Artists
Hier findet ihr die Künstler/Bands.
FLUID TO GAS
- 01. We Are Still On Air
02. Dig'N'Duke Cell Constant
03. State Of Flux
04. Real Destruction
FLUID TO GAS
... on Air
(F-Spin)[engl] New EP by this band from Bonn/Germany, existing since the mid-90s, 11 years after their latest release ("Lemons For Lunch" CD). Here's now 4 new songs in their Dischord-influenced style, most notably FUGAZI, SOULSIDE and GvsB...- Format
- 7" lim
- Release-Datum
- 26.10.2017
- Genre
- Postpunk / Wave / Noise
Mehr vom Label »F-Spin«
FLUID TO GAS
... on Air
(F-Spin)[engl] New EP by this band from Bonn/Germany, existing since the mid-90s, 11 years after their latest release ("Lemons For Lunch" CD). Here's now 4 new songs in their Dischord-influenced style, most notaFLUID TO GAS
... on Air
(F-Spin)[engl] New EP by this band from Bonn/Germany, existing since the mid-90s, 11 years after their latest release ("Lemons For Lunch" CD). Here's now 4 new songs in their Dischord-influenced style, most nota
Mehr zum Genre »Postpunk / Wave / Noise«
JC SATAN
Centaur Desire
(Born Bad)[engl] As we know, first times are always the most powerful: the shattering rush of revelation can only be experienced once. After that it’s all an inevitable, exhausting quest for repetition, a feverish s
GEWALT
Limiter // Verheimlichung 1te Vers.
Man kann es drehen und wenden wie man will. Gewalt haben es geschafft, 2017 mit der Weiterentwicklung von Noiserock eine der innovativsten, deutschen Bands zu sein. Sound, Sprache, Live-Performance, R
SPIDER KING
Shot to pieces
[engl] “Leaving you spellbound in its androgynous vocal delivery, Spider King’s Animals is a haunting children’s march that paralyses me with each listen” Cedric Bixler Zavala (Mars Volta/Antemasqu
BIS KAIDAN
2
[engl] BISKAIDAN are back with a vengeance, and a very loud one to top it off !?The japanese all-star band is still playing its very own brand of music, perverting?the quirkiness of metal influenced idol tun
LUMEN LAB
They Are Killing Us
(Aagoo)[engl] Lumen lab is a project created by Diego Martínez in 2000. When he was fifteen, he surprised the electronic scene in Mexico (reserved then only to genres associated with dance music or late rave cultu
