEMÅ
    cover

    SCHNITT

    ØMUÅS

    Das Duo SCHNITT verdichtet improvisatorischen Noise-Postpunk mit Bläserfragmenten auf seiner ersten LP ØMUÅS (Kollaps Records) zu einer Loop /Sample-Wand um sie gleich wieder einzureißen. Markus Christ liefert mit Trompete E-Gitarre und Noise-Instrumentarium den musikalischen Grundstock den Moritz Illner live mit seiner Maschine direkt auf Schallplatte schneidet. Soundfetzen und Loops fließen umgehend in die Musik zurück. So entsteht eine spannungsreiche Platte die zwischen Noise, Postrock , Jazz und Minimal-Music changiert. Die B-Seite ist mit Endlos-Loops bespielt, die jeweils ein Thema der A Seite aufgreifen.
    Format
    LP lim
    Release-Datum
    ---
     
  • 1. Staying Current
    2. All True At The Same Time
    3. It Isn’t Very Clear Is It
    4. Brittany Murphy in 8 Mile
    cover

    SELF DEFENSE FAMILY

    Colicky

    [engl] Colicky is the new 12” Mini-LP by acclaimed indie band Self Defense Family. A dark, roiling post-punk gem recorded during a time of personal turmoil, Colicky is the group’s jagged, unflinching look at the disintegration of love and intimacy. The result is a tight and eclectic mini-LP that ranges from cerebrali- ty and coolness to measured chaos. The LP’s instrumentation channels dark postpunk influences and tones, while singer Patrick Kindlon opts for a melodic, dispassionate vocal approach: think Turn On The Bright Lights-era Interpol mixed with Lungfish. Colicky was recorded with Taylor Young at The Pit (NAILS, Twitching Tongues).
    Format
    LP
    Release-Datum
    27.09.2016
    EAN
    EAN 616892375944
     
  • 01. Denim Do's And Don'ts
    02. TJC 16
    03. TJC 13
    04. TJC 17
    05. TJC 7
    06. TJC 19
    07. Jump On The Feeder
    08. TJC 15
    cover

    Shit And Shine

    Chakin'

    siebdruck cover / gatefold cover
    Format
    DoLP
    Release-Datum
    24.07.2015