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FOREVER PAVOT

  • cover

    FOREVER PAVOT

    La pantoufle

    [engl] 
    We used to know Émile Sornin as the son, the pupil, who saw fathers of his among the pioneers of baroque, progressive and psychedelic pop; who found big brothers by heart and aesthetics in Aquaserge; the (nearly) solitary creator of the “fine retro-maniac piece of work” (The Drone), Rhapsode, in 2014. After experiences in metal, garage, hip hop, he had spent a lot of time exploring, mixing together, digging, getting to the roots with the seriousness of a young man on a quest for territories to occupy. An insatiable jack-of-all-trades, he directed delirious videos for Dizzee Rascal or Disclosure when he wasn’t combing the countryside to discover new instruments (the movie Le Bon Coin Forever). Here is Émile Sornin the (new) father, the dubbed artist, the one-man-studio fully aware of his essential influences (French 70s movie soundtracks – Philippe Sarde, François De Roubaix, Francis Lai – rather than Italian giallo soundtracks, synth pioneers such as Wendy Carlos or Mort Garson, library music à la Camille Sauvage, Claude Vasori and Roger Roger); the captain of a dense, tight live band. The man called by producer Sebastian to the bedside of – scoop – Charlotte Gainsbourg’s next album. The man who just gave birth to La Pantoufle. From shore to shore, Émile Sornin incorporated into his music the humor and self-mockery he didn’t dare to embrace in the past.
    Format
    CD
    Release-Datum
    25.08.2017
    Genre
    Indie
    Preis
    15,00 EUR
    Bestand
    am Lager
    Anzahl
    Warenkorb
     
  • 01. Electric Mami
    02. Miguel el Salam
    03. Joe and Rose
    04. Rhapsode
    05. Les naufragés de Nieul
    06. La Rabla
    07. Le passeur d'armes
    08. Les cigognes nenuphars
    09. Ivresse de Pacotille
    10. Green Nap
    11. Magic Helicopter
    12. The sound of Chehery Bell
    cover

    FOREVER PAVOT

    Rhapsode

    [engl] 
    The pop world is divided into two categories. On the one hand, groups that create new things out of old ones. We know them, we have the names. Yawn, yawn. On the other, those who create old things with old ones, left behind by the wars they have not lived, in search of times they have not known and consoles on eBay in the hope of sounding like Velvet Underground. Just as pathetic as the first, the whole thing coupled with an obsession for imitation which gives their future a taste of an old biscuit dipped in formalin. “Fashion is what goes out of fashion”, used to say Cocteau. Although he died without having been able to listen to the first Forever Pavot’s album, we must grant the poet the gift of prophecy: the classical opposition between past and future is completely stupid. On these grounds, Forever Pavot has done honourably. Create new things with old ones, or rather make something beautiful with the old, it is the ambition of “Rhapsode”, record where Ennio Morricone, Francis Lai and other film music composers from the 60′s find at last the singer they were missing. But beware, under the cobblestones of these 68′s composers, no plagiarism. In the same way that old stone is a long term investment, one is tempted to describe Emile Sornin, Forever Pavot’s leader, as a maker of things solid, expert in both messing around and demolishing walls.
    Format
    LP
    Release-Datum
    01.11.2014
    Genre
    Indie
    Preis
    14,00 EUR
    Bestand
    am Lager
    Anzahl
    Warenkorb
    Format
    CD
    Release-Datum
    01.11.2014
    Genre
    Indie
    Preis
    13,50 EUR
    Bestand
    am Lager
    Anzahl
    Warenkorb
     
 

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  • cover

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    [engl] We used to know Émile Sornin as the son, the pupil, who saw fathers of his among the pioneers of baroque, progressive and psychedelic pop; who found big brothers by heart and aesthetics in Aquaserge;
  • cover

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  • cover

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