[engl] Heavy psych insanity from 1989, featuring MONSTER MAGNET founding members John McBain, Dave Wyndorf and Tim Cronin plus Shaune Kelley (Ripping Corpse) and Joe Paone (hellSausage). Long tracks with raw & in your face lo-fi sound, wall of fuzz-wah guitars, caveman drums, echo-laden treated vocals… As John McBain said: “We sounded like Amon Düül with Uli Jon Roth sitting in”. Originally released as a private cassette on Tim Cronin’s Cool Beans “label”, here’s the first ever “real” release. Insert with liner notes by Plastic Crimewave. Unearthed by Steve Krakow aka Plastic Crimewave, the Acid Reich cassette is a cool testimony of the origins of Monster Magnet and the Cool Beans label, a vehicle for McBain, Cronin and Wyndorf to experiment with homemade four-track cassette recordings, influenced by their love for 60s garage / freakbeat sounds and 70s space / hard-rock. Using a couple of four-track cassette recorders plus an array of vintage Orange & Ampeg amps, fuzz and echoplex pedals, Danelectro guitars, etc, many fake bands and side projects were created, some of them recorded between rehearsals of their “main band”, Dog of Mystery (pre-Monster Magnet). Acid Reich was born when they decided to record something “very heavy, weird and raw”. They recruited a couple of friends, Shaune Kelley (a top guitar player who was also a member of death/trash metal band Ripping Corpse) and drummer Joe Paone (of experimental / noise solo project hellSausage). The result was “Mistress Of The Perpetual Harvest”, a cassette comprised of four long tracks (including a freaked out cover of Pink Floyd’s “Set The Controls From The Heart Of The Sun”). Limited to 300 copies on black vinyl.

[engl] Powerful hard–rock with West Coast, psychedelic, prog and latin–rock touches from Spain, 1971, featuring killer lead guitar and organ, sung in English. The missing link between Los Brincos and Barrabas! Alacran was a Spanish power–trio formed by legendary drummer, songwriter & producer FERNANDO ARBEX along with guitar/keyboard player OSCAR LASPRILLA and bass player/singer IGNACIO ’IÑAKI’ EGAÑA. Fernando and Oscar had previously played in famous Spanish beat band Los Brincos: Fernando was a founding member and Oscar, who came from Colombia – where he had been part of Los Speakers – was recruited for their final line–up, recording with them the psych masterpiece "Mundo, Demonio y Carne". Iñaki Egaña was an acclaimed bass player who came from psych/blues band Los Buenos. So, basically we’re talking about three of the best musicians from the Spanish 60s–70s scene. When they started to play together, chemistry occurred and soon, guided by Fernando, they entered the studio to lay down some tracks. "Alacran" was the result, the only album by this short–lived power–trio, recorded in 1969 but not released until 1971 (as a self–released edition, distributed by the Zafiro label). It was released in Spain and Brazil but despite the good reviews and interest from some record labels in the US, the band never got to play live and soon they split. Alacran was over but Barrabas, featuring Fernando and Iñaki, was born...

[engl] Originally released 1978 on Pennine Records, two catalogue numbers before they issued the famouse "Rosemary Lane" album by Tickwinda! Even European music might have quite an exotic feeling and Latvian ethno rockers ALVA are the living proof. Based in England at the time they released their sole album “Ja tik butu” they fell straight into the folk rock genre with their cross of melancholic, even slightly psychedelic rock and colorful, mystifying Baltic folk and all of this in the middle of the UK punk explosion. So you will certainly be aware of the raw edge the rock part of their music bears. But this is just the fundament of the songs on which anthem like haunting melodies grow to entwine around your mind like ivy. The result is mind expanding and you can be sure that this is something you will hardly have experienced before in such a radical form. Folk, melancholic rock and laid back punk rock melted into one enchanting sound with the Eastern, the Baltic folk being holding the biggest share in the overall picture. The punk feeling on the other hand is the result of a rather energetic playing while all musicians are as skilled as a band should be. ALVA leave the sloppy performance always associated with punk rock to others. They even reach a post punkish area with the strange, yet also anthem like and humorous “Vilcenu dziesma”, sixth track on this colorful album. ALVA could have inspired fans from 1960s garage rock to haunting Eastern European gypsy folk to more sophisticated punk rock and become a major force in the rock world if the business was just a little bit more fair. This album is like a trip in spirit through an idyllic landscape most of the time but there is always a feeling of uproar backing up the flaming melodies. Listen with a free mind and you will be dragged into a world of sheer beauty and joy.

[engl] PLUS BONUS TRACK! Back in 1972 German progressive rock band ANALOGY released its sole classic “Analogy” and even scored a deal for Italy but soon seemed to have faded into obscurity. Nobody really was aware of a recording named “The suite” that happened around 1980 and presents the folky side of ANALOGY who seemed at least quite creative for a time when electronic pop took over the whole music scene from disco sounds and poisoned the minds of musicians and fans even more. ANALOGY went into the opposite direction and reached out for musical realms that have been visited by legendary English acts like TREES, FAIRPORT CONVENTION or STEELEYE SPAN a decade or longer ago. Dramatic and powerful rock with a progressive edge meets mystical and magical British folk in a way that you might think this is rather an English or Irish original band from 1972 than a bunch of Germans about to cross the threshold to the 80s when music went plastic. This is handmade and the musicians play with a simmering passion. Two epic compositions were originally part of “The suite” but for this mighty reissue a bunch of bonus tracks has been unearthed from the vaults to add even more value to this gem. You will automatically be dragged into a world like a fairytale when you turn on this record even though it all just happens in your imagination. Several passages have a theatrical approach and feel like music from a stageplay and movie like “The Rocky Horror Picture Show” or records good old MEAT LOAF has recorded in the late 70s but those aspects are only tinges of color in an overwhelming sound picture drawn by a truly progressive band. For everybody who loves the heavier HORSLIPS and epic stuff like OMEGA with their “Suite” from 1974. This album develops passage for passage and makes this journey into your dreams a worthwhile trip.

[engl] Ángeles De Opio was an underground heavy–psych power trio featuring JC Sisto (Mater Dronic, Shakti’s Delirium) and Sergio and Adrián Ceballos (RIP KC). Two long tracks of extreme acid–fuzz–wah guitar jamming, recorded in 2005 but not released until now. RIYL: Human Instinct, High Rise and LOUD IN YOUR FACE HEAVY PSYCHEDELIC ROCK

[engl] Recorded completely in secret, one track at a time at Guitar Center, Apprentice Destroyer’s debut Glass Ceiling Universe transcends its immediately intriguing concept to highlight a hyperactive and omnivorous talent within. These are wide ranging, kaleidoscopic instrumental compositions, veering from disorientingly complex to achingly and delicately beautiful, but always with a metallic, misanthropic edge, as if these are computers playing to each other across the Guitar Center sales floor, laughing at the puny humans attempting to create harmonics in air as they can do so perfectly in the vacuum of binary. It’s lifestyle music for all you cyborg assassins out there. Colored vinyl edition is Titanium White and comes in a special limited edition metallic jacket.

[engl] Originally released in 1979

[engl] Argus were an obscure British outfit with connections to Rare Amber and Julian’s Treatment. Their sound was hard–hitting bluesy hard–rock, similar to Hackensack or Killing Floor. In 1973, they recorded a five–track demo with the intention of securing a record deal which sadly never arrived. It is included here along with a few live tracks from post–Argus underground psych–prog outfit Anaconda. First time on vinyl.

[engl] "Truth" is the new album by this incredible heavy–psych duo from Portugal, famous for their storming live shows at famous festivals like Reverence Valada and Barreiro Rocks and for supporting big neo–psych names like The Cosmic Dead, Pink Mountaintops and Endless Boogie. You won’t believe how just two guys can create such a brutal sound. Echoes of Blue Cheer, Hawkwind, Tractor, Black Sabbath, Iron Butterfly and Pink Fairies spiced with doses of Kraut, Doom, Drone and Space–Rock.

[engl] Originally released in 1974

[engl] The Bayan Mongol Variety Group existed from the early '70s to the late '80s. After the collapse of the USSR, the ensemble began to experience serious difficulties with funding and booking concerts, and finally disintegrated, after which the participants lost contact with each other. Fortunately, thanks to efforts from the fans, some old contacts were reestablished, key records and sound sources were dug up, and now this historical record is released again. File under funk, jazz rock, prog rock, or psychedelic rock. Reissued in cooperation with the band.

[engl] Famous for their matching, colourful suits and always–happy smiles, Beyaz Kelebekler (White Butterflies) were a mixed–gender Turkish band very popular during the ’70s. They released one album plus numerous 45s in Turkey and other countries like Holland and Italy. In 1976 during the last day of their European Tour, just after one gig in Cologne, Beyaz Kelebekler visited a studio of a friend which was still in construction. They decided to record a few songs, just for fun and for testing the new studio equipment. It was a very basic, one take recording, using an 8–channel mixer, a few mics and a reel–to reel tape machine. The result was an amazing example of Anatolian psych–funk, featuring wah–fuzz guitar, flute, heavy drums, joyous male / female vocals... Unreleased until now, we present the first ever release of these surprising recordings, rescued from the only surviving cassette tape. Colour insert with photos.

[engl] Limited soundtrack 45 of music and dialog from the 1974 Ozploitation biker-psych cult classic. Including exclusive unreleased tracks not available on forthcoming LP and CD. Meet Stone. The trailer says it all. A deep Australian drawl narrates the scene over a psychedelic swamp-funk rhythm section doused in electronic percussion and treated keyboards. "Stone Is A Trip... The grave diggers are on the move - a new breed of motorbike gang" The screen fills with images of slo-mo bike accidents, hallucigenic trips and a death defying cliff stunt which could easily mistaken for a doppelganger scene in Psychomania. "Vietnam veterans with their own style of life, their own rules, their own religion." The scene swathes to a satanic ritualistic burial at the hands of a denim-clad crew of outlaw bikers with strangely familiar faces. To many global record collectors, DJ's, music producers and general retrophiles living outside of Australia "Stone" was primarily known for its electronic sound effects, psychedelic guitars, cosmic sound scapes and funky basslines... In 80's and 90's, before the global DVD boom, Stone to many people was first and foremost a Soundtrack... The kind of soundtrack that makes you wish you could see the film but it’ll probably never happen. Limited edition 45 to accompany the full soundtrack release available now!

[engl] Psychedelic hard-rock / heavy blues with loud fuzz-wah guitar and powerful drumming by this power-trio from Arizona, originally released in 1969. Bliss was born from the ashes of garage band The Sect. Legendary radio DJ and producer Hadley “Who Loves You Madley” (the first black disc jockey from Arizona) took them under his wing and produced some recordings. By the end of 1968, the five members of The Sect graduated and decided to break up. Soon, they reformed as a trio with Martin (bass), Reed (guitar) and Aldred (drums). Reed came up with a new name, BLISS, which not only reflected his spiritual interest but it was also more in vein with the new psychedelic sounds of artists like Cream, Blue Cheer or Hendrix. Under Murrell’s guidance, the trio recorded a full album, released on L.A.-based Canyon Records in 1969. Canyon, home to artists like Doris Duke or Swamp Dogg, was a label more focused on R&B, soul and funk than psychedelia so, not surprisingly, the album slipped through the cracks. It wasn’t until a couple of decades later that Bliss was re-discovered by psych collectors, who were attracted to the album’s heavy & bluesy psychedelic sound, highlighted by Reed's hard fuzz-wah guitar and Aldred's powerful drumming. The album offers a mix of great self-penned tracks (including two by Murrell) such as “Visions”, “Ride The Ship Of Fools” and “Cry Of Love” – which bears a striking resemblance to The Zombies “Time Of The Season”! – plus a few covers (Joe Tex, B.B. King, Johnny Guitar Watson…) The origins of Jason Crest are in beat band The Good Thing Brigade. Originally from Kent, they made quite a stir in the London club circuit, supporting established groups like The Who and The Moody Blues. No wonder they caught the eye of en vogue producer Fritz Fryer (Open Mind, etc) who got them a contract with Philips, changing their name to Jason Crest after one of their songs, "’The Collected Works of Justin Crest". Between 1968 and 1969, the band released five singles and left behind a bunch of unissued demo recordings / acetates. Jason Crest’s music run the gamut from brilliant psych–pop full of wah–wah organ to Mellotron / phasing fuelled introspective numbers and even heavy acid–psych / proto–metal on the freaky "Black Mass". Sadly, due to lack of success and problems with the label and between the band members, the band split after releasing their last 45 in 1969. Vocalist Terry Clark joined hard–rock band Orang–Utan, whilst the remaining members formed High Broom (featuring ex–Mike Stuart Span / Leviathan guitarist Brian Bennett). In 1971, Clark, along with fellow Jason Crest members Derek Smallcombe and Roger Siggery, formed Holy Mackerel.

[engl] Formed in 1964 in Santiago, playing beat and cover versions, Blops developed over the following years a unique sound, mixing folk, rock, psychedelia and Chilean folklore. This is their legendary first album, originally released in 1970 on the Dicap label. Psychedelic folk–rock of the highest order with beautiful songs, touching vocals, acoustic and electric guitars, flute, organ, percussion, xylophone and lost–in–time, mysterious feel. Includes the famous "Los Momentos" and more. Colour insert with liner notes in English / Spanish and photos. Housed in old style heavy cardboard tip–on sleeve.

[engl] Known as "Del Volar De Las Palomas", this is the second eponymous album from the legendary Blops from Chile, originally released in 1971, while the band lived in a communal house known as "Manchufela". Another superb psychedelic folk–rock offering with a slightly more electrified sound on some of the tracks. Great songs, melancholic atmosphere, deep vocals, acoustic and electric guitars, flute, organ, percussion, drums, cello, violin, backward effects... Colour Insert with photos and liner notes in English / Spanish. Repro of the rare original lyrics / illustrations booklet. Housed in old style heavy cardboard tip–on sleeve.

[engl] The Brotherhood of Sonic Love’s debut album Satellite Heart is out Friday October 4, 2019. The 10 tracks on the album revolve around temptation and denial. They are stories from the down- side of life about the sins of the past and the consequences of unleashing an inner drive for destruc- tion. Front man Asger Westh’s lyrics are saturated by personal struggle and a restless energy and on “Satellite Heart” they are launched upon an ocean of screaming guitars by a band playing with a nervous edge. Stretch your spine rest your bones / In the chapel of lost souls / The demon’s real, the demon’s here / My demon never disappear... (Yesterday’s Drugs) “Satellite Heart” follows up on an appraised EP, a few singles and some years on the Copenhagen underground scene. On the debut, The Brotherhood of Sonic Love continues to refine their love for simple melodies, few chords and straightforward execution, which has become the quintet’s trade- mark. At the same time the band shows a new, more sensitive and quiet side adding more edge to the duality and new layers to the conflict-ridden universe of the songs. Down in the park / Little satellite heart / New adventures / Lurk in the dark / Well known strangers / Former lovers and friends / Secure transmission / They all want the same... (Satellite Heart) Satellite Heart is recorded by the legendary Flemming Rasmussen at Sweet Silence Studios and is mixed and mastered by Frederik Brandt Jakobsen at Hikikomori.

[engl] The Brotherhood of Sonic Love is a son and his father loaded with an arsenal of fuzz pedals and friends... A vision of exploring the beauty of simple riffs wrapped in white noise and psychedelic undertones with a loud lineup of distorted souls from here and there and everywhere. “Ever had the feeling that you don’t belong? Anywhere or to anyone? Ever had the feeling that you don’t fit in? I’ve felt this way since I was born my friend...” (From Wrong Side of the Track) The Brotherhood of Sonic Love took o as a band in the beginning of 2016. Prompted by the venues themselves, the band did a line of gigs before they went straight to the studio to record an EP, which will be out in the fall of 2016. ”The things that makes us feel alive are gonna kill us. You keep the secrets of the universe deep within you. The things that makes us feel alive are gonna kill us. All the stars explode tonight deep within you...” (From I Wanna Touch your Soul) On stage, The Brotherhood of Sonic Love is a lively bunch of both young and very experienced people from the garage rock, psych and noise scene in Copenhagen, Denmark. From time to time the line-up extends, as so many people want to be a part of this laid-back and very intense musical brotherhood.

[engl] Totally under the radar US private pressing from 1982. 60s/70s influenced psychedelic hard–rock full of distorted guitar and freaky synths with some mellowed–out folky moments. File next to other psych misfits such like T Kail, D.R. Hooker, Marcus, Michael Angelo? Cal – also known as "Cal Rock&Roll" – was a band formed in the mid–70s in New York by some veteran musicians from the club scene: Larry Calabrese on guitar & vocals, Andy Barone on bass, Jerry Joly on drums / vocals and Jeffrey Gaer on keyboards. Famous for their powerful live shows ? one of their stellar moments was opening for Leslie West & Mountain – , Cal secured a faithful fan base, especially among the biker crowd. In 1980, they recorded their only album: "Homegrown". As the title suggests, it was self–produced by the band and recorded by Larry at his 8–track home studio. But unlike other similar private albums, there’s nothing amateur here. This is a perfectly recorded & played effort, featuring well crafted songs. There’s lot of loud distorted guitar, Hammond, analogue synths and some Doors influence on the vocals, especially on the lysergic "Couragous Cat". "Homegrown" was released in 1982 in a edition of 2000 copies, most of which were discarded due to pressing faults. Also, the album mastered at lower speed. Soon after, Larry met Todd Rundgren at a recording studio and he expressed interest in the band and some of their songs. Famous record label Sugarhill were also interested in adding Cal to their roster but nothing came of it in the end. So "Homegrown" vanished into obscurity until some original copies were discovered by psych dealers and collectors in the 90s. First ever legit reissue Insert with detailed liner notes and rare photos

[engl] Recorded live during summer 1975.